Alberto Giacometti, 1901-1966 The Masters
Author | : Douglas Hall |
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Total Pages | : |
Release | : 196? |
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Author | : Douglas Hall |
Publisher | : |
Total Pages | : |
Release | : 196? |
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ISBN | : |
Author | : Valerie J. Fletcher |
Publisher | : Smithsonian Inst Press |
Total Pages | : 250 |
Release | : 1988 |
Genre | : Art, Modern |
ISBN | : 9780874744255 |
Shows examples of Giacometti's drawings, paintings, and sculpture, and discusses his major themes and stylistic approaches to art
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Total Pages | : 250 |
Release | : 1988 |
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Author | : Sabine Rewald |
Publisher | : Metropolitan Museum of Art |
Total Pages | : 369 |
Release | : 1989 |
Genre | : Art |
ISBN | : 0870995685 |
Published in conjunction with the exhibition held at The Metropolitan Museum of Art, NYC, Dec. 1989-Apr. 1990. The last great private collection of the art of the School of Paris--81 paintings drawings, and bronzes by Bonnard, Braque, Dali, Dubuffet, Matisse, Miro, Picasso, and Giacometti, among others. With accompanying essays and additional illustrations (a total of 281, 95 in color). 10x121/4". Annotation copyrighted by Book News, Inc., Portland, OR
Author | : Thomas Gibson Fine Art Ltd |
Publisher | : |
Total Pages | : 90 |
Release | : 1994 |
Genre | : Art |
ISBN | : |
Author | : David W. Galenson |
Publisher | : Princeton University Press |
Total Pages | : 268 |
Release | : 2006 |
Genre | : Art |
ISBN | : 9780691121093 |
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Author | : Alberto Giacometti |
Publisher | : |
Total Pages | : 108 |
Release | : 1989 |
Genre | : Art, Swiss |
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Total Pages | : 0 |
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Author | : Douglas Hall |
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Total Pages | : 8 |
Release | : 1966 |
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Author | : Patrick de Vries |
Publisher | : Hatje Cantz |
Total Pages | : 230 |
Release | : 2019-06-27 |
Genre | : |
ISBN | : 9783775745277 |
This book looks at a refined selection of drawings by Alberto Giacometti and examines them against the background provided by more than one hundred letters exchanged between Giacometti and his parents, the majority of which have not previously been published. The choice of drawings and the selected correspondence illuminate important aspects of the development of Giacometti's work over five decades of his life. Furthermore, Patrick de Vries examines Alberto Giacometti's friendships with important contemporary artists such as Pablo Picasso, Francis Gruber, Balthus, and Tal-Coat, and discloses the artists' views of each other, as well as links and dissimilarities in their work. Discussions with Giacometti's friend, the Japanese philosopher Isaku Yanaihara, reveal interesting insights into the, rarely discussed, subject of Giacometti's fascination with East Asian Art.