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Alfred Hitchcock and the British Cinema

Alfred Hitchcock and the British Cinema
Author: Tom Ryall
Publisher: Bloomsbury Publishing
Total Pages: 206
Release: 2000-12-01
Genre: Social Science
ISBN: 0567534162

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First published in 1986, this standard account of Hitchcock's British films and film-making is now available again in a Second Edition with a new Introduction and Bibliography. It will be welcomed by all students of the film and admirers of Hitchcock.


Hitchcock's British Films

Hitchcock's British Films
Author: Maurice Yacowar
Publisher: Wayne State University Press
Total Pages: 284
Release: 2010
Genre: Motion pictures
ISBN: 9780814334942

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Originally published in 1977 and long out of print, Maurice Yacowar's Hitchcock's British Films was the first volume devoted solely to the twenty-three films directed by Alfred Hitchcock in his native England before he came to the United States. As such, it was the first book to challenge the assumption that Hitchcock's "mature" period in Hollywood, from the late 1940s to the early 1960s, represented the director's best work. In this traditional auteurist examination of Hitchcock's early work, author Maurice Yacowar considers Hitchcock's British films in chronological order, reads the composition of individual shots and scenes in each, and pays special attention to the films' verbal effects. Yacowar's readings remain compelling more than thirty years after they were written, and some-on Downhill, Champagne, and Waltzes from Vienna-are among the few extended interpretations of these films that exist. Alongside important works such as Murder , the first The Man Who Knew Too Much, Secret Agent, The Lady Vanishes, and Blackmail, readers will appreciate Yacowar's equal attention to lesser-known films like The Pleasure Garden, The Ring, and The Manxman. Yacowar dissects Hitchcock's precise staging and technical production to draw out ethical themes and metaphysical meanings of each film, while keeping a close eye on the source material, such as novels and plays, that Hitchcock used as the inspiration for many of his screenplays. Yacowar concludes with an overview of Hitchcock as auteur and an appendix identifying the director's appearances in these films. A foreword by Barry Keith Grant and a preface to the second edition from Yacowar complete this comprehensive volume. Anyone interested in Hitchcock, classic British cinema, or the history of film will appreciate Yacowar's accessible and often witty exploration of the director's early work.


Alfred Hitchcock & the British Cinema

Alfred Hitchcock & the British Cinema
Author: Tom Ryall
Publisher: Urbana : University of Illinois Press
Total Pages: 252
Release: 1986
Genre: Performing Arts
ISBN:

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First published in 1986, this standard account of Hitchcock's British films and film-making is now available again in a Second Edition with a new Introduction and Bibliography. It will be welcomed by all students of the film and admirers of Hitchcock.


English Hitchcock

English Hitchcock
Author: Charles Barr
Publisher:
Total Pages: 268
Release: 1999
Genre: Motion pictures
ISBN:

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The British Cinema Book

The British Cinema Book
Author: Robert Murphy
Publisher:
Total Pages: 360
Release: 2001
Genre: Performing Arts
ISBN:

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Hitchcock and Twentieth-century Cinema

Hitchcock and Twentieth-century Cinema
Author: John Orr
Publisher: Wallflower Press
Total Pages: 220
Release: 2005
Genre: Fiction
ISBN: 9781904764557

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John Orr looks at the work, influences, legacy and style of perhaps cinema's most famous director, Alfred Hitchcock.


Hitchcock Lost and Found

Hitchcock Lost and Found
Author: Alain Kerzoncuf
Publisher: University Press of Kentucky
Total Pages: 266
Release: 2015-03-17
Genre: Performing Arts
ISBN: 0813160847

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Known as the celebrated director of critical and commercial successes such as Psycho (1960) and The Birds (1963), Alfred Hitchcock is famous for his distinctive visual style and signature motifs. While recent books and articles discussing his life and work focus on the production and philosophy of his iconic Hollywood-era films like Notorious (1946) and Vertigo (1958), Hitchcock Lost and Found moves beyond these seminal works to explore forgotten, incomplete, lost, and recovered productions from all stages of his career, including his early years in Britain. Authors Alain Kerzoncuf and Charles Barr highlight Hitchcock's neglected works, including various films and television productions that supplement the critical attention already conferred on his feature films. They also explore the director's career during World War II, when he continued making high-profile features while also committing himself to a number of short war-effort projects on both sides of the Atlantic. Focusing on a range of forgotten but fascinating projects spanning five decades, Hitchcock Lost and Found offers a new, fuller perspective on the filmmaker's career and achievements.


All Our Yesterdays

All Our Yesterdays
Author: Museum of Modern Art (New York, N.Y.)
Publisher: British Film Institute
Total Pages: 464
Release: 1986-02-26
Genre: Business & Economics
ISBN:

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British Popular Films 1929-1939

British Popular Films 1929-1939
Author: Stephen Shafer
Publisher: Routledge
Total Pages: 285
Release: 2003-09-02
Genre: History
ISBN: 1134988370

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Challenges the conventional assumption that British feature films of the Thirties were oriented mostly towards the middle-class and demonstrates that far from being alienated, working class men and women flocked to the cinema.


The First True Hitchcock

The First True Hitchcock
Author: Henry K. Miller
Publisher: Univ of California Press
Total Pages: 250
Release: 2022-01-11
Genre: Performing Arts
ISBN: 0520343557

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"This untold origins story of the filmmaker excavates the first true Hitchcock film and explores its transatlantic history. Hitchcock called The Lodger "the first true Hitchcock movie," anticipating all the others. And yet, the story of how The Lodger came to be made is shrouded in myth, often repeated and much embellished, including by Hitchcock himself. The truth-revealed in new archival discoveries-is stranger still. The First True Hitchcock follows the twelve-month period encompassing The Lodger's production in 1926 and general release in 1927, presenting a new picture of this pivotal year in Hitchcock's life. Henry K. Miller situates The Lodger against the backdrop of a continent shattered by war and confronted with the looming presence of a new superpower, the United States, whose most visible export was film. This previously untold story of The Lodger's making in the London fog, and attempted remaking in the Los Angeles sun, is the story of how Hitchcock became Hitchcock. "--