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American Film and Society Since 1945

American Film and Society Since 1945
Author: Leonard Quart
Publisher: Greenwood Publishing Group
Total Pages: 256
Release: 2002
Genre: History
ISBN:

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Although films rarely act as mirror reflections of everyday reality, they are, nevertheless, powerful cultural expressions of the dreams and desires of the American public. This work provides a complete post-World War II survey of American cinema and its often complex and contradictory values.


American Film and Society since 1945

American Film and Society since 1945
Author: Leonard Quart
Publisher: Bloomsbury Publishing USA
Total Pages: 377
Release: 2018-04-19
Genre: Performing Arts
ISBN: 1440833222

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From Steven Spielberg's Lincoln to Clint Eastwood's American Sniper, this fifth edition of this classic film study text adds even more recent films and examines how these movies depict and represent the feelings and values of American society. One of the few authoritative books about American film and society, American Film and Society since 1945 combines accessible, fun-to-read text with a detailed, insightful, and scholarly political and social analysis that thoroughly explores the relationship of American film to society and provides essential historical context. The historical overview provides a "capsule analysis" of both American and Hollywood history for the most recent decade as well as past eras, in which topics like American realism; Vietnam, counterculture revolutions, and 1960s films; and Hollywood depictions of big business like Wall Street are covered. Readers will better understand the explicit and hidden meanings of films and appreciate the effects of the passion and personal engagement that viewers experience with films. This new edition prominently features a new chapter on American and Hollywood history from 2010 to 2017, giving readers an expanded examination of a breadth of culturally and socially important modern films that serves student research or pleasure reading. The coauthors have also included additional analysis of classic films such as To Kill a Mockingbird (1962) and A Face in the Crowd (1957).


American Film and Society Since 1945

American Film and Society Since 1945
Author: Leonard Quart
Publisher: Palgrave
Total Pages: 156
Release: 1984
Genre: Performing Arts
ISBN: 9780333300237

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World Cinema Since 1945

World Cinema Since 1945
Author: William Luhr
Publisher: New York : Ungar
Total Pages: 724
Release: 1987
Genre: Performing Arts
ISBN:

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Artikler om filmhistorien i 30 lande og verdensdele


America since 1945

America since 1945
Author: Paul Levine
Publisher: Palgrave Macmillan
Total Pages: 288
Release: 2005-11-05
Genre: History
ISBN: 9781403948311

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This is an introduction to the study of America since 1945--the period in which the US became a world power. Alternate chapters provide the historical background and illuminate themes through culture and the arts, grounding students in the facts before exploring more interpretive approaches. In this way, awareness of central currents in art, film, theater, intellectual history and media is developed alongside an understanding of political and social change.


Hollywood Quarterly

Hollywood Quarterly
Author: Eric Loren Smoodin
Publisher: Univ of California Press
Total Pages: 428
Release: 2002-05-17
Genre: Performing Arts
ISBN: 9780520232747

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This selection of essays taken from Hollywood Quarterly reflect the eclecticism of the journal, with sections on animation, the avant-garde, and documentary to go along with a representative sampling of articles about feature-length narrative films.


A Panorama of American Film Noir (1941-1953)

A Panorama of American Film Noir (1941-1953)
Author: Raymond Borde
Publisher: City Lights Books
Total Pages: 284
Release: 2002
Genre: Performing Arts
ISBN: 9780872864122

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This first book published on film noir established the genre--a classic, at last in translation.


God and War

God and War
Author: Raymond Haberski, Jr.
Publisher: Rutgers University Press
Total Pages: 301
Release: 2012-07-23
Genre: History
ISBN: 0813553180

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Americans have long considered their country to be good—a nation "under God" with a profound role to play in the world. Yet nothing tests that proposition like war. Raymond Haberski argues that since 1945 the common moral assumptions expressed in an American civil religion have become increasingly defined by the nation's experience with war. God and War traces how three great postwar “trials”—the Cold War, the Vietnam War, and the War on Terror—have revealed the promise and perils of an American civil religion. Throughout the Cold War, Americans combined faith in God and faith in the nation to struggle against not only communism but their own internal demons. The Vietnam War tested whether America remained a nation "under God," inspiring, somewhat ironically, an awakening among a group of religious, intellectual and political leaders to save the nation's soul. With the tenth anniversary of 9/11 behind us and the subsequent wars in Iraq and Afghanistan winding down, Americans might now explore whether civil religion can exist apart from the power of war to affirm the value of the nation to its people and the world.


Movies and American Society

Movies and American Society
Author: Steven J. Ross
Publisher: Wiley-Blackwell
Total Pages: 400
Release: 2002-06-10
Genre: History
ISBN: 9780631219590

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This outstanding collection of the best film history scholarship gathers recent essays and supporting documents to illustrate the power of movies to change, and be changed by, American society.


American Film and Politics from Reagan to Bush Jr.

American Film and Politics from Reagan to Bush Jr.
Author: Philip John Davies
Publisher: Manchester University Press
Total Pages: 244
Release: 2002-10-11
Genre: History
ISBN: 9780719058653

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Focusing on the two decades leading to the beginning of the 21st century, this collection examines central issues in American politics and society through the films of the period. Using everything from Oliver Stone to Disney, Clint Eastwood to John Sayles, Jurassic Park to Dumb and Dumber, the international array of authors explore a number of themes. These include: the cinematic views of political institutions; of politically significant places; of the projection of major issues such as gender, family, and race; and the cultural politics of the film makers themselves in America at the start of a new century.