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Allegorical Form and Theory in Hildegard of Bingen’s Books of Visions

Allegorical Form and Theory in Hildegard of Bingen’s Books of Visions
Author: Dinah Wouters
Publisher: Springer Nature
Total Pages: 298
Release: 2022-12-05
Genre: Literary Criticism
ISBN: 3031171926

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This book analyses how the three books of visions by Hildegard of Bingen use the allegorical vision as a form of knowledge. It describes how the visionary’s use of allegory and allegorical exegesis is linked to theories of cognition, interpretation, and prophecy. It argues that the form of the allegorical vision is not just the product of a medieval symbolic mentality, but specific to Hildegard’s position and the major transformations taking place in the prescholastic intellectual milieu, such as the changing use of Scripture or the shift from traditional hermeneutics to cognitive language philosophy. The book shows that Hildegard uses traditional forms of knowledge – prophecy, the vision, monastic theology, allegorical hermeneutics – in startlingly innovative ways by combining them and by revising them for her own time.


Allegorical Form and Theory in Hildegard of Bingen's Books of Visions

Allegorical Form and Theory in Hildegard of Bingen's Books of Visions
Author: Dinah Wouters
Publisher:
Total Pages: 0
Release: 2022
Genre:
ISBN: 9783031171932

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This book analyses how the three books of visions by Hildegard of Bingen use the allegorical vision as a form of knowledge. It describes how the visionary's use of allegory and allegorical exegesis is linked to theories of cognition, interpretation, and prophecy. It argues that the form of the allegorical vision is not just the product of a medieval symbolic mentality, but specific to Hildegard's position and the major transformations taking place in the prescholastic intellectual milieu, such as the changing use of Scripture or the shift from traditional hermeneutics to cognitive language philosophy. The book shows that Hildegard uses traditional forms of knowledge - prophecy, the vision, monastic theology, allegorical hermeneutics - in startlingly innovative ways by combining them and by revising them for her own time. Dinah Wouters received her PhD in Latin literature from Ghent University, Belgium. She co-founded the research group RELICS and the open access journal JOLCEL, which promotes the study of Latin literature as a European literature. Her current project studies the impact of early modern Latin drama on a European scale.


Hildegard von Bingen's Mystical Visions

Hildegard von Bingen's Mystical Visions
Author: Bruce Hozeski
Publisher: Simon and Schuster
Total Pages: 530
Release: 1985-11-01
Genre: Religion
ISBN: 1591438411

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Twelfth-century Rhineland mystic Hildegard von Bingen records her exquisite encounter with divinity, producing a magnificent fusion of divine inspiration and human intellect. Hildegard von Bingen’s Mystical Visions is perhaps the most complete and powerful documentation of mystical consciousness in recorded history. Now after 800 years, these visions are again available for those seeking to reawaken mystical consciousness.


Green Mass

Green Mass
Author: Michael Marder
Publisher: Stanford University Press
Total Pages: 179
Release: 2021-09-07
Genre: Philosophy
ISBN: 1503629279

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Green Mass is a meditation on—and with—twelfth-century Christian mystic and polymath Saint Hildegard of Bingen. Attending to Hildegard's vegetal vision, which greens theological tradition and imbues plant life with spirit, philosopher Michael Marder uncovers a verdant mode of thinking. The book stages a fresh encounter between present-day and premodern concerns, ecology and theology, philosophy and mysticism, the material and the spiritual, in word and sound. Hildegard's lush notion of viriditas, the vegetal power of creation, is emblematic of her deeply entwined understanding of physical reality and spiritual elevation. From blossoming flora to burning desert, Marder plays with the symphonic multiplicity of meanings in her thought, listening to the resonances between the ardency of holy fire and the aridity of a world aflame. Across Hildegard's cosmos, we hear the anarchic proliferation of her ecological theology, in which both God and greening are circular, without beginning or end. Introduced with a foreword by philosopher Marcia Sá Cavalcante Schuback and accompanied by cellist Peter Schuback's musical movements, which echo both Hildegard's own compositions and key themes in each chapter of the book, this multifaceted work creates a resonance chamber, in which to discover the living world anew. The original compositions accompanying each chapter are available free for streaming and for download at www.sup.org/greenmass


The Cambridge Companion to Hildegard of Bingen

The Cambridge Companion to Hildegard of Bingen
Author: Jennifer Bain
Publisher: Cambridge University Press
Total Pages: 351
Release: 2021-11-04
Genre: Literary Criticism
ISBN: 1108471358

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This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.


Monuments and Maidens

Monuments and Maidens
Author: Marina Warner
Publisher: Univ of California Press
Total Pages: 487
Release: 2000
Genre: Art
ISBN: 0520227336

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A brilliant examination of the allegorical uses of the female form to be found in the sculpture ornamenting public buildings as well as throughout the history of western art.


Illuminations of Hildegard of Bingen

Illuminations of Hildegard of Bingen
Author: Matthew Fox
Publisher: Simon and Schuster
Total Pages: 194
Release: 2002-12-01
Genre: Body, Mind & Spirit
ISBN: 1591438160

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An introduction to the life and work of Hildegard. • Reveals the life and teachings of one of the greatest female artists and intellectuals of the Western Mystical Tradition. • Contains 24 full-color illustrations by Hildegard of Bingen. • Includes commentary by Matthew Fox, author of Original Blessing (250,000 sold). Hildegard of Bingen (1098-1179) was an extraordinary woman living in the Rhineland valley during most of the twelfth century. Besides being the abbess of a large and influential Benedictine abbey, she was a prominent preacher, healer, scientist, and artist. She also was a composer and theologian, writing nine books on theology, medicine, science, and physiology, as well as 70 poems and an opera. At the age of 42, she began to have visions; these were captured as 36 illuminations--24 of which are recorded in this book along with her commentaries on them. She also wrote a text describing these visions entitled Scivias (Know the Ways), now published as Hildegard of Bingen's Mystical Visions. Author Matthew Fox has stated, "If Hildegard had been a man, she would be well known as one of the greatest artists and intellectuals the world has ever seen." It is a credit to the power of the women's movement and our times that this towering genius of Western thought is being rediscovered in her full grandeur and autonomy. Virtually unknown for more than 800 years in Western history, Hildegard was featured as one of the women in Judy Chicago's Dinner Party in the early 1980s and published for the first time in English by Bear & Company in 1982. In addition to her mystical teachings, Hildegard's music has been performed and recorded for a new and growing audience.


Hildegard von Bingen's Ordo Virtutum

Hildegard von Bingen's Ordo Virtutum
Author: Michael Gardiner
Publisher: Routledge
Total Pages: 242
Release: 2018-10-03
Genre: Music
ISBN: 1351974181

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The Ordo Virtutum, Hildegard von Bingen’s twelfth-century music-drama, is one of the first known examples of a large-scale composition by a named composer in the Western canon. Not only does the Ordo’s expansive duration set it apart from its precursors, but also its complex imagery and non-biblical narrative have raised various questions concerning its context and genre. As a poetic meditation on the fall of a soul, the Ordo deploys an array of personified virtues and musical forces over the course of its eighty-seven chants. In this ambitious analysis of the work, Michael C. Gardiner examines how classical Neoplatonic hierarchies are established in the music-drama and considers how they are mediated and subverted through a series of concentric absorptions (absorptions related to medieval Platonism and its various theological developments) which lie at the core of the work’s musical design and text. This is achieved primarily through Gardiner’s musical network model, which implicates mode into a networked system of nodes, and draws upon parallels with the medieval interpretation of Platonic ontology and Hildegard’s correlative realization through sound, song, and voice.


Music, Body, and Desire in Medieval Culture

Music, Body, and Desire in Medieval Culture
Author: Bruce W. Holsinger
Publisher: Stanford University Press
Total Pages: 500
Release: 2001
Genre: Music
ISBN: 9780804740586

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Ranging chronologically from the twelfth to the fifteenth centuries and thematically from Latin to vernacular literary modes, this book challenges standard assumptions about the musical cultures and philosophies of the European Middle Ages. Engaging a wide range of premodern texts and contexts, the author argues that medieval music was quintessentially a practice of the flesh. It will be of compelling interest to historians of literature, music, religion, and sexuality, as well as scholars of cultural, gender, and queer studies.


The Ways of the Lord

The Ways of the Lord
Author: Hildegard of Bingen
Publisher: Harper Collins
Total Pages: 164
Release: 2005-09-27
Genre: Religion
ISBN: 0060750669

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The HarperCollins Spiritual Classics series presents short, accessible introductions to the classic spiritual writers of the West. Abridged from Paulist Press’s distinguished Classics of Western Spirituality series, which boasts the best modern translations available, this new series seeks to find new readers for these dynamic spiritual voices--voices that have changed lives throughout the centuries and still do today. “I saw a great mountain the color of iron, and enthroned on it One of such great glory that it blinded my sight. On each side of him there extended a soft shadow, like a wing of wondrous breadth and length. Before him, at the foot of the mountain, stood an image full of eyes on all sides, in which, because of those eyes, I could discern no human form.”--Hildegard of Bingen (1098-1179) Hildegard of Bingen was widely consulted as an oracle and prophet and wrote prolifically on doctrinal matters, as well as on secular matters like medicine. Scivias, her major religious work, consists of twenty-six visions, which are first set down literally as she saw them, and are then explained exegetically. As a group the visions form a theological summa of Christian doctrine and are famous for their feminine and creative imagery of the divine. This volume is especially significant for feminist historians and theologians. It elucidates the life of medieval women, and is a striking example of a special form of Christian spirituality.