Pierre Alechinsky
Author | : Hans Ulrich Obrist |
Publisher | : |
Total Pages | : |
Release | : 2018 |
Genre | : |
ISBN | : |
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Author | : Hans Ulrich Obrist |
Publisher | : |
Total Pages | : |
Release | : 2018 |
Genre | : |
ISBN | : |
Author | : Elinor S. Miller |
Publisher | : Fairleigh Dickinson Univ Press |
Total Pages | : 320 |
Release | : 2003 |
Genre | : Art |
ISBN | : 9780838639191 |
Some of the artworks pose difficulties in interpretation, but regardless of amorphous subjects and confusing representations, Butor's creativity finds poetry in them.".
Author | : Pierre Alechinsky |
Publisher | : Kunsthal Sint-Pietersabdij |
Total Pages | : 78 |
Release | : 2002 |
Genre | : Artists' books |
ISBN | : |
Author | : Anna-Teresa Tymieniecka |
Publisher | : Springer Science & Business Media |
Total Pages | : 284 |
Release | : 2012-12-06 |
Genre | : Philosophy |
ISBN | : 9401142637 |
The fine arts first emerged divided by the five senses yet, since their very origin, they have projected aesthetic networks among themselves. Music, song, painting, architecture, sculpture, theatre, dance - distinct in themselves - grew together, enhancing each other. In the present outburst of technical ingeniosity, individual arts cross all barriers, as well as proliferate in kind. Hence the traditional criteria of appreciation and enjoyment vanish. The enlarged and ever-growing field calls for new principles of appreciation and new values, essential to our culture. This collection initiates an inquiry into the aesthetic foundations of the fine arts. Their common aesthetic nature, as well as the differentiating specificities which sustain them, might reveal the universal role of aesthetics in human life. Studies by Paula Carabell, J. Fiori Blanchfield, R. Riese Hubert, R. Gray, D. Lipten, J. Parsons, S. Brown, C. Osowie Ruoff, T. Raczka, K. Karbenier and others.
Author | : Lefebre Gallery (New York, N.Y.) |
Publisher | : |
Total Pages | : 24 |
Release | : 1972 |
Genre | : |
ISBN | : |
Author | : Julio Cortázar |
Publisher | : |
Total Pages | : 20 |
Release | : 1968 |
Genre | : |
ISBN | : |
Author | : Pierre Alechinsky |
Publisher | : |
Total Pages | : 28 |
Release | : 2008 |
Genre | : |
ISBN | : |
Author | : Grand Rapids Art Museum |
Publisher | : |
Total Pages | : 22 |
Release | : 1971 |
Genre | : Abstract expressionism |
ISBN | : |
Author | : Richard R. Brettell |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 482 |
Release | : 2009 |
Genre | : Painting, Modern |
ISBN | : 1588393496 |
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas, Renoir, Sisley, Pissarro, Seurat, Signac, Van Gogh, Cézanne, and Gauguin. Twentieth-century masters represented here include Bonnard, Matisse, Rouault, Dalí, and Balthus. There are also newly researched modern works by Vicente do Rego Monteiro, Kees van Dongen, Dietz Edzard, and D.G. Kulkarni (dizi). Robert Lehman's cultivated taste for nineteenth-century French academic practitioners and his intuitive eye for emerging young artists of his own time are documented and discussed. Three hundred comparative illustrations supplement the catalogue entries, as do extensively researched provenance information, exhibition histories, and references. The volume also includes a bibliography and indexes.
Author | : Katharine Conley |
Publisher | : U of Nebraska Press |
Total Pages | : 355 |
Release | : 2020-04-01 |
Genre | : Art |
ISBN | : 1496211529 |
In this study of surrealism and ghostliness, Katharine Conley provides a new, unifying theory of surrealist art and thought based on history and the paradigm of puns and anamorphosis. In Surrealist Ghostliness, Conley discusses surrealism as a movement haunted by the experience of World War I and the repressed ghost of spiritualism. From the perspective of surrealist automatism, this double haunting produced a unifying paradigm of textual and visual puns that both pervades surrealist thought and art and commemorates the surrealists’ response to the Freudian unconscious. Extending the gothic imagination inherited from the eighteenth century, the surrealists inaugurated the psychological century with an exploration of ghostliness through doubles, puns, and anamorphosis, revealing through visual activation the underlying coexistence of realities as opposed as life and death. Surrealist Ghostliness explores examples of surrealist ghostliness in film, photography, painting, sculpture, and installation art from the 1920s through the 1990s by artists from Europe and North America from the center to the periphery of the surrealist movement. Works by Man Ray, Claude Cahun, Brassaï and Salvador Dalí, Lee Miller, Dorothea Tanning, Francesca Woodman, Pierre Alechinsky, and Susan Hiller illuminate the surrealist ghostliness that pervades the twentieth-century arts and compellingly unifies the century’s most influential yet disparate avant-garde movement.