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| Author | : James Richard Giles |
| Publisher | : Dictionary of Literary Biograp |
| Total Pages | : 468 |
| Release | : 2003 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780787660222 |
Contains biographical sketches of writers who either began writing novels after 1945 or have done their most important work since then.
| Author | : Jeffrey Helterman |
| Publisher | : |
| Total Pages | : 557 |
| Release | : 1978 |
| Genre | : |
| ISBN | : 9780810309142 |
| Author | : James Richard Giles |
| Publisher | : Dictionary of Literary Biograp |
| Total Pages | : 416 |
| Release | : 1995 |
| Genre | : Biography & Autobiography |
| ISBN | : |
Contains biographical sketches of writers who either began writing novels after 1945 or have done their most important work since then.
| Author | : |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 1978 |
| Genre | : Authors |
| ISBN | : 9780810309142 |
| Author | : John B. Quigley |
| Publisher | : |
| Total Pages | : 444 |
| Release | : 2007 |
| Genre | : History |
| ISBN | : |
Quigley analyzes each instance of military intervention abroad by the United States since World War II, from the perspective of what the government told the public--or did not tell the public.
| Author | : Jeffrey Helterman |
| Publisher | : Detroit : Gale Research Company |
| Total Pages | : 584 |
| Release | : 1978 |
| Genre | : Biography & Autobiography |
| ISBN | : 9780810309142 |
Contains alphabetically arranged entries that provide career biographies of eighty American authors who either began writing novels after 1945 or have done their most important work since then; each with a list of principal works and a bibliography.
| Author | : James Charles Cobb |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 394 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 0195166515 |
In this sweeping narrative, Cobb covers such diverse topics as "Dixiecrats," the "southern strategy," the South's domination of today's GOP, immigration, the national ascendance of southern culture and music, and the roles of women and an increasingly visible gay population in contemporary southern life. Beginning with the early stages of the civil rights struggle, Cobb discusses how the attack on Pearl Harbor set the stage for the demise of Jim Crow. He examines the NAACP's postwar assault on the South's racial system, the famous bus boycott in Montgomery, the emergence of Rev. Martin Luther King in the movement, and the dramatic protests and confrontations that finally brought profound racial changes, and two-party politics to the South.
| Author | : John W. Dower |
| Publisher | : Haymarket Books |
| Total Pages | : 141 |
| Release | : 2017-03-20 |
| Genre | : Political Science |
| ISBN | : 1608467260 |
“Tells how America, since the end of World War II, has turned away from its ideals and goodness to become a match setting the world on fire” (Seymour Hersh, investigative journalist and national security correspondent). World War II marked the apogee of industrialized “total war.” Great powers savaged one another. Hostilities engulfed the globe. Mobilization extended to virtually every sector of every nation. Air war, including the terror bombing of civilians, emerged as a central strategy of the victorious Anglo-American powers. The devastation was catastrophic almost everywhere, with the notable exception of the United States, which exited the strife unmatched in power and influence. The death toll of fighting forces plus civilians worldwide was staggering. The Violent American Century addresses the US-led transformations in war conduct and strategizing that followed 1945—beginning with brutal localized hostilities, proxy wars, and the nuclear terror of the Cold War, and ending with the asymmetrical conflicts of the present day. The military playbook now meshes brute force with a focus on non-state terrorism, counterinsurgency, clandestine operations, a vast web of overseas American military bases, and—most touted of all—a revolutionary new era of computerized “precision” warfare. In contrast to World War II, postwar death and destruction has been comparatively small. By any other measure, it has been appalling—and shows no sign of abating. The author, recipient of a Pulitzer Prize and a National Book Award, draws heavily on hard data and internal US planning and pronouncements in this concise analysis of war and terror in our time. In doing so, he places US policy and practice firmly within the broader context of global mayhem, havoc, and slaughter since World War II—always with bottom-line attentiveness to the human costs of this legacy of unceasing violence. “Dower delivers a convincing blow to publisher Henry Luce’s benign ‘American Century’ thesis.” —Publishers Weekly
| Author | : James E. Kibler |
| Publisher | : Detroit, Mich. : Gale Research Company |
| Total Pages | : 422 |
| Release | : 1980 |
| Genre | : American fiction |
| ISBN | : |
| Author | : Stephanie Brown |
| Publisher | : Univ. Press of Mississippi |
| Total Pages | : 203 |
| Release | : 2011-03-14 |
| Genre | : Literary Criticism |
| ISBN | : 1604739746 |
Americans in the World War II era bought the novels of African American writers in unprecedented numbers. But the names on the books lining shelves and filling barracks trunks were not the now-familiar Richard Wright and Ralph Ellison, but Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding. In this book, Stephanie Brown recovers the work of these innovative novelists, overturning conventional wisdom about the writers of the period and the trajectory of African American literary history. She also questions the assumptions about the relations between race and genre that have obscured the importance of these once-influential creators. Wright's Native Son (1940) is typically considered to have inaugurated an era of social realism in African-American literature. And Ellison's Invisible Man (1952) has been cast as both a high mark of American modernism and the only worthy stopover on the way to the Black Arts Movement of the 1960s. But readers in the late 1940s purchased enough copies of Yerby's historical romances to make him the best-selling African American author of all time. Critics, meanwhile, were taking note of the generic experiments of Redding, Himes, and Smith, while the authors themselves questioned the obligation of black authors to write protest, instead penning campus novels, war novels, and, in Yerby's case, "costume dramas." Their status as "lesser lights" is the product of retrospective bias, Brown demonstrates, and their novels established the period immediately following World War II as a pivotal moment in the history of the African American novel.
