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Alba Emoting

Alba Emoting
Author: Susana Bloch
Publisher: Createspace Independent Publishing Platform
Total Pages: 224
Release: 2017-01-17
Genre:
ISBN: 9781542548847

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The actor is an 'athlete of emotions, ' says Antonin Artaud, and though actors are an extreme case, now, thanks to Alba Emoting, the capacity to regulate our emotions in a simple physical way, without mental intervention, is possible for everyone. Alba Emoting: A Scientific Method for Emotional Induction offers us the means to reexamine six basic emotions that are universal: joy, sadness, anger, fear, erotic, and tenderness; to recognize them accurately, without confusions, and to express them genuinely, just as children do. Mastering the triad of "breath + posture + facial expression," one can Step-Out from a feeling of anger, attain neutrality, or even better, enter into a tender mood; one can transform sadness or paralyzing fear into mobilizing joy. From such an encounter with the essential, we can observe and better understand the complex mixed emotions that we normally feel, realize the anxieties, the neuroses, the depressions, and also the wonderful sublime emotions, such as that of spirituality. "One can lie through the mouth; the accompanying gesture, however, tells the truth," says Nietzsche. Alba Emoting is a system that allows people to get into physical contact with their neurologically basic emotions, by using precise breathing patterns, postural attitudes, and facial expressions that go beyond words.


Performer Training

Performer Training
Author: Ian Watson
Publisher: Routledge
Total Pages: 258
Release: 2013-11-05
Genre: Performing Arts
ISBN: 1134432135

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Performer Training is an examination of how actors are trained in different cultures. Beginning with studies of mainstream training in countries such as Poland, Australia, Germany, and the United States, subsequent studies survey: · Some of Asia's traditional training methods and recent experiments in performer training · Eugenio Barba's training methods · Jerzy Grotowski's most recent investigations · The Japanese American NOHO companies attempts at integrating Kyogen into the works of Samuel Beckett · Descriptions of the training methods developed by Tadashi Suzuki and Anne Bogart at their Saratoga International Theatre Institute · Recent efforts to re-examine the role and scope of training, like Britain's International Workshop Festival and the European League of Institutes of Arts masterclasses · The reformulation of the use of emotions in performer training known as Alba Emoting.


Alba Emoting

Alba Emoting
Author: Angela Katherine Baker
Publisher:
Total Pages: 127
Release: 2008
Genre: Acting
ISBN:

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This thesis proposes that Alba Emoting (TM) is a safe, effective, and versatile technique of generating emotions for acting performance. Alba Emoting is safe because it resolves four major problems some actors experience while generating emotions for acting performance. These problems include, "emotional hijacking," "emotional hangover," "emotional blockage," and using emotional memories which are faded, incomplete, inconsistent, or full of mixed emotions. Alba Emoting solves these four problems through the help of certified trainers, the step-out procedure, and the emotional effector patterns, which allow actors consistent access to a large range of emotions. Alba Emoting is effective because it enables actors to control emotional inspiration through technique to create emotions that are felt by the actor and audience. It is versatile because it can be integrated with various rehearsal and emotional exploration techniques. This thesis demonstrates how Alba Emoting may be used with aspects of Stanislavski's System of Acting and Jeremy Whelan's Mosaic Acting System. It also demonstrates how Alba Emoting is used by Hyrum Conrad to create his ArcWork. The purpose of this thesis is to convince universities, conservatories, and other acting training programs to teach Alba Emoting as a technique for generating emotion in acting performance.


Action!

Action!
Author: John Kundert-Gibbs
Publisher: John Wiley & Sons
Total Pages: 628
Release: 2009-10-08
Genre: Computers
ISBN: 0470596058

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In order to bring a character to life, it is beneficial for animators to have a solid understanding of acting principles, and this book examines the important skills behind the artistry of creating animated characters. With a particular emphasis on a character’s motions and movement, this unique resource covers the basic elements of acting for CG animation and then progresses to more advanced topics such as internal intent and motivation. Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.


Restoration of Breath

Restoration of Breath
Author: Sreenath Nair
Publisher: Rodopi
Total Pages: 206
Release: 2007
Genre: Art
ISBN: 9042023066

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Breath is the flow of air between life and death. Breathing is an involuntary action that functions as the basis of all human activities, intellectual, artistic, emotional and physical. Breathing is the first autonomous individual action that brings life into being and the end of breathing is the definitive sign of disappearance. Starting from the question how breathing affects the body, levels of consciousness, perception and meaning, this book, for the first time, investigates through a variety of philosophical, critical and practical models, directly and indirectly related to breath, aiming to establish breath as a category in the production and reception of meaning within the context of theatre. It also explores the epistemological, psycho-physical and consciousness-related implications of breath. Aristotle dedicated a volume to breath exploring and enquiring in to its presocratic roots. For Heidegger, breath is "the temporal extension" of Being. Artaud's theatricality is not representational but rather rooted in the actor's breathing. Jacques Derrida and Luce Irigaray investigate the phenomenon of breath in order to explain the nature of human consciousness. Breath as a philosophical concept and as a system of practice is central to Indian thoughts, performance, medicine, martial arts and spirituality. As the book argues, individual consciousness is a temporal experience and breath is the material presence of time in the body. Cessation of breath, on the contrary, creates pause in this flow of the endless identification of signifiers. When breath stops time stops. When time stops there is a 'gap' in the chain of the presence of signifiers and this 'gap' is a different perceptual modality, which is neutral in Zero velocity. Restoration of Breath is a practical approach to this psychophysical experience of consciousness in which time exists only in eternity and void beyond memory and meaning.


The Development of Alba Emoting

The Development of Alba Emoting
Author: Susana Bloch
Publisher:
Total Pages: 115
Release: 2003
Genre: Acting
ISBN:

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Collection of previously published journal articles describing the Alba Emoting system, a method for inducing, modulating, and expressing basic human emotions developed by psychologist Susana Bloch. The system is based on research by Dr. Bloch that identified the peculiar respiratory, muscular, and facial characteristics found to accompany six basic human emotions. While most of the articles describe Alba Emoting and the basic research behind its development, several articles specifically address the application of this system to acting and the training of actors.


The Voice in Violence

The Voice in Violence
Author: Rocco Dal Vera
Publisher: Hal Leonard Corporation
Total Pages: 342
Release: 2001
Genre: Performing Arts
ISBN: 9781557834973

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(Applause Books). This collection from The Voice and Speech Trainers Association focuses on the voice in stage violence, addressing such questions as: * How does one scream safely? * What are the best ways to orchestrate voices in complex battle scenes? * How to voice coaches work collaboratively with fight directors and the rest of the creative team? * What techniques are used to re-voice violent stunt scenes on film? * How accurate are actor presentations of extreme emotion? * What is missing from many portrayals of domestic violence? Written by leading theatre voice and speech coaches, the volume contains 63 articles, essays, interviews and reviews covering a wide variety of professional concerns.


The Actor, Image, and Action

The Actor, Image, and Action
Author: Rhonda Blair
Publisher: Routledge
Total Pages: 153
Release: 2007-11-30
Genre: Art
ISBN: 1135976244

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Rhonda Blair examines the physiological relationship between bodily action and emotional experience, in the first full-length study of actor training using the insights of cognitive neuroscience and their crucial importance to an actor’s engagement with a role.


The Emotional Body: A Method for Physical Self-Regulation

The Emotional Body: A Method for Physical Self-Regulation
Author: Laura Bond
Publisher:
Total Pages: 288
Release: 2018-01-08
Genre: Self-Help
ISBN: 9780692046111

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You are an emotional body. You were born with a body primed and ready to express your needs through emotions, and they influence all you feel, think, do, and say. Everything you encounter triggers your emotions, and then influences your health, relationships, perspective and perception of the world. By learning more about emotions and developing skills to sense how they emerge and express through your body, you can become more adept at self-regulating emotions, managing how you express them, and consciously shifting from undesirable emotional states to more desirable ones. The lessons in this book, previously available only through specialized courses and workshops, provide detailed information on a remarkable physical approach to emotion regulation. The Emotional Body uses physical patterns discovered in scientific research, and an instructional style informed by extensive research, somatic education theory, and more than ten years of development.


Embodied Acting

Embodied Acting
Author: Rick Kemp
Publisher: Routledge
Total Pages: 258
Release: 2012
Genre: Biography & Autobiography
ISBN: 0415507871

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A pragmatic intervention in the study of how recent discoveries within cognitive science can and should be applied to performance. Drawing on his experience the author interrogates the key cognitive activities involved in performance inc non-verbal communication; thought, speech, and gesture relationships; empathy, imagination, and emotion.