American International Pictures
Author | : Robert Ottoson |
Publisher | : Garland Publishing |
Total Pages | : 456 |
Release | : 1985 |
Genre | : Performing Arts |
ISBN | : |
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Author | : Robert Ottoson |
Publisher | : Garland Publishing |
Total Pages | : 456 |
Release | : 1985 |
Genre | : Performing Arts |
ISBN | : |
Author | : Rob Craig |
Publisher | : McFarland |
Total Pages | : 452 |
Release | : 2019-02-19 |
Genre | : Performing Arts |
ISBN | : 1476666318 |
American International Pictures was in many ways the "missing link" between big-budget Hollywood studios, "poverty-row" B-movie factories and low-rent exploitation movie distributors. AIP first targeted teen audiences with science fiction, horror and fantasy, but soon grew to encompass many genres and demographics--at times, it was indistinguishable from many of the "major" studios. From Abby to Zontar, this filmography lists more than 800 feature films, television series and TV specials by AIP and its partners and subsidiaries. Special attention is given to American International Television (the TV arm of AIP) and an appendix lists the complete AITV catalog. The author also discusses films produced by founders James H. Nicholson and Samuel Z. Arkoff after they left the company.
Author | : Gary A. Smith |
Publisher | : |
Total Pages | : 542 |
Release | : 2013-10 |
Genre | : Performing Arts |
ISBN | : 9781593937508 |
In the mid-1950s, American International Pictures (AIP) was the self-proclaimed "Infant of the Industry," and as such, was not perceived as a serious threat to the major studios of the time. AIP soon proved themselves worthy opponents, when their youth-oriented double features began raking in big bucks that rivaled and sometimes surpassed the profits of their competitors. The company's founders were James H. Nicholson and Samuel Z. Arkoff, and during the years they worked together as a team, AIP turned out their most imaginative movies, including I Was a Teenage Werewolf, Beach Party, and the Roger Corman/Vincent Price/Edgar Allen Poe films. This is the story of those years told mainly using the material gathered by AIPs New York publicist.
Author | : Mark Thomas McGee |
Publisher | : |
Total Pages | : 288 |
Release | : 1984 |
Genre | : Performing Arts |
ISBN | : |
History the independent film production and distribution company dedicated to releasing low-budget films packaged as double features, primarily of interest to the teenagers of the 1950s, 1960s, and 1970s.
Author | : Jacob Holdt |
Publisher | : |
Total Pages | : 304 |
Release | : 1985 |
Genre | : History |
ISBN | : |
From 1971 to 1978 the author, a Dane, hitchiked across more than 100,000 miles of America. This volume, written at the journey's end, contains some 700 of the photographs he took, and describes his odyssey.
Author | : Mark Thomas McGee |
Publisher | : |
Total Pages | : 366 |
Release | : 1996 |
Genre | : Business & Economics |
ISBN | : |
History of the AIP studio, famous for its cheap horror films and beach flicks.
Author | : Alexander Horwath |
Publisher | : Amsterdam University Press |
Total Pages | : 395 |
Release | : 2004 |
Genre | : Performing Arts |
ISBN | : 9053566317 |
This publication is a major evaluation of the 1970s American cinema, including cult film directors such as Bogdanovich Altman and Peckinpah.
Author | : Samuel Z. Arkoff |
Publisher | : Carol Publishing Corporation |
Total Pages | : 334 |
Release | : 1992 |
Genre | : Arkoff, Sam |
ISBN | : |
Author | : Robert Sklar |
Publisher | : Vintage |
Total Pages | : 428 |
Release | : 2012-10-31 |
Genre | : Performing Arts |
ISBN | : 030775684X |
Hailed as the definitive work upon its original publication in 1975 and now extensively revised and updated by the author, this vastly absorbing and richly illustrated book examines film as an art form, technological innovation, big business, and shaper of American values. Ever since Edison's peep shows first captivated urban audiences, film has had a revolutionary impact on American society, transforming culture from the bottom up, radically revising attitudes toward pleasure and sexuality, and at the same time, cementing the myth of the American dream. No book has measured film's impact more clearly or comprehensively than Movie-Made America. This vastly readable and richly illustrated volume examines film as art form, technological innovation, big business, and cultural bellwether. It takes in stars from Douglas Fairbanks to Sly Stallone; auteurs from D. W. Griffith to Martin Scorsese and Spike Lee; and genres from the screwball comedy of the 1930s to the "hard body" movies of the 1980s to the independents films of the 1990s. Combining panoramic sweep with detailed commentaries on hundreds of individual films, Movie-Made America is a must for any motion picture enthusiast.
Author | : Michael R. Pitts |
Publisher | : McFarland |
Total Pages | : 543 |
Release | : 2015-09-17 |
Genre | : Performing Arts |
ISBN | : 1476610363 |
From the beginning of the sound era until the end of the 1930s, independent movie-making thrived. Many of the independent studios were headquartered in a section of Hollywood called "Poverty Row." Here the independents made movies on the cheap, usually at rented facilities where shooting was limited to only a few days. From Allied Pictures Corporation to Willis Kent Production, 55 Poverty Row Studios are given histories in this book. Some of the studios, such as Diversion Pictures and Cresent Pictures, came into existence for the sole purpose of releasing movies by established stars. Others, for example J.D. Kendis, were early exploitation filmmakers under the guise of sex education. The histories include critical commentary on the studio's output and a filmography of all titles released from 1929 through 1940.