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| Author | : Gene Fernett |
| Publisher | : |
| Total Pages | : 316 |
| Release | : 1988 |
| Genre | : Business & Economics |
| ISBN | : |
Not an exhaustive encyclopedia of film studies, but a thorough study of 66 studios of all sizes and specialities. Treated alphabetically, each entry is a history which discusses stars, successes, and failures. Includes some rare photos. Annotation copyright Book News, Inc. Portland, Or.
| Author | : Daniel Steinhart |
| Publisher | : Univ of California Press |
| Total Pages | : 296 |
| Release | : 2019-02-26 |
| Genre | : Performing Arts |
| ISBN | : 0520970691 |
After World War II, as cultural and industry changes were reshaping Hollywood, movie studios shifted some production activities overseas, capitalizing on frozen foreign earnings, cheap labor, and appealing locations. Hollywood unions called the phenomenon “runaway” production to underscore the outsourcing of employment opportunities. Examining this period of transition from the late 1940s to the early 1960s, Runaway Hollywood shows how film companies exported production around the world and the effect this conversion had on industry practices and visual style. In this fascinating account, Daniel Steinhart uses an array of historical materials to trace the industry’s creation of a more international production operation that merged filmmaking practices from Hollywood and abroad to produce movies with a greater global scope.
| Author | : Brian R. Jacobson |
| Publisher | : Columbia University Press |
| Total Pages | : 313 |
| Release | : 2015-09-01 |
| Genre | : Performing Arts |
| ISBN | : 0231539665 |
By 1915, Hollywood had become the epicenter of American filmmaking, with studio "dream factories" structuring its vast production. Filmmakers designed Hollywood studios with a distinct artistic and industrial mission in mind, which in turn influenced the form, content, and business of the films that were made and the impressions of the people who viewed them. The first book to retell the history of film studio architecture, Studios Before the System expands the social and cultural footprint of cinema's virtual worlds and their contribution to wider developments in global technology and urban modernism. Focusing on six significant early film corporations in the United States and France—the Edison Manufacturing Company, American Mutoscope and Biograph, American Vitagraph, Georges Méliès's Star Films, Gaumont, and Pathé Frères—as well as smaller producers and film companies, Studios Before the System describes how filmmakers first envisioned the space they needed and then sourced modern materials to create novel film worlds. Artificially reproducing the natural environment, film studios helped usher in the world's Second Industrial Revolution and what Lewis Mumford would later call the "specific art of the machine." From housing workshops for set, prop, and costume design to dressing rooms and writing departments, studio architecture was always present though rarely visible to the average spectator in the twentieth century, providing the scaffolding under which culture, film aesthetics, and our relation to lived space took shape.
| Author | : Julie Lugo Cerra |
| Publisher | : Arcadia Publishing |
| Total Pages | : 132 |
| Release | : 2011 |
| Genre | : History |
| ISBN | : 9780738582009 |
After watching pioneer filmmaker Thomas Ince film one of his famous Westerns on Ballona Creek, city founder Harry Culver saw the economic base for his city. Culver announced plans for the city in 1913 and attracted three major movie studios to Culver City, along with smaller production companies. "The Heart of Screenland" is fittingly etched across the Culver City seal. These vintage images are a tour through the storied past of this company town on the legendary movie lots bearing the names of Thomas Ince, Hal Roach, Goldwyn, Metro-Goldwyn-Mayer, Lorimar, MGM-UA, Columbia, Sony Pictures, DeMille, RKO-Pathe, Selznick, Desilu, Culver City Studios, Laird International, the Culver Studios, and such nearly forgotten mini-factories as the Willat Studios. On these premises, Gone With the Wind, The Wizard of Oz, Citizen Kane, E.T: The Extra-Terrestrial, and other classics were filmed, along with tens of thousands of television shows and commercials featuring Elvis Presley, the Beatles, Michael Jackson, and many others.
| Author | : Source Wikipedia |
| Publisher | : Booksllc.Net |
| Total Pages | : 102 |
| Release | : 2013-09 |
| Genre | : |
| ISBN | : 9781230801377 |
Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 100. Chapters: A.W. Hackel, American Cinema Releasing, American Film Manufacturing Company, American International Pictures, Astor Pictures, Biograph Studios, Calvin Company, Caravan Pictures, Carolco Pictures, Centaur Film Company, Christie Film Company, Cinemation Industries, Cinema Center Films, Cinerama Releasing Corporation, Cinergi Pictures, Compass International Pictures, De Laurentiis Entertainment Group, Dramatic Feature Films, Eaco Films, Eagle-Lion Films, Edison's Black Maria, Edison Studios, Educational Pictures, Embassy Pictures, Essanay Studios, Famous Players-Lasky, Famous Players Film Company, Filmways, Film Booking Offices of America, Fine Line Features, First National, Four Star Television, Fox Atomic, Franchise Pictures, Goldwyn Pictures, Grand National Films Inc., Independent Moving Pictures, Interscope Communications, Kalem Company, Keystone Studios, L-KO Kompany, Laugh-O-Gram Studio, Liberty Films, Lubin Manufacturing Company, Marvel Productions, Mascot Pictures, Metro Pictures, Miles Brothers, Mutual Film, National General Pictures, Orion Pictures, Pathe Exchange, Picturehouse (company), Pioneer Pictures, Premium Picture Productions, Producers Distributing Corporation, Producers Releasing Corporation, Reliance-Majestic Studios, Republic Pictures, Rolfe Photoplays, Samuel Goldwyn Productions, Samuel Goldwyn Studio, Savoy Pictures, Section Eight Productions, Selig Polyscope Company, Selznick International Pictures, Sierra Pictures, Solax Studios, Sono Art-World Wide Pictures, Sun Haven Studios, Thanhouser Company, The Cannon Group, The Foster Photoplay Company, The Oz Film Manufacturing Company, The Samuel Goldwyn Company, The Whartons Studio, Tiffany Pictures, Triangle Film Corporation, Trimark Pictures, Victor Studios, Vim Comedy Company, Vitagraph Studios, Warner Independent Pictures, Weintraub...
| Author | : Kevin Hamilton |
| Publisher | : Interfaces: Studies in Visual Culture |
| Total Pages | : 0 |
| Release | : 2019 |
| Genre | : Cold War |
| ISBN | : 9781512603279 |
"The story of the Cold War era Lookout Mountain Laboratory, or the 1352nd Photographic Group of the United States Air Force, which employed hundreds of Hollywood studio veterans. Engages with issues of the Cold War state and visual culture"--
| Author | : Iwan Morgan |
| Publisher | : Edinburgh University Press |
| Total Pages | : 296 |
| Release | : 2016-10-31 |
| Genre | : Performing Arts |
| ISBN | : 1474414028 |
Examines how Hollywood responded to and reflected the political and social changes that America experienced during the 1930sIn the popular imagination, 1930s Hollywood was a dream factory producing escapist movies to distract the American people from the greatest economic crisis in their nations history. But while many films of the period conform to this stereotype, there were a significant number that promoted a message, either explicitly or implicitly, in support of the political, social and economic change broadly associated with President Franklin D. Roosevelts New Deal programme. At the same time, Hollywood was in the forefront of challenging traditional gender roles, both in terms of movie representations of women and the role of women within the studio system. With case studies of actors like Shirley Temple, Cary Grant and Fred Astaire, as well as a selection of films that reflect politics and society in the Depression decade, this fascinating book examines how the challenges of the Great Depression impacted on Hollywood and how it responded to them.Topics covered include:How Hollywood offered positive representations of working womenCongressional investigations of big-studio monopolization over movie distributionHow three different types of musical genres related in different ways to the Great Depression the Warner Bros Great Depression Musicals of 1933, the Astaire/Rogers movies, and the MGM akids musicals of the late 1930sThe problems of independent production exemplified in King Vidors Our Daily BreadCary Grants success in developing a debonair screen persona amid Depression conditionsContributors Harvey G. Cohen, King's College LondonPhilip John Davies, British LibraryDavid Eldridge, University of HullPeter William Evans, Queen Mary, University of LondonMark Glancy, Queen Mary University of LondonIna Rae Hark, University of South CarolinaIwan Morgan, University College LondonBrian Neve, University of BathIan Scott, University of ManchesterAnna Siomopoulos, Bentley UniversityJ. E. Smyth, University of WarwickMelvyn Stokes, University College LondonMark Wheeler, London Metropolitan University
| Author | : |
| Publisher | : |
| Total Pages | : 39 |
| Release | : 2004 |
| Genre | : |
| ISBN | : |
| Author | : Cynthia Lucia |
| Publisher | : John Wiley & Sons |
| Total Pages | : 516 |
| Release | : 2015-06-25 |
| Genre | : Performing Arts |
| ISBN | : 1118475119 |
From the American underground film to the blockbuster superhero, this authoritative collection of introductory and specialized readings explores the core issues and developments in American cinematic history during the second half of the twentieth-century through the present day. Considers essential subjects that have shaped the American film industry—from the impact of television and CGI to the rise of independent and underground film; from the impact of the civil rights, feminist and LGBT movements to that of 9/11. Features a student-friendly structure dividing coverage into the periods 1960-1975, 1976-1990, and 1991 to the present day, each of which opens with an historical overview Brings together a rich and varied selection of contributions by established film scholars, combining broad historical, social, and political contexts with detailed analysis of individual films, including Midnight Cowboy, Nashville, Cat Ballou, Chicago, Back to the Future, Killer of Sheep, Daughters of the Dust, Nothing But a Man, Ali, Easy Rider, The Conversation, The Texas Chain Saw Massacre, Longtime Companion, The Matrix, The War Tapes, the Batman films, and selected avant-garde and documentary films, among many others. Additional online resources, such as sample syllabi, which include suggested readings and filmographies, for both general and specialized courses, will be available online. May be used alongside American Film History: Selected Readings, Origins to 1960 to provide an authoritative study of American cinema from its earliest days through the new millennium
| Author | : Tamara L. Falicov |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 208 |
| Release | : 2019-06-27 |
| Genre | : Performing Arts |
| ISBN | : 1911239384 |
Film production in Latin America is as old as cinema itself, but local film industries have always been in a triangulated relationship with Hollywood and European cinema. This book situates Latin American film industries within the global circulation of film production, exhibition and distribution, charting the changes that the industries have undergone from the sound era to the present day. Focusing in particular on Argentina, Brazil and Mexico, Tamara Falicov examines commonalities among Latin American film industries, such as the challenges of procuring funding, competition from Hollywood, state funding battles, and the fickle nature of audiences, as well as censorship issues, competition from television, and the transnational nature of Latin American film. She addresses production, exhibition, and distribution contexts and financing and co-production with Europe and the United States, as well as the role of film festivals in funding and circulating films both within and outside of Latin America. Newer trends such as the revival of protectionist measures like the screen quota are framed in contrast to the U.S.'s push for trade policy liberalization and issues of universal concern such as film piracy, and new technologies and the role of television in helping and hindering Latin American cinema.
