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| Author | : Carolyn Forché |
| Publisher | : W. W. Norton |
| Total Pages | : 812 |
| Release | : 1993 |
| Genre | : Poetry |
| ISBN | : 9780393309768 |
Modern poems deal with genocide, wars, revolutions, the Holocaust, political repression, apartheid, and the democracy movement in China
| Author | : Carolyn Forché |
| Publisher | : W. W. Norton & Company |
| Total Pages | : 672 |
| Release | : 2014-01-27 |
| Genre | : Poetry |
| ISBN | : 0393347664 |
A groundbreaking anthology containing the work of poets who have witnessed war, imprisonment, torture, and slavery. A companion volume to Against Forgetting, Poetry of Witness is the first anthology to reveal a tradition that runs through English-language poetry. The 300 poems collected here were composed at an extreme of human endurance—while their authors awaited execution, endured imprisonment, fought on the battlefield, or labored on the brink of breakdown or death. All bear witness to historical events and the irresistibility of their impact. Alongside Shakespeare, Milton, and Wordsworth, this volume includes such writers as Anne Askew, tortured and executed for her religious beliefs during the reign of Henry VIII; Phillis Wheatley, abducted by slave traders; Samuel Bamford, present at the Peterloo Massacre in 1819; William Blake, who witnessed the Gordon Riots of 1780; and Samuel Menashe, survivor of the Battle of the Bulge. Poetry of Witness argues that such poets are a perennial feature of human history, and it presents the best of that tradition, proving that their work ranks alongside the greatest in the language.
| Author | : Ranjith Kally |
| Publisher | : Quivertree Publications |
| Total Pages | : 196 |
| Release | : 2014-11-01 |
| Genre | : Photography |
| ISBN | : 192820936X |
Ranjith Kally captured iconic scenes, such as his portrait Umkumbane, which has come to symbolise the shimmering jazz age of African townships in the 1950s. When Miriam Makeba returned to Maseru, Lesotho, for a concert for black South Africans at the height of apartheid, Kally too ventured to Lesotho and returned home with a remarkable image of an exiled singer poised between joy and heartbreak. And in a series of unflinching portraits, he documented with probity the horror of the forced removals in Natal. In short, the wider appreciation of his contribution to our struggle for dignity needs to remembered and fully embraced for current South Africans intent on honouring their past.
| Author | : Hans Faverey |
| Publisher | : New Directions Publishing |
| Total Pages | : 214 |
| Release | : 2004 |
| Genre | : Poetry |
| ISBN | : 9780811215558 |
A stunning selection of poems from the great twentieth-century Dutch poet.
| Author | : Milan Kundera |
| Publisher | : HarperCollins |
| Total Pages | : 324 |
| Release | : 2023-03-28 |
| Genre | : Fiction |
| ISBN | : 0063290693 |
"An absolutely dazzling entertainment. . . . Arousing on every level—political, erotic, intellectual, and above all, humorous." —Newsweek "The Book of Laughter and Forgetting calls itself a novel, although it is part fairy tale, part literary criticism, part political tract, part musicology, and part autobiography. It can call itself whatever it wants to, because the whole is genius." —New York Times Rich in its stories, characters, and imaginative range, The Book of Laughter and Forgetting is the novel that brought Milan Kundera his first big international success in the late 1970s. Like all his work, it is valuable for far more than its historical implications. In seven wonderfully integrated parts, different aspects of human existence are magnified and reduced, reordered and emphasized, newly examined, analyzed, and experienced.
| Author | : Sharon Cameron |
| Publisher | : Scholastic Inc. |
| Total Pages | : 322 |
| Release | : 2016-09-13 |
| Genre | : Young Adult Fiction |
| ISBN | : 0545945224 |
From beloved author of Rook comes a brilliant and genre-bending exploration of truth and memory, love and loss in this remarkable story of a civilization that undergoes a collective forgetting. What isn't written, isn't remembered. Even your crimes. Nadia lives in the city of Canaan, where life is safe and structured, hemmed in by white stone walls and no memory of what came before. But every twelve years the city descends into the bloody chaos of the Forgetting, a day of no remorse, when each person's memories -- of parents, children, love, life, and self -- are lost. Unless they have been written.In Canaan, your book is your truth and your identity, and Nadia knows exactly who hasn't written the truth. Because Nadia is the only person in Canaan who has never forgotten.But when Nadia begins to use her memories to solve the mysteries of Canaan, she discovers truths about herself and Gray, the handsome glassblower, that will change her world forever. As the anarchy of the Forgetting approaches, Nadia and Gray must stop an unseen enemy that threatens both their city and their own existence -- before the people can forget the truth. And before Gray can forget her.
| Author | : David Rieff |
| Publisher | : Yale University Press |
| Total Pages | : 158 |
| Release | : 2016-01-01 |
| Genre | : History |
| ISBN | : 0300182791 |
A leading contrarian thinker explores the ethical paradox at the heart of history's wounds The conventional wisdom about historical memory is summed up in George Santayana's celebrated phrase, "Those who cannot remember the past are condemned to repeat it." Today, the consensus that it is moral to remember, immoral to forget, is nearly absolute. And yet is this right? David Rieff, an independent writer who has reported on bloody conflicts in Africa, the Balkans, and Central Asia, insists that things are not so simple. He poses hard questions about whether remembrance ever truly has, or indeed ever could, "inoculate" the present against repeating the crimes of the past. He argues that rubbing raw historical wounds--whether self-inflicted or imposed by outside forces--neither remedies injustice nor confers reconciliation. If he is right, then historical memory is not a moral imperative but rather a moral option--sometimes called for, sometimes not. Collective remembrance can be toxic. Sometimes, Rieff concludes, it may be more moral to forget. Ranging widely across some of the defining conflicts of modern times--the Irish Troubles and the Easter Uprising of 1916, the white settlement of Australia, the American Civil War, the Balkan wars, the Holocaust, and 9/11--Rieff presents a pellucid examination of the uses and abuses of historical memory. His contentious, brilliant, and elegant essay is an indispensable work of moral philosophy.
| Author | : Bridget Connelly |
| Publisher | : Minnesota Historical Society Press |
| Total Pages | : 294 |
| Release | : 2003 |
| Genre | : Connemara (Ireland) |
| ISBN | : 9780873514491 |
The immigrants were at last removed from the colony; their name became the town's shorthand for lying, drunken failures.".
| Author | : Bradford Vivian |
| Publisher | : Penn State Press |
| Total Pages | : 224 |
| Release | : 2015-10-13 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 0271075007 |
Forgetting is usually juxtaposed with memory as its opposite in a negative way: it is seen as the loss of the ability to remember, or, ironically, as the inevitable process of distortion or dissolution that accompanies attempts to commemorate the past. The civic emphasis on the crucial importance of preserving lessons from the past to prevent us from repeating mistakes that led to violence and injustice, invoked most poignantly in the call of “Never again” from Holocaust survivors, tends to promote a view of forgetting as verging on sin or irresponsibility. In this book, Bradford Vivian hopes to put a much more positive spin on forgetting by elucidating its constitutive role in the formation and transformation of public memory. Using examples ranging from classical rhetoric to contemporary crises like 9/11, Public Forgetting demonstrates how, contrary to conventional wisdom, communities may adopt idioms of forgetting in order to create new and beneficial standards of public judgment concerning the lessons and responsibilities of their shared past.
| Author | : Nicole Loraux |
| Publisher | : Princeton University Press |
| Total Pages | : 368 |
| Release | : 2002-01-03 |
| Genre | : History |
| ISBN | : |
An exploration of the roles of conflict and forgetting in ancient Athens. Athens, 403 B.C.E. The bloody oligarchic dictatorship of the Thirty is over, and the democrats have returned to the city victorious. Renouncing vengeance, in an act of willful amnesia, citizens call for---if not invent---amnesty. They agree to forget the unforgettable, the "past misfortunes," of civil strife or stasis. More precisely, what they agree to deny is that stasis---simultaneously partisanship, faction, and sedition---is at the heart of their politics. Continuing a criticism of Athenian ideology begun in her pathbreaking study The Invention of Athens, Nicole Loraux argues that this crucial moment of Athenian political history must be interpreted as constitutive of politics and political life and not as a threat to it. Divided from within, the city is formed by that which it refuses. Conflict, the calamity of civil war, is the other, dark side of the beautiful unitary city of Athens. In a brilliant analysis of the Greek word for voting, diaphora, Loraux underscores the conflictual and dynamic motion of democratic life. Voting appears as the process of dividing up, of disagreement---in short, of agreeing to divide and choose. Not only does Loraux reconceptualize the definition of ancient Greek democracy, she also allows the contemporary reader to rethink the functioning of modern democracy in its critical moments of internal stasis.
