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Albrecht Dürer and the Venetian Renaissance

Albrecht Dürer and the Venetian Renaissance
Author: Katherine Crawford Luber
Publisher: Cambridge University Press
Total Pages: 310
Release: 2005-05-30
Genre: Art
ISBN: 9780521562881

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Publisher Description


Titian and the Renaissance in Venice

Titian and the Renaissance in Venice
Author: Bastian Eclercy
Publisher: National Geographic Books
Total Pages: 0
Release: 2019-04-30
Genre: Art
ISBN: 3791358138

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This dazzling survey of 16th-century Venetian painting captures the striking colors and revolutionary characteristics of one of art history's greatest chapters. It is hard to imagine more profoundly influential artists than the Venetian painters of the 16th century. Whether creating sweeping devotional altarpieces or intimate portraits, the Venetian painters changed the way artists employed color and composition. These defining qualities are on brilliant display in this book that covers fascinating aspects of the work of Titian, Veronese, Tintoretto, Lorenzo Lotto, Jacopo Bassano, and many others. More than one hundred paintings, drawings, and prints are reproduced in stunning detail. Side-by-side comparisons draw readers into the conversations between Venetian artists as they tackled similar subjects and vied for commissions. The book opens with fascinating essays about the history of 16th-century Venice, the Venetian School of painting, and the techniques of the Venetian masters. As beautiful as it is informative, this book features all of the excitement and splendor of one of the most prolific and important chapters in the history of European art.


Venice, Durer and the Oriental Mode

Venice, Durer and the Oriental Mode
Author: Julian Raby
Publisher: Philip Wilson Publishers
Total Pages: 112
Release: 1982
Genre: Art
ISBN:

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This study aims to clarify Venetian Quattrocento Orientalism, which affected Durer and thus Northern Europe, and to define the sources and practitioners of its Oriental motifs. At the end of the fifteenth century a large number of paintings were produced in Venice that depict exotic animals and figures set against the backdrop of Oriental architecture. It was Europe's earliest attempt to portray Muslims in a Muslim habitat, but it was more than a vague and ill-informed evocation of the East. Realistic in many of their details, these Orientalist pictures reflect the Serenissima's political and mercantile links with the fifteenth century Islamic Empires of the Eastern Mediterranean.


Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting

Bellini, Giorgione, Titian, and the Renaissance of Venetian Painting
Author: David Alan Brown
Publisher: Yale University Press
Total Pages: 364
Release: 2006-01-01
Genre: Art
ISBN: 9780300116779

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Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.


Durer

Durer
Author: Albrecht Dürer
Publisher: DK Publishing (Dorling Kindersley)
Total Pages: 156
Release: 1999
Genre: Art
ISBN:

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Surveys the life of the artist and his works - Analyses the masterpieces - Explains the social and historical context of his paintings and his response to the challenges of the Italian Renaissance.


Albrecht Dürer's Renaissance

Albrecht Dürer's Renaissance
Author: David Price
Publisher: University of Michigan Press
Total Pages: 376
Release: 2003
Genre: Art, Renaissance
ISBN: 9780472113439

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This lavishly illustrated book provides a fresh and challenging new perspective on the life and Work of Dürer


Dürer's Record of Journeys to Venice and the Low Countries

Dürer's Record of Journeys to Venice and the Low Countries
Author: Albrecht Dürer
Publisher:
Total Pages: 188
Release: 1995
Genre: Art
ISBN:

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This book draws on Durer's letters and journals written in the course of two journeys that did much to acquaint him with the artistic developments of his time. It comprises two parts: the first is a rich selection of letters written by Durer to his close friend Wilibad Pirkheimer in 1506, during his stay in Venice. These letters shed much light on Durer's exposure to the ideals and techniques of Italian Renaissance art, particularly the work of Giovanni Bellini. The second part consists of Durer's record of his travels to the low countries in 1520-21, where he met Matthias Grunewald and saw the works of Jan and Hubert van Eyck, Rogier van dew Weyden, Hugo van der Goes and other artists, as well as the Michelangelo Madonna.


Giovanni Bellini

Giovanni Bellini
Author: Davide Gasparotto
Publisher: Getty Publications
Total Pages: 152
Release: 2017-10-10
Genre: Art
ISBN: 1606065319

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Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time. His landscapes assume a prominence unseen in Western art since classical antiquity. Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons. The subtle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the “sacred conversation,” the image of Saint Jerome in the wilderness—is always infused with his instinct for natural representation, resulting in extremely personal interpretations of religious subjects immersed in landscapes where the real and the symbolic are inextricably intertwined. This volume includes a biography of the artist, essays by leading authorities in the field explicating the themes of the J. Paul Getty Museum’s exhibition, and detailed discussions and glorious reproductions of the twelve works in the show, including their history and provenance, function, iconography, chronology, and style.


Albrecht Dürer and His Legacy

Albrecht Dürer and His Legacy
Author: Giulia Bartrum
Publisher: British Museum Press
Total Pages: 332
Release: 2002
Genre: Art
ISBN:

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"Albrecht Durer (1471-1528) was in a sense the first truly international artist. The collection of his work in the British Museum is one of the best in the world. This book shows how his sophisticated development of the techniques of woodcut and engraving introduced the idea of multiple images into fine art and thereby altered the history of printmaking. The chronology of his career is traced from his early work in the medieval tradition of Martin Schongauer, through the experience he acquired while living in Italy, to his major print projects for the Holy Roman Emperor, Maximilian I." "The book also examines Durer's influence at later periods, from the obsessive interest in his work by collectors and artists during the late sixteenth century to the virtually iconic status he acquired amid the rise of German nationalism during the nineteenth century. The Nobel-winning German novelist Gunter Grass, himself a printmaker, contributes a subjective view of Durer's images from a twentieth-century standpoint, while other introductory essays by Guilia Bartrum, Joseph Koerner and Ute Kuhlemann consider aspects of Durer's legacy through history. The illustrations include all Durer's best-known prints as well as numerous drawings and watercolours."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved


Albrecht Dürer and the Depiction of Cultural Differences in Renaissance Europe

Albrecht Dürer and the Depiction of Cultural Differences in Renaissance Europe
Author: Heather Madar
Publisher: Taylor & Francis
Total Pages: 256
Release: 2023-07-31
Genre: Art
ISBN: 1000904741

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This book provides a comprehensive assessment of Dürer’s depictions of human diversity, focusing particularly on his depictions of figures from outside his Western European milieu. Heather Madar contextualizes those depictions within their broader artistic and historical context and assesses them in light of current theories about early modern concepts of cultural, ethnic, religious and racial diversity. The book also explores Dürer’s connections with contemporaries, his later legacy with respect to his imagery of the other and the broader significance of Nuremberg to early modern engagements with the world beyond Europe. The book will be of interest to scholars working in art history, Renaissance studies and Renaissance history.