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Musical Theatre Classics: Always true to you in my fashion : from Kiss me, Kate. Anyone can whistle : from Anyone can whistle. Glad to be unhappy : from On your toes. He wasn't you : from On a clear day you can see forever. I love Paris : from Can-can. In Buddy's eyes : from Follies. In my own little corner : from Cinderella. Just you wait : from My fair lady. Memory : from Cats. My funny Valentine : from Babes in arms. On my own : from Les misérables. Tell me on a Sunday : from Song and dance

Musical Theatre Classics: Always true to you in my fashion : from Kiss me, Kate. Anyone can whistle : from Anyone can whistle. Glad to be unhappy : from On your toes. He wasn't you : from On a clear day you can see forever. I love Paris : from Can-can. In Buddy's eyes : from Follies. In my own little corner : from Cinderella. Just you wait : from My fair lady. Memory : from Cats. My funny Valentine : from Babes in arms. On my own : from Les misérables. Tell me on a Sunday : from Song and dance
Author:
Publisher:
Total Pages: 72
Release: 1990
Genre: Musicals
ISBN:

Download Musical Theatre Classics: Always true to you in my fashion : from Kiss me, Kate. Anyone can whistle : from Anyone can whistle. Glad to be unhappy : from On your toes. He wasn't you : from On a clear day you can see forever. I love Paris : from Can-can. In Buddy's eyes : from Follies. In my own little corner : from Cinderella. Just you wait : from My fair lady. Memory : from Cats. My funny Valentine : from Babes in arms. On my own : from Les misérables. Tell me on a Sunday : from Song and dance Book in PDF, ePub and Kindle


Always True to You in My Fashion

Always True to You in My Fashion
Author: Valerie W. Wesley
Publisher: Harper Collins
Total Pages: 364
Release: 2007-11-27
Genre: Fiction
ISBN: 0061015520

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A trio of single women have one thing in common: Randall Hollis, a successful art dealer at the top of his game. Randall is the true-to-life dream lover of these smart, independent women who all find themselves passionately involved with him during the same seven-month period.


Comic Poems

Comic Poems
Author: Peter Washington
Publisher: Everyman's Library
Total Pages: 258
Release: 2001
Genre: Poetry
ISBN: 0375413545

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This treasury of humorous poems brings together a sparkling constellation of witty poets–from Lord Rochester to Lewis Carroll, from Edward Lear to Ogden Nash, from Dorothy Parker to W. H. Auden–and embraces a wide range of forms, including limericks, clerihews, ballads, sonnets, and nonsense verse. Comic Poemsis studded with unforgettable classics, along with lesser-known comic gems from across the ages, from ancient Rome to modern America. Here is the immortal “How Pleasant to Know Mr. Lear” beside Noël Coward’s “Mad Dogs and Englishmen”; the incomparable “Jabberwocky” next to the famous “There was a young lady of Riga.” From Cole Porter and John Updike on love and marriage to Stevie Smith and Dorothy Parker on mortality to the ever-talented Anonymous on almost anything, the lighthearted poetry collected here ranges from the most delightful nonsense to the most sophisticated wit.


LIFE

LIFE
Author:
Publisher:
Total Pages: 112
Release: 1949-02-07
Genre:
ISBN:

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LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.


Poetry

Poetry
Author: Jeffrey Wainwright
Publisher: Psychology Press
Total Pages: 248
Release: 2004
Genre: Language Arts & Disciplines
ISBN: 9780415287630

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"Drawing on examples ranging from Chaucer to children's rhymes, Cole Porter to Carol Ann Duffy, and from around the English-speaking world, it looks at aspects including : how technical aspects such as rhythm and measures work; how different tones of voice affect a poem; how poetic language relates to everyday language; how different types of poetry work, from sonnets to free verse; and how the form and 'space' of a poem contribute to its meaning." "Poetry: The Basics is an invaluable and easy-to-read guide for anyone wanting to get to grips with reading and writing poetry."--Jacket.


Bartlett's Familiar Quotations

Bartlett's Familiar Quotations
Author: John Bartlett
Publisher: Little, Brown
Total Pages: 5216
Release: 2014-12-02
Genre: Reference
ISBN: 031625018X

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More than 150 years after its original publication, Bartlett's Familiar Quotations has been completely revised and updated for its eighteenth edition. Bartlett's showcases a sweeping survey of world history, from the times of ancient Egyptians to present day. New authors include Warren Buffett, the Dalai Lama, Bill Gates, David Foster Wallace, Emily Post, Steve Jobs, Jimi Hendrix, Paul Krugman, Hunter S. Thompson, Jon Stewart, Elizabeth Kubler-Ross, Barack Obama, Che Guevara, Randy Pausch, Desmond Tutu, Julia Child, Fran Leibowitz, Harper Lee, Nassim Nicholas Taleb, Patti Smith, William F. Buckley, and Robert F. Kennedy. In the classic Bartlett's tradition, the book offers readers and scholars alike a vast, stunning representation of those words that have influenced and molded our language and culture.


The Oxford Handbook of Musical Theatre Screen Adaptations

The Oxford Handbook of Musical Theatre Screen Adaptations
Author: Dominic McHugh
Publisher: Oxford Handbooks
Total Pages: 690
Release: 2019
Genre: Music
ISBN: 0190469994

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Hollywood's conversion to sound in the 1920s created an early peak in the film musical, following the immense success of The Jazz Singer. The opportunity to synchronize moving pictures with a soundtrack suited the musical in particular, since the heightened experience of song and dance drew attention to the novelty of the technological development. Until the near-collapse of the genre in the 1960s, the film musical enjoyed around thirty years of development, as landmarks such as The Wizard of Oz, Meet Me in St Louis, Singin' in the Rain, and Gigi showed the exciting possibilities of putting musicals on the silver screen. The Oxford Handbook of Musical Theatre Screen Adaptations traces how the genre of the stage-to-screen musical has evolved, starting with screen adaptations of operettas such as The Desert Song and Rio Rita, and looks at how the Hollywood studios in the 1930s exploited the publication of sheet music as part of their income. Numerous chapters examine specific screen adaptations in depth, including not only favorites such as Annie and Kiss Me, Kate but also some of the lesser-known titles like Li'l Abner and Roberta and problematic adaptations such as Carousel and Paint Your Wagon. Together, the chapters incite lively debates about the process of adapting Broadway for the big screen and provide models for future studies.


Race, Sexuality, and Gender and the Musical Screen Adaptation

Race, Sexuality, and Gender and the Musical Screen Adaptation
Author: Dominic Broomfield-McHugh
Publisher: Oxford University Press
Total Pages: 329
Release: 2023-02-28
Genre: Film adaptations
ISBN: 0197663222

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"From Show Boat (1936) to The Sound of Music (1965) and from Grease (1978) to Chicago (2002), many of the most beloved film musicals in Hollywood history originated as Broadway shows. And in the three years since the original publication of the chapters in this volume (as The Oxford Handbook of Musical Theatre Screen Adaptations, 2019) the phenomenon has persisted, with new adaptations such as Cats, In the Heights, Tick, Tick...Boom!, Dear Evan Hansen, and Spielberg's remake of West Side Story. Yet in general, the number of screen adaptations of Broadway musicals and operettas is far greater than the number that have met with success, especially both critical and commercial success (i.e., good reviews and a profit at the box office). This is all the more surprising since Hollywood tended almost (if not quite) exclusively to buy the rights to musicals that had been successful on the stage as a means of guaranteeing a profitable outcome. After all, musicals that had already enjoyed long runs and nationwide productions on the stage ought to have a readymade audience. One might also think that because the authors had puzzled over the individual challenges posed by such properties in their stage incarnations, it ought to be easier to turn them into strong film musicals. But for every West Side Story there were several Finian's Rainbows, Man of La Manchas, and Carousels: movies that simply did not do justice to the 'enchanted evenings' these works provided in their stage incarnations"--