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| Author | : Marika Herskovic |
| Publisher | : |
| Total Pages | : 378 |
| Release | : 2003 |
| Genre | : Art |
| ISBN | : |
A unique book presents Art's main stream between 1950 and1959 in New York and across the US regardless of race, gender or ethnic origin.
| Author | : Metropolitan Museum of Art (New York, N.Y.) |
| Publisher | : Metropolitan Museum of Art |
| Total Pages | : 226 |
| Release | : 2007 |
| Genre | : Abstract expressionism |
| ISBN | : 1588392740 |
An exhibition organized by the Metropolitan Museum of Art of the Muriel Kallis Steinberg Newman Collection which comprises sixty-three modern paintings, sculptures and works on paper by fifty artists. The Abstract Expressionist paintings that form the heart of this collection were nearly all created in New York City.
| Author | : Marika Herskovic |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2009 |
| Genre | : Abstract expressionism |
| ISBN | : 9780967799421 |
This survey (a follow¿up to the earlier volumes: New York School Abstract Expressionists: Artists Choice by Artists;7 American Abstract Expressionism of the 1950s An Illustrated Survey.8) intends to present a significantly different approach. Fifty eight American painters and sculptors of the post-World War II era, are represented, each by one abstract and one figurative work.The book intends to show that the most engaged mainstream creative work in New York and across the USA was not restricted to non-representational or representational expressionism but rather to the creative power of the individual expressionist artist. The artists are represented in alphabetical order. The usual convention of critical analysis is replaced by statements written by the artists themselves. The statements may serve to enlighten the readers as to the artists¿ relation to their creative process. The biographical information for each artist is presented in a standardized, uniform fashion. It is critical that a reference book of this sort would provide excellent, large format reproductions. The books were printed by the world renowned Dr. Cantz¿sche Druckerei in Ostfildern, Germany,
| Author | : Joan Marter |
| Publisher | : Yale University Press |
| Total Pages | : 217 |
| Release | : 2016-01-01 |
| Genre | : Art |
| ISBN | : 0300208421 |
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
| Author | : Robert Knott |
| Publisher | : |
| Total Pages | : 214 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : |
After attending Wake Forest University on an athletic scholarship, J. Donald Nichols played professional baseball with the Baltimore Orioles. From there he went into the real estate development business. He has built more than 175 shopping centers throughout the country, and his company, JDN Realty, is listed on the New York Stock Exchange. Nichols first began collecting American Impressionist paintings in the 1970s, buying one painting as his personal reward for each shopping center he built. After ten years, he began looking for a new area in which to collect. The J. Donald Nichols Collection is now recognized as perhaps the finest collection of American abstract art of the 1930s and 1940s ever assembled.
| Author | : David Thistlewood |
| Publisher | : |
| Total Pages | : 242 |
| Release | : 1993 |
| Genre | : Art |
| ISBN | : |
This first volume in the Tate Gallery Liverpool Critical Forum series is derived from a conference held in conjunction with the display of Abstract Expressionist Painting from the USA, which was mounted at Tate Gallery Liverpool from March 1992 to January 1993. The display comprised 21 paintings by 13 artists, including Ad Reinhardt, Norman Lewis, Adolph Gottlieb, Jackson Pollock, Arshile Gorky, Franz Kline and Willem de Kooning. The objectives of the conference, involving speakers from the international community of scholarship in the field, were: to elicit new observations, critical judgments and proposals from the knowledge base of abstract expressionism and perhaps to challenge some of its prevailing conventions; and to debate the role of the Tate Gallery Liverpool as a modifier of this field of knowledge.
| Author | : Barbara Hess |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2016 |
| Genre | : Art |
| ISBN | : 9783836505178 |
Abstract expressionism refers to the non-representational use of form and color as a means of expression that emerged in America in the 1940s. These artists had striven to express pure emotion directly on canvas, via color and texture.
| Author | : Irving Sandler |
| Publisher | : Hudson Hills |
| Total Pages | : 248 |
| Release | : 2009 |
| Genre | : Art |
| ISBN | : 9781555953119 |
Irving Sandler, the preeminent chronicler of postwar American art, returns to the subject with this new study drawing fresh conclusions about Abstract Expressionism that he has arrived at since his first publication of the movement 1970.
| Author | : Catherine Craft |
| Publisher | : University of Chicago Press |
| Total Pages | : 326 |
| Release | : 2012-05-30 |
| Genre | : Art |
| ISBN | : 0226116808 |
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
| Author | : David Anfam |
| Publisher | : Royal Academy Books |
| Total Pages | : 272 |
| Release | : 2016-11-08 |
| Genre | : Art |
| ISBN | : 9781910350300 |
In 1946 the art critic Robert Coates, writing in the New Yorker, first used the term 'Abstract Expressionism'. The two words combine the emotional intensity of the German Expressionists with the anti-figurative aesthetic of the European Abstract schools. Although they were being painted by then little-known artists working in low-rent studio space, works of Abstract Expressionist art now dominate the walls of major museums. The last major collective Abstract Expressionism exhibition to have taken place in the UK occurred in 1959. This important publication, and the exhibition it accompanies, seek to redress the balance and re-evaluate the movement, recognising its complex and fluid reality, and branching further into multimedia. As such, this book encompasses sculptors such as David Smith and photographers such as Aaron Siskind as well as some of the most famous painters of the twentieth century, including Jackson Pollock, Willem de Kooning, Mark Rothko, Barnett Newman, Franz Kline, Arshile Gorky and Clyfford Still. AUTHOR: David Anfam is the author of the now-standard textbook Abstract Expressionism (1990). Susan Davidson is Senior Curator, Collections and Exhibitions, at the Soloman R. Guggenheim Museum, New York. Edith Devaney is Curator of Contemporary Projects at the Royal Academy of Arts. Jeremy Lewison is former Director of Collections at Tate. Carter Ratcliff wrote Fate of a Gesture: Jackson Pollock and Postwar American Art (1996). Christian Wurst was researcher on The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming). SELLING POINTS: * Accompanies the first major exhibition of Abstract Expressionism in the UK since 1959 * Works of Abstract Expressionist art dominate the walls of major museums around the world * Features an impressive range of experts who discuss some of the signature paintings of the movement 300 colour
