A Private View
Author | : Yale University. Art Gallery |
Publisher | : Arthur Schwartz Sales Company |
Total Pages | : 147 |
Release | : 1993 |
Genre | : Painting |
ISBN | : 9780894670626 |
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Author | : Yale University. Art Gallery |
Publisher | : Arthur Schwartz Sales Company |
Total Pages | : 147 |
Release | : 1993 |
Genre | : Painting |
ISBN | : 9780894670626 |
Author | : |
Publisher | : |
Total Pages | : 220 |
Release | : 1989 |
Genre | : Art |
ISBN | : |
"This book is a beautiful presentation of the Paintings from the Manoogian Collection that was on display in 1989. All of the painting in this collection are presented in this book as well as the Artists' biographies."--Amazon.
Author | : Richard A. Manoogian |
Publisher | : |
Total Pages | : 132 |
Release | : 1999-02 |
Genre | : Painting |
ISBN | : 9780945064039 |
Author | : Kevin Sharp |
Publisher | : University of Washington Press |
Total Pages | : 160 |
Release | : 2004 |
Genre | : Art |
ISBN | : |
"The Hudson River School is really the first coherent school of American art and it helped shape the mythos of the American landscape. The artists of the School, working from 1825 to 1875, infused the American landscape with the dreams and ambitions of a young nation poised for greatness. Beginning with the works of Thomas Cole, acknowledged founder and key figure in the establishment of the School, landscape art became the prevalent genre of nineteenth-century painting. Cole, whose dramatic and colorful landscapes are among the most impressive of the group, may be said to have been its leader during the its most active years. The work of over 20 artists is included here, with paintings by Henry Inman, Jasper Cropsey, Frederic E. Church, George Inness, Sanford Gifford, Martin Johnson Heade, Albert Bierstadt, William Stanley Haseltine, and Thomas Moran."
Author | : Jennifer A. Bailey |
Publisher | : University of Washington Press |
Total Pages | : 146 |
Release | : 2006 |
Genre | : Art |
ISBN | : |
Americans were introduced to Impressionism by the French in the 1880s. They explored its expressive potential and debated its merits in the 1890s, and by the turn of the 20th century, American painters had seized the style for their own. Included here are thirty superb examples of American Impressionist painting by the seminal artists who redefined the movement for American audiences, including Frank W. Benson, Mary Cassatt, William Merritt Chase, Childe Hassam, John Singer Sargent, John Henry Twachtman, and others.An essay by Kevin Sharp examines the unintentional circumstances and deliberate efforts that transformed Impressionism from an expression of the French vanguard into an international style, and eventually, into a peculiarly American enterprise.
Author | : Detroit Institute of Arts |
Publisher | : |
Total Pages | : 314 |
Release | : 1997 |
Genre | : Detroit Institute of Arts |
ISBN | : 9781555951429 |
Author | : Theodore E. Stebbins |
Publisher | : Yale University Press |
Total Pages | : 408 |
Release | : 2000-01-01 |
Genre | : Biography & Autobiography |
ISBN | : 0300081839 |
Martin Johnson Heade was one of the most significant American painters of the nineteenth century, creator of portraits, history and genre pictures, still lifes, ornithological studies, landscapes, and marines, and his own unique orchid and hummingbird compositions. This book brings a perspective to Heade and his works, presenting him as one of the most original and productive painters of his time. Theodore Stebbins builds on his acclaimed 1975 study of Heade, drawing on several newly discovered collections of Heade's letters and the painter's own Brazilian journal. Stebbins tells of Heade's training and early career as an itinerant portraitist and discusses his move to New York, where, under the influence of Frederic E. Church, he began painting landscapes and seascapes. He examines Heade's relationships with patrons and dealers, writers and scientists, and he sheds new light on Heade’s trips to Brazil, to the Central American tropics, and to London. And he describes Heade's move to Florida in 1883, which marked not his retirement but a final period of creativity that lasted until his death in 1904. The book includes not only an examination of Heade's life and works but also reproductions of all his 620 known paintings, including nearly 250 that have been discovered since 1975.
Author | : Eleanor Jones Harvey |
Publisher | : Yale University Press |
Total Pages | : 353 |
Release | : 2012-12-03 |
Genre | : Art |
ISBN | : 0300187335 |
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Author | : Jay Williams |
Publisher | : |
Total Pages | : |
Release | : 2016-10-15 |
Genre | : |
ISBN | : 9780977636891 |
Since the 1970s, Richard and Jane Manoogian have collected some of the most celebrated examples of historical American Art, including Hudson River School, American impressionist, and trompe l'oeil paintings. This book documents an exhibition that includes such stellar exemplars of American art as Asher B. Durand, one of the fathers of the Hudson River School; Frederick Frieseke, a leading member of the American art colony at Giverny, France (the village that was home to Claude Monet); Frank Benson, whose iconic figure paintings incorporate impressionist brushwork while conveying a strong sense of his subjects' personalities; and William Michael Harnett, represented here by three remarkable trompe l'oeil compositions.
Author | : Joan Carpenter Troccoli |
Publisher | : Yale University Press |
Total Pages | : 232 |
Release | : 2000-01-01 |
Genre | : Art |
ISBN | : 0300087225 |
"This book offers a tour of a collection of paintings of the American West still in private hands. The Anschutz Collection covers all the ground expected in a wide-ranging, major survey, yet still has plenty of room for surprises. Every phase in the history of American art since the 182Os is included. There are pictures of impressive quality by lesser-known artists and examples from all the major painters who have depicted the West. You'll discover works by artists such as Marsden Hartley, Childe Hassam, Jan Matulka, and John Henry Twachtman, who painted western subjects only rarely, and pictures by those whose subjects were predominantly western. The collection is particularly rich in paintings made in Taos and Santa Fe during the first half of the twentieth century, when major American artists often found inspiration and stylistic renewal in the Southwest. Among the American masters represented here are George Bellows, Albert Bierstadt, George Caleb Bingham, Ernest Blumenschein, George Catlin, Stuart Davis, Asher B. Durand, George Inness, John Marin, Alfred Jacob Miller, Thomas Moran, Georgia O'Keeffe, Frederic Remington, Charles Marion Russell, and Walter Ufer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved