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| Author | : NABIL. BOUDRAA |
| Publisher | : |
| Total Pages | : 250 |
| Release | : 2020-01-15 |
| Genre | : |
| ISBN | : 9781621965008 |
This study explains how Merzak Allouache broke away from Algerian state-run cinema to create an original style that makes him both unique and extremely interesting. This book provides context and analysis of his films.
| Author | : Guy Austin |
| Publisher | : Manchester University Press |
| Total Pages | : 259 |
| Release | : 2021-06-15 |
| Genre | : Art |
| ISBN | : 1526162695 |
This topical and innovative study is the first book on Algerian cinema to be published in English since the 1970s. At a time when North African and Islamic cultures are of increasing political significance, Algerian National Cinema presents a dynamic, detailed and up to date analysis of how film has represented this often misunderstood nation. Algerian National Cinema explores key films from The Battle of Algiers (1966) to Mascarades (2007). Introductions to Algerian history and to the national film industry are followed by chapters on the essential genres and themes of filmmaking in Algeria, including films of anti-colonial struggle, representations of gender, Berber cinema, and filming the ‘black decade’ of the 1990s. This thoughtful and timely book will appeal to all interested in world cinemas, in North African and Islamic cultures, and in the role of cinema as a vehicle for the expression of contested identities. By the author of the critically-acclaimed Contemporary French Cinema.
| Author | : Rabah Aissaoui |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 280 |
| Release | : 2017-03-09 |
| Genre | : History |
| ISBN | : 147422105X |
On 5 July 1962, Algeria became an independent nation, bringing to an end 132 years of French colonial rule. Algeria Revisited provides an opportunity to critically re-examine the colonial period, the iconic war of decolonisation that brought it to an end and the enduring legacies of these years. Given the apparent centrality of violence in this history, this volume asks how we might re-imagine conflict so as to better understand its forms and functions in both the colonial and postcolonial eras. It considers the constantly shifting balance of power between different groups in Algeria and how these have been used to re-fashion colonial relationships. Turning to the postcolonial period, the book explores the challenges Algerians have faced as they have sought to forge an identity as an independent postcolonial nation and how has this process been represented. The roles played by memory and forgetting are highlighted as part of the ongoing efforts by both Algeria and France to grapple with the complex legacies of their prolonged and tumultuous relationship. This interdisciplinary volume sheds light on these and other issues, offering new insights into the history, politics, society and culture of modern Algeria and its historical relationship with France.
| Author | : Nicole Beth Wallenbrock |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 224 |
| Release | : 2020-02-20 |
| Genre | : Performing Arts |
| ISBN | : 1474262813 |
The Franco-Algerian War (1954–62) remains a powerful international symbol of Third Worldism and the finality of Empire. Through its nuanced analysis of the war's depiction in film, The Franco-Algerian War through a Twenty-First Century Lens locates an international reckoning with history that both condemns and exonerates past generations. Algerian and French production partnerships-such as Hors-la-loi, (Outside the Law, Rachid Bouchareb, 2010) and Loubia Hamra (Bloody Beans, Narimane Mari, 2013)-are one of several ways citizens collaborate to unearth a shared history and its legacy. Nicole Beth Wallenbrock probes cinematic discourse to shed new light on topics including: the media revelation of torture and atomic bomb tests; immigration's role in the evolution of the war's meaning; and the complex relationship of the intertwined film cultures. The first chapter summarizes the Franco-Algerian War in 20th-century film, thus grounding subsequent queries with Algeria's moudjahid or freedom-fighter films and the French new wave's perceived disinterest in the conflict. This book is an invaluable resource for scholars seeking to understand cinema's role in re-evaluating war and reconstructing international memory.
| Author | : Ranjana Khanna |
| Publisher | : Stanford University Press |
| Total Pages | : 336 |
| Release | : 2008 |
| Genre | : Literary Criticism |
| ISBN | : 9780804752619 |
Algeria Cuts discusses the figure of woman, both under colonial rule in Algeria and within the postcolonial independent nation-state. It is an interdisciplinary project that spans fine art, film, colonial and legal policy, manifestos, prose fiction, and theoretical and philosophical texts concerning the relationship between France and Algeria. Khanna investigates gendered representation, identification, and justice, and in the process, calls into question the ways in which conventional disciplinary frameworks foreclose certain avenues of reflection while foregrounding others. Algeria Cuts seeks to understand Algeria and Algerian women as a philosophical site that facilitates an understanding of justice and the pursuit of feminism.
| Author | : Naomi Nkealah |
| Publisher | : Routledge |
| Total Pages | : 260 |
| Release | : 2021-03-30 |
| Genre | : Social Science |
| ISBN | : 1000367762 |
This book investigates how the intersection between gendered violence and human rights is depicted and engaged with in Africana literature and films. The rich and multifarious range of film and literature emanating from Africa and the diaspora provides a fascinating lens through which we can understand the complex consequences of gendered violence on the lives of women, children and minorities. Contributors to this volume examine the many ways in which gendered violence mirrors, expresses, projects and articulates the larger phenomenon of human rights violations in Africa and the African diaspora and how, in turn, the discourse of human rights informs the ways in which we articulate, interrogate, conceptualise and interpret gendered violence in literature and film. The book also shines a light on the linguistic contradictions and ambiguities in the articulation of gendered violence in private spaces and war. This book will be essential reading for scholars, critics, feminists, teachers and students seeking solid grounding in exploring gendered violence and human rights in theory and practice.
| Author | : Patrick Crowley |
| Publisher | : Oxford University Press |
| Total Pages | : 295 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 1786940213 |
Algeria: Nation, Culture and Transnationalism covers a specific period of time (1988-2013) that has taken on a significantly different socio-political configuration to that of the first 25 years of post-independence Algeria (1962-1987). Since 1988, Algeria has seen democratic contestation,civil conflict between state and Islamist parties and, over the past 10 years, an uneasy peace. It was in the same period that the country endured economic decline and a painful transition to a more liberal economy. Less than twenty years ago Algeria was seen as a 'failed state' yet it is nowperceived as having a role in the 'stabilization' of North Africa in the wake of the Arab Spring. Central to this transformation has been a turn in Algeria's economic fortunes. The Algerian army and political elite have, over the past 10 years, hugely benefitted from revenues derived from itshydrocarbon exports and use such revenues to manage a society in which a majority depend on state subsidies and public sector employment.Contemporary Algeria, argues Hugh Roberts (2003), is marked by an emerging post-nationalism and a sense that the elite has lost the political bearings that shaped the nation after 1962. There is an on-going tension generated by official positions that remain vigorously centripetal and a moreinformal, local yet transnational, dynamics that is often centrifugal in effect. The result is a society characterised by a range of oppositions that bear upon the evolution of the state and the lives of ordinary Algerians. Algeria has been dramatically marked by competing forces: state nationalismand grassroots nationalist disenchantment; Islamism and a version of Islam that accommodates greater plurality; a national economy - and this includes cultural production - that is responding to globalization; the conflict of the 1990s and its contemporary legacy. The contributions to this bookfocus on the impact of such forces across a range of interests in contemporary Algeria.
| Author | : Yahia H. Zoubir |
| Publisher | : Routledge |
| Total Pages | : 316 |
| Release | : 2019-11-14 |
| Genre | : Political Science |
| ISBN | : 0429824866 |
This book brings together Algerian-based scholars and Algerians in the diaspora to address the many, salient issues facing Algeria, the largest country in Africa and the Middle East. Until February 22, 2019, Algeria looked like the beacon of stability in the region, for the authoritarian regime eluded the so-called Arab Spring, which resulted in chaos in a number of countries in the Middle East and North Africa. The authors of the chapters in this book are a mix of sociologists, economists, political scientists, linguists, and international relations specialists who have used the theoretical and methodological instruments in their respective fields to decipher the complexities that characterise the Algerian political system. In the domestic part, some of the chapters deal with issues seldom tackled in Maghreb studies, namely, the language and identities issues, which are at the forefront of the protest movement since February 2019. Other chapters analyse the role of the elites, the emergence of the new entrepreneurs, the future of energy, gender, media, and human rights, the predicament of the rentier state, and the resource curse. The international relations part examines Algeria’s roles in the Mediterranean and in the Sahel, the strategic partnership with China, the complicated relations with France, and the relations with Iran and the Gulf Cooperation Council (GCC). Exploring Algeria’s transformation, this collection is an original addition to the books on the Maghreb that will be a key resource to students and scholars interested in the developing world, the Middle East, and North Africa.
| Author | : Benjamin Stora |
| Publisher | : Cornell University Press |
| Total Pages | : 308 |
| Release | : 2004 |
| Genre | : History |
| ISBN | : 9780801489167 |
A particularly vicious and bloody civil war has racked Algeria for a decade. Amnesty International notes that since 1992, in a population of 28 million, 80,000 people have been reported killed, and the actual total is almost certainly higher. This terrible war overshadows Algeria's long and complex history and its prominence on the world economic stage--second in size among African nations, Algeria has the longest Mediterranean coastline and contains the world's fifth-largest natural gas reserves. Algeria, 1830-2000 is a comprehensive narrative history of the country. Benjamin Stora, widely recognized as the leading expert on Algeria, presents the story of this turbulent area from the start of formal French colonialism in the early nineteenth century, through the prolonged war for independence in the latter 1950s, to the internal strife of the present day. This book adapts and updates three short volumes published originally in French by La Découverte. For this English edition, Stora has written a new introductory chapter on Algeria's colonial period (1830-1954) and has revised the final section to bring the volume up to date.
| Author | : Florence Martin |
| Publisher | : Indiana University Press |
| Total Pages | : 287 |
| Release | : 2011-10-13 |
| Genre | : Performing Arts |
| ISBN | : 0253005655 |
An analysis of seven films by female directors from Algeria, Morocco, and Tunisia. Examined within their economic, cultural, and political context, the work of women Maghrebi filmmakers forms a cohesive body of work. Florence Martin examines the intersections of nation and gender in seven films, showing how directors turn around the politics of the gaze as they play with the various meanings of the Arabic term hijab (veil, curtain, screen). Martin analyzes these films on their own theoretical terms, developing the notion of “transvergence” to examine how Maghrebi women’s cinema is flexible, playful, and transgressive in its themes, aesthetics, narratives, and modes of address. These are distinctive films that traverse multiple cultures, both borrowing from and resisting the discourses these cultures propose. “Produced by a diverse group of women filmmakers—Assia Djebar, Farida Benlyazid, Yamina Bachir-Chouikh, Raja Amari, Naida El Fani, Yasmine Kassari, and Selma Baccar—these movies reflect the Algerian civil war, colonialism, patriarchy, undocumented immigrants, sexuality, identity, and the social mores that have dominated the political, social, and economic spheres in the Maghreb. . . . This book inscribes a new chapter in women filmmaking on the Maghreb; it makes an important contribution to cinema, literature, and cultural studies. Summing Up: Highly recommended.” —Choice “An excellent presentation and analysis of women’s filmmaking from North Africa. . . . Its attention to contemporary film theory is matched by its presentation of materials derived from Martin’s interviews with filmmakers, interviews that reveal a sincere engagement with the filmmakers and a deep understanding of contemporary production. In short, this is a fine book that will be of interest to anyone working on or teaching film and gender studies in North African and Middle Eastern studies, and beyond.” —Journal of Arabic Literature, Issue 44, 2013
