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| Author | : Juan Diego Díaz |
| Publisher | : Oxford University Press |
| Total Pages | : 321 |
| Release | : 2021 |
| Genre | : Music |
| ISBN | : 0197549551 |
In Africanness in Action, author Juan Diego Díaz examines musicians' agency, constructions of blackness and Africanness, musical structure, performance practices, and rhetoric in Brazil, and provides a model for the study of African-derived music in other diasporic locales.
| Author | : Juan Diego Díaz |
| Publisher | : Oxford University Press |
| Total Pages | : 304 |
| Release | : 2021-03-30 |
| Genre | : Music |
| ISBN | : 0197549586 |
When many people think of African music, the first ideas that come to mind are often of rhythm, drums, and dancing. These perceptions are rooted in emblematic African and African-derived genres such as West African drumming, funk, salsa, or samba and, more importantly, essentialized notions about Africa which have been fueled over centuries of contact between the "West," Africa, and the African diaspora. These notions, of course, tend to reduce and often portray Africa and the diaspora as primitive, exotic, and monolithic. In Africanness in Action, author Juan Diego Díaz explores this dynamic through the perspectives of Black musicians in Bahia, Brazil, a site imagined by many as a diasporic epicenter of African survivals and purity. Black musicians from Bahia, Díaz argues, assert Afro-Brazilian identities, promote social change, and critique racial inequality by creatively engaging essentialized tropes about African music and culture. Instead of reproducing these notions, musicians demonstrate agency by strategically emphasizing or downplaying them.
| Author | : Esther M. Morgan-Ellis |
| Publisher | : Taylor & Francis |
| Total Pages | : 236 |
| Release | : 2024-04-30 |
| Genre | : Education |
| ISBN | : 1040016812 |
At a time of transformation in the music history classroom and amid increasing calls to teach a global music history, Navigating Stylistic Boundaries in the Music History Classroom adds nuance to the teaching of varied musical traditions by examining the places where they intersect and the issues of musical exchange and appropriation that these intersections raise. Troubling traditional boundaries of genre and style, this collection of essays helps instructors to denaturalize the framework of Western art music and invite students to engage with other traditions—vernacular, popular, and non-Western—on their own terms. The book draws together contributions by a wide range of active scholars and educators to investigate the teaching of music history around cases of stylistic borders, exploring the places where different practices of music and values intersect. Each chapter in this collection considers a specific case in which an artist or community engages in what might be termed musical crossover, exchange, or appropriation and delves deeper into these concepts to explore questions of how musical meaning changes in moving across worlds of practice. Addressing works that are already widely taught but presenting new ways to understand and interpret them, this volume enables instructors to enrich the perspectives on music history that they present and to take on the challenge of teaching a more global music history without flattening the differences between traditions.
| Author | : C. Youé |
| Publisher | : Springer |
| Total Pages | : 227 |
| Release | : 2001-06-17 |
| Genre | : History |
| ISBN | : 0230288480 |
The coming of colonialism to Subsaharan Africa generated many forces that historians often describe in abstract terms: peasantization, leadership, nationalism and even colonialism. Such terms often hide or overwhelm the individual experiences of those who, in some way, contributed to the development and demise of colonial Africa. These 'agents' of empire - intellectuals and peasants, chiefs and ex-slaves, nationalists and colonial officials - symbolise the ambiguities of and limitations on colonial power. Agency and Action in Colonial Africa attempts to capture their role.
| Author | : Kristin Mann |
| Publisher | : Taylor & Francis |
| Total Pages | : 172 |
| Release | : 2001 |
| Genre | : Africa, West |
| ISBN | : 9780714681580 |
This work dramatically revises scholarship on the cultural impact of trans-Atlantic slavery between Africa and Brazil.
| Author | : Mai Palmberg |
| Publisher | : Nordic Africa Institute |
| Total Pages | : 286 |
| Release | : 2001 |
| Genre | : Political Science |
| ISBN | : 9789171064783 |
Positive images of Africa contrast with negative images of misery, war and catastrophes often conveyed by the mass media. This selection of papers debate the images and stereotypes of Africa.
| Author | : Sambulo Ndlovu |
| Publisher | : Routledge |
| Total Pages | : 162 |
| Release | : 2021-12-30 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 1000485498 |
This book examines how names in Africa have been fashioned to create dominance and subjugation, inclusion and exclusion, others and self. Drawing on global and African examples, but with particular reference to Zimbabwe, the author demonstrates how names are used in class, race, ethnic, national, gender, sexuality, religious and business struggles in society as weapons by ingroups and outgroups. Using Othering theory as a framework, the chapters explore themes such as globalised names and their demonstration of the other; onomastic erasure in colonial naming and the subsequent decoloniality in African name changes; othering of women in onomastics and crude and sophisticated phaulisms in the areas of race, ethnicity, nationality, disability and sexuality. Highlighting social power dynamics through onomastics, this book will be of interest to researchers of onomastics, social anthropology, sociolinguistics and African culture and history.
| Author | : L. Mullings |
| Publisher | : Springer |
| Total Pages | : 334 |
| Release | : 2016-04-30 |
| Genre | : Social Science |
| ISBN | : 0230104576 |
In the last few decades the people of the African diaspora have intensified their struggles against racial discrimination and for equality. This account of these social movements include action in Latin America, the Indian Ocean World, Europe, Canada and the United States.
| Author | : S. Shannon |
| Publisher | : Springer |
| Total Pages | : 225 |
| Release | : 2004-08-20 |
| Genre | : History |
| ISBN | : 1403981183 |
This book offers new essays and interviews addressing Wilson's work, ranging from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics. Also includes an updated introduction assessing Wilson's legacy since his death in 2005.
| Author | : Toyin Falola |
| Publisher | : Routledge |
| Total Pages | : 362 |
| Release | : 2017-01-20 |
| Genre | : Social Science |
| ISBN | : 1134849753 |
"Black," "African," "African descendant" and "of African heritage," are just some of the ways Africans and Africans in the diaspora (both old and new) describe themselves. This volume examines concepts of race, ethnicity, and identity as they are ascribed to people of colour around the world, examining different case studies of how the process of identity formation occurred and is changing. Contributors to this volume, selected from a wide range of academic and cultural backgrounds, explore issues that encourage a deeper understanding of race, ethnicity and identity. As our notions about what it means to be black or of African heritage change as a result of globalization, it is important to reassess how these issues are currently developing, and the origins from which these issues developed. Global Africans is an important and insightful book, useful to a wide range of students and scholars, particularly of African studies, sociology, diaspora studies, and race and ethnic studies.
