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Ambiguity and Narratology

Ambiguity and Narratology
Author: Simon Grund
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 337
Release: 2024-10-21
Genre: Literary Criticism
ISBN: 3111502708

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As a well-known phenomenon in everyday communication, ambiguity has increasingly become the subject of interdisciplinary research in recent years. However, within this context, it has been observed that words or expressions situated within the artistic framework of storytelling have not yet been at the centre of research interest. This book aims to bridge this gap by examining the phenomenon of ambiguity from the perspective of narratology – understood as a general theory of narration and narrative communication. The volume pursues two goals: Firstly, it seeks to demonstrate that the interdisciplinary combination of linguistics, cultural history and narratology enriches the field of literary studies significantly. This focus not only highlights how narrative techniques often rely on everyday language conventions, but also explores how various textual features, narrative devices, or even entire storylines can be affected by phenomena (or lead to experiences) of ambiguity. These ambiguities often serve as poetic strategies that are deliberately set in the communicative process of text and reader to achieve certain narrative goals. Secondly, ambiguity – as a characteristic of (narrative) communication – seves as a linking element across different fictional (and factual) text types and genres throughout time and cultures. The collected essays cover a wide range of narrative texts, from Roman comedy to funerary reliefs, from historiographical writings to utopian tales, from Goethe’s novels to contemporary fantasy literature. In its broad approach, the volume thus contributes to the project of diachronic narratology, which, like the research on ambiguity in literary and cultural studies, has recently gained increasing momentum. The combined consideration of ambiguity and narratology not only raises awareness of phenomena of ambiguity in narrative texts but also encourage reflection on the theoretical foundations of narrative, particularly on the methods and devices used to describe these ambiguous structures. Overall, the volume represents an exploration of a relatively unexplored interdisciplinary field, aiming to stimulate further research.


Ambiguous Discourse

Ambiguous Discourse
Author: Kathy Mezei
Publisher: Univ of North Carolina Press
Total Pages: 297
Release: 2000-11-09
Genre: Literary Criticism
ISBN: 0807866938

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Carefully melding theory with close readings of texts, the contributors to Ambiguous Discourse explore the role of gender in the struggle for narrative control of specific works by British writers Jane Austen, Virginia Woolf, Anita Brookner, Angela Carter, Jeanette Winterson, and Mina Loy. This collection of twelve essays is the first book devoted to feminist narratology--the combination of feminist theory with the study of the structures that underpin all narratives. Until recently, narratology has resisted the advances of feminism in part, as some contributors argue, because theory has replicated past assumptions of male authority and point of view in narrative. Feminist narratology, however, contextualizes the cultural constructions of gender within its study of narrative strategies. Nine of these essays are original, and three have been revised for publication in this volume. The contributors are Melba Cuddy-Keane, Denise Delorey, Rachel Blau DuPlessis, Susan Stanford Friedman, Janet Giltrow, Linda Hutcheon, Susan S. Lanser, Alison Lee, Patricia Matson, Kathy Mezei, Christine Roulston, and Robyn Warhol.


Does It Really Mean That? Interpreting the Literary Ambiguous

Does It Really Mean That? Interpreting the Literary Ambiguous
Author: Janka Kaščáková
Publisher: Cambridge Scholars Publishing
Total Pages: 255
Release: 2011-01-18
Genre: Literary Collections
ISBN: 1443827495

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However disconnected the essays in the volume might appear to be at first glance, the unifying factor is the very notion of ambiguity—which is one of the essential features of the postmodern age: how it can be defined as opposed to what it means or is, where it can be found, to what purposes it can be put, including questions of whether it is a positive or negative factor. But this, of course, is not a new phenomenon. Writers have always depended on equivocation, multiplicity of meaning, uncertainty of meaning—deliberate mystification one might say. Language itself is the base of ambiguity not only in literature but in everyday public discourse. Thus the papers in the volume should appeal not only to scholars working in the fields of modern or postmodern literature, but those who see the importance of ambiguity in the earlier texts, and perhaps their influences in later writing. Finally the essays included here not only provide specific analyses and proposed solutions for specific works or authors they also open the reader to other appearances of ambiguity, often not simply in literature or critical theory, but in the kinds of social issues the literary works deals with.


Narrations of Ambiguity

Narrations of Ambiguity
Author: Matthew Todd Womble
Publisher:
Total Pages: 225
Release: 2019
Genre: American fiction
ISBN:

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This dissertation examines contemporary American novels and short stories through the lens of narrative and rhetorical theory. While I begin by tracing Wayne Booth's contributions in The Rhetoric of Fiction and the multitude of responses and challenges since made towards his book, I concurrently point out the persistent desire among narrative theorists to develop a systematic approach, one that can be applied consistently to all narratives. Recent narratologists have worked to show the variety of ways that narrative texts defy these attempts at systematization; my dissertation is an entry into this area of contemporary narratology. Each of my chapters focuses on a specific narrative element or technique--second person narration; the implied author; reader-as-translator; and collective/missing narrators. Specifically, I argue that narratives from authors such as Junot Diaz, Cormac McCarthy, Helena Maria Viramontes, and Dave Eggers, among others, contain usages of these techniques that further complicate attempts to encapsulate their potential textual potentialities, and that these narrative choices entail specific implications for the larger thematic elements of the narratives. Ultimately, this dissertation is structured in a way that brings together elements of narrative theory, postmodern critical theory, and literary studies in general.


Strategies of Ambiguity in Ancient Literature

Strategies of Ambiguity in Ancient Literature
Author: Martin Vöhler
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 431
Release: 2021-02-22
Genre: Literary Criticism
ISBN: 3110715813

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Ambiguity in the sense of two or more possible meanings is considered to be a distinctive feature of modern art and literature. It characterizes the "open artwork" (Eco) and is generated by "disruptive tactics" (Wellershoff) and strategies to engender uncertainty. While ambiguity is seen as a "paradigm of modernity" (Bode), there is skepticism regarding its use in the pre-modern era. Older studies were dominated by the conviction that there was a lack of ambiguity in pre-modernity because, according to the rules of the "old rhetoric", ambiguity was seen as an avoidable error (vitium) and a violation of the dictate of clarity (perspicuitas). The aim of the volume is to re-examine the putative "absence of ambiguity" in the pre-modern era. Is it not possible to find clear examples of deliberately employed (intended) ambiguity in antiquity? Are the oracles and riddles, the Palinode of Stesichoros and Socrates (Phaedrus), the dissoi logoi of rhetoric, the ambiguities of the tragedies all exceptions or do they not indicate a distinct interest in the artistic use of ambiguity? The presentations of the conference, which will include scholars from various philologies, will combine a recourse to theoretical concepts of intended ambiguity with exemplary analyses from the field of pre-modern art and literature.


Literature and Racial Ambiguity

Literature and Racial Ambiguity
Author:
Publisher: BRILL
Total Pages: 338
Release: 2016-08-09
Genre: Social Science
ISBN: 900433422X

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The narration in "Alias Grace". Ambiguity of Grace Marks

The narration in
Author: Nadine Henke
Publisher: GRIN Verlag
Total Pages: 9
Release: 2020-10-05
Genre: Performing Arts
ISBN: 334626260X

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Essay from the year 2019 in the subject Communications - Movies and Television, grade: 1,7, , course: Gender in Film and the Visual Arts, language: English, abstract: The ambiguity of Grace herself is especially interesting about this series. Therefore, my attempt is to first analyze the narrative style, especially concerning the different timelines as well as Grace’s unreliability and ambiguity as a character and narrator. Furthermore, I will connect this way of narrating to Grace’s quilting which is omnipresent in the series and can be read as another form of communication and narration especially for women at a time where they usually had to stay silent. With a rather powerful voice-over begins the telling of Grace Marks, by that time a 33-year-old maid that was convicted of murdering her former employer Thomas Kinnear and his house keeper Nancy Montgomery together with the stable boy James McDermott. While he gets hanged, Grace is sentenced to life imprisonment. Now, 15 years after her conviction, psychologist Dr. Simon Jordan is hired to talk to Grace to find out if she really was guilty of the murders or not. These are true events that took once place in 1843 and then were adopted for a novel written by Margaret Atwood: Alias Grace. Based on this novel the canadian US-American Drama-mini-series Alias Grace, written by Margaret Atwood and Sarah Polley and directed by Mary Harron, was released in 2017. It is the story of Grace Marks, the question of her innocence and guilt, that is constantly being asked by Dr. Jordan as well as the audience.


Narrativity, Coherence and Literariness

Narrativity, Coherence and Literariness
Author: Eva Sabine Wagner
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 594
Release: 2020-06-08
Genre: Literary Criticism
ISBN: 3110673193

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The search for the defining qualities of narrative has produced an expansive range of definitions which, largely unconnected with each other, obscure the notion of “narrativity” rather than clarifying it. The first part of this study remedies this shortcoming by developing a graded macro model of narrativity which serves three aims. Firstly, it provides a structured overview of the field of narrative elements and processes. Secondly, it facilitates the classification of narratological approaches by locating them on different stages of narrativity. Finally, it focuses attention on narrative dynamics as interpretative processes by which readers seek to produce narrative coherence. The second part of this study identifies three different narrative dynamics which characterise Laclos’s "Dangerous Connections," Kafka’s "Castle" and Toussaint’s novels. Wagner bases her analyses of these dynamics not only on the texts themselves but also on the ways in which literary scholars imbue the texts with narrative coherence. This book provides a long overdue systematisation of the jumbled field of theories of narrativity and opens new perspectives on the difficult relationship between narrative theory and interpretation.


Ambiguities of War: A Narratological Commentary on Silius Italicus’ Battle of Ticinus (Sil. 4.1-479)

Ambiguities of War: A Narratological Commentary on Silius Italicus’ Battle of Ticinus (Sil. 4.1-479)
Author: Elisabeth Schedel
Publisher: BRILL
Total Pages: 426
Release: 2022-09-19
Genre: Literary Criticism
ISBN: 9004522670

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The book lays bare the narrative form of Silius’ text. It focuses on the phenomenon of ambiguity due to the epic’s constant oscillation between fact and fiction, highlighting Roman triumph in defeat and defeat through triumph.


Ambiguity in Language and Narrative

Ambiguity in Language and Narrative
Author: Yanna Bontcheva Popova
Publisher:
Total Pages: 732
Release: 2002
Genre: Ambiguity in literature
ISBN:

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