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| Author | : Jeff Todd Titon |
| Publisher | : |
| Total Pages | : 216 |
| Release | : 2002 |
| Genre | : Ethnomusicology |
| ISBN | : |
A study of American vernacular musical traditions, featuring essays on communities and examples of their music, as well as interviews or profiles of specific musicians and musical groups. Volume one covers Native American music anddance, organized by tribe.
| Author | : Tara Browner |
| Publisher | : University of Illinois Press |
| Total Pages | : 186 |
| Release | : 2010-10-01 |
| Genre | : Music |
| ISBN | : 0252090659 |
This unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods. Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander.
| Author | : Beverley Diamond |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 212 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : 9780195301045 |
Native American Music in Eastern North America is one of many case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Native American Music in Eastern North America is one of the first books to explore the contemporary musical landscape of indigenous North Americans in the north and east. It shows how performance traditions of Native North Americans have been influenced by traditional social values and cultural histories, as well as by encounters and exchanges with other indigenous groups and with newcomers from Europe and Africa. Drawing on her extensive fieldwork and on case studies from several communities--including the Iroquois, the Algonquian-speaking nations of the Atlantic seaboard, and the Inuit of the far north--author Beverley Diamond discusses intertribal celebrations, popular music projects, dance, art, and film. She also considers how technology has mediated present-day cultural communication and how traditional ideas about social roles and gender identities have been negotiated through music. Enhanced by accounts of local performances, interviews with tribal elders and First Nations performers, vivid illustrations, and hands-on listening activities, Native American Music in Eastern North America provides a captivating introduction to this under-examined topic. It is packaged with an 80-minute audio CD containing twenty-six examples of the music discussed in the book, including several rare recordings. The author has also provided a list of eighteen songs representing a wide variety of styles--from traditional Native American chants to an Inuit collaboration with Björk--that are referenced in the book and available as an iMix at www.oup.com/us/globalmusic.
| Author | : Timothy Archambault |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 501 |
| Release | : 2013-03-27 |
| Genre | : Social Science |
| ISBN | : 0313055068 |
This book is a one-stop reference resource for the vast variety of musical expressions of the First Peoples' cultures of North America, both past and present. Encyclopedia of Native American Music of North America documents the surprisingly varied musical practices among North America's First Peoples, both historically and in the modern context. It supplies a detailed yet accessible and approachable overview of the substantial contributions and influence of First Peoples that can be appreciated by both native and nonnative audiences, regardless of their familiarity with musical theory. The entries address how ethnomusicologists with Native American heritage are revolutionizing approaches to the discipline, and showcase how musicians with First Peoples' heritage are influencing modern musical forms including native flute, orchestral string playing, gospel, and hip hop. The work represents a much-needed academic study of First Peoples' musical cultures—a subject that is of growing interest to Native Americans as well as nonnative students and readers.
| Author | : Elaine Keillor |
| Publisher | : Greenwood |
| Total Pages | : 0 |
| Release | : 2013-03-27 |
| Genre | : Social Science |
| ISBN | : 0313336008 |
Presents a reference guide of alphabetically arranged entries on the musicians, songwriters, instruments, and dances of Native Americans, along with essays on the history and regional variations within their musical tradition.
| Author | : John W. Troutman |
| Publisher | : University of Oklahoma Press |
| Total Pages | : 343 |
| Release | : 2013-06-14 |
| Genre | : Music |
| ISBN | : 0806150025 |
From the late nineteenth century through the 1920s, the U.S. government sought to control practices of music on reservations and in Indian boarding schools. At the same time, Native singers, dancers, and musicians created new opportunities through musical performance to resist and manipulate those same policy initiatives. Why did the practice of music generate fear among government officials and opportunity for Native peoples? In this innovative study, John W. Troutman explores the politics of music at the turn of the twentieth century in three spheres: reservations, off-reservation boarding schools, and public venues such as concert halls and Chautauqua circuits. On their reservations, the Lakotas manipulated concepts of U.S. citizenship and patriotism to reinvigorate and adapt social dances, even while the federal government stepped up efforts to suppress them. At Carlisle Indian School, teachers and bandmasters taught music in hopes of imposing their “civilization” agenda, but students made their own meaning of their music. Finally, many former students, armed with saxophones, violins, or operatic vocal training, formed their own “all-Indian” and tribal bands and quartets and traversed the country, engaging the market economy and federal Indian policy initiatives on their own terms. While recent scholarship has offered new insights into the experiences of “show Indians” and evolving powwow traditions, Indian Blues is the first book to explore the polyphony of Native musical practices and their relationship to federal Indian policy in this important period of American Indian history.
| Author | : Bruno Nettl |
| Publisher | : |
| Total Pages | : 62 |
| Release | : 2013-03 |
| Genre | : |
| ISBN | : 9781258632540 |
| Author | : Thomas Commuck (Brotherton Indian) |
| Publisher | : |
| Total Pages | : 122 |
| Release | : 1845 |
| Genre | : Brotherton Indians |
| ISBN | : |
| Author | : Willie Smyth |
| Publisher | : |
| Total Pages | : 201 |
| Release | : 1999 |
| Genre | : Music |
| ISBN | : 9780295977324 |
This book and accompanying compact disk offer a rare glimpse into Native American cultural and sacred traditions of song and dance. The book and CD are the result of a multi-year collaboration among the members of Washington State's tribes, Jack Straw Productions, the Northwest Folklife Festival, and the Washington State Arts Commission's Folk Arts Program. 54 illustrations, 22 in color.
| Author | : Victoria Lindsay Levine |
| Publisher | : A-R Editions, Inc. |
| Total Pages | : 354 |
| Release | : 2002-01-01 |
| Genre | : Music |
| ISBN | : 0895794942 |
This edition explores the history of musical contact, interaction, and exchange between American Indians and Euramericans, as documented in musical transcriptions, notations, and arrangements. The volume contributes to an understanding of American music that reflects our cultural reality, depicting reciprocal influences among Native Americans, scholars, composers, and educators, and illustrating consequences of those encounters for American musical life in general. Culled from a published record of over 8,000 songs, the edition contains 116 musical examples reproduced in facsimile. Included in the volume are the earliest attempts to represent tribal music in European notation, archetypal transcriptions in the scholarly literature of ethnomusicology, and recent contributions by contemporary scholars. Some of the notations shown here inspired composers in search of a distinctively American musical idiom to write works based on American Indian melodies. Others captured the imagination of American school children, whose concept of cultural and musical identity came to be linked with American Indians. Indigenous notations, the work of native scholars and educators, and recent compositions by native composers working in the classical vein also appear in this volume. As a compendium of historic materials, the edition illustrates the development of Euramerican attitudes and approaches to American Indian musics, the infusion of native musics into American musical culture, and native responses to and participation in the enterprise.
