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| Author | : Kathy A. Perkins |
| Publisher | : University of Illinois Press |
| Total Pages | : 386 |
| Release | : 2009 |
| Genre | : Performing Arts |
| ISBN | : 0252075730 |
For the first time, a distinctive collection of plays by African women published in English
| Author | : Kathy Perkins |
| Publisher | : Routledge |
| Total Pages | : 585 |
| Release | : 2006-01-16 |
| Genre | : Performing Arts |
| ISBN | : 1134673574 |
This is the first anthology to focus exclusively on the lives of Black South African women. This collection represents the work of both female and male writers, including national and international award-winning playwrights. The collection includes six full-length and four one-act plays, as well as interviews with the writers, who candidly discuss the theatrical and political situation in the new South Africa. Written before and after apartheid, the plays present varying approaches and theatrical styles from solo performances to collective creations. The plays dramatise issues as diverse as: * women's rights * displacement from home * violence against women * the struggle to keep families together * racial identity * education in the old and new South Africa * and health care.
| Author | : Philip C. Kolin |
| Publisher | : Routledge |
| Total Pages | : 218 |
| Release | : 2007-11-07 |
| Genre | : Art |
| ISBN | : 1135866481 |
In the last 50 years, American and World theatre have been challenged and enriched by the rise to prominence of numerous female African American dramatists. Contemporary African American Women Playwrights is the first critical volume to explore the contexts and influences of these writers, and their exploration of black history and identity through a wealth of diverse, courageous and visionary dramas.
| Author | : Carol P. Marsh-Lockett |
| Publisher | : Routledge |
| Total Pages | : 238 |
| Release | : 2015-12-22 |
| Genre | : Literary Criticism |
| ISBN | : 1317944941 |
This collection of critical essays on plays by African American female playwrights from the post-reconstruction period to the present provides thematic analyses of plays by major and less widely known African American women playwrights The contributors examine the plays as vehicles of public discourse, and as explorations of issues of African American identity. Essays explore the themes of sexuality, agency, anger, and self-concept in the plays of African American Women.
| Author | : Sophia Kwachuh Mempuh |
| Publisher | : Bloomsbury Publishing |
| Total Pages | : 345 |
| Release | : 2019-01-24 |
| Genre | : Performing Arts |
| ISBN | : 1350034533 |
This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa. Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising. Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence. I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues. Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions. Unsettled by JC Niala (Kenya) deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country. Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by. Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family. Each play also includes a biography of the playwright, the writer's own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.
| Author | : Dana A. Williams |
| Publisher | : Bloomsbury Publishing USA |
| Total Pages | : 148 |
| Release | : 1998-06-30 |
| Genre | : Literary Criticism |
| ISBN | : 0313064954 |
Lorraine Hansberry's A Raisin in the Sun (1959) was a major dramatic success and brought to the world's attention the potential talent of African American women playwrights. But in spite of Hansberry's landmark contribution, both the theater and the literary world have often failed to include contemporary African American female playwrights within the circle of production, publication, and criticism. In African American drama anthologies, female playwrights are seldom given the degree of attention that is accorded their male counterparts. And because of space constraints, anthologies of works by women playwrights are forced to exclude numerous female dramatists, including African Americans. Meanwhile, some scholars have argued that the works of African American female playwrights are seldom produced in the mainstream theater because these plays frequently challenge the views of white America. But as A Raisin in the Sun demonstrates, plays by African American women dramatists can have a powerful message and are worthy of attention. A comprehensive research tool, this annotated bibliography sheds light on the often neglected works of contemporary African American female playwrights. Included within its scope are those dramatists who have had at least one work published since 1959, the year of Hansberry's monumental achievement. The first section provides a listing of anthologies that include one or more plays written by an African American female dramatist. The second gives entries for reference works and for scholarly and critical studies of the dramatists and their plays. The third presents a listing of published plays by individual dramatists, along with a summary of each drama; the works of each playwright that are related to drama; and secondary sources that treat the dramatists and their plays. Entries are accompanied by concise but informative annotations, and the volume closes with a list of periodicals that frequently publish criticism of African American female playwrights, a section of brief biographical sketches of the dramatists, and extensive indexes.
| Author | : Eliz Brown Guillory |
| Publisher | : Praeger |
| Total Pages | : 0 |
| Release | : 1990-03-20 |
| Genre | : Literary Criticism |
| ISBN | : 0275935663 |
This is the first book-length study of black American women playwrights. It will be useful to scholars in the fields of black and women's literature and an excellent source of background reading in graduate and undergraduate courses on American women playwrights. The author's training as both a scholar and a playwright is evident in this book. Choice This important contribution to African American and women's studies analyzes the dramatic works of America's black women playwrights. The plays of such writers as Alice Childress, Lorraine Hansberry, and Ntozake Shange are examined in light of the tradition from which they emerged. Brown-Guillory begins by tracing the development of African American theater with its roots in African theatrics, then moves on to discuss women playwrights of the Harlem Renaissance such as Angelina Weld Grimke, Alice Dunbar-Nelson, Georgia Douglas Johnson, May Miller, Mary Burrill, Myrtle Smith Livingston, Ruth Gaines-Shelton, Eulalie Spence, and Marita Bonner. Though rarely anthologized and infrequently made the subject of critical interpretation, asserts the author, the plays of these early twentieth-century black women offer much to the American theater in the way of content, tonal and structural form, characterization, as well as dialogue, and were instrumental in paving a way for black playwrights from the 1950s to the present.
| Author | : Yvette Hutchison |
| Publisher | : Methuen Drama |
| Total Pages | : 0 |
| Release | : 2019-01-24 |
| Genre | : Drama |
| ISBN | : 1350034525 |
This volume draws together six contemporary plays by female African writers, offering a rare insight into the work being produced by these practitioners. These plays, which are selected from writers across the continent, together give a rich portrait of identity, politics, culture and society in contemporary Africa. The editors of the volume have also provided biographies and the writers' own artistic statements; production histories; and a critical contextualisation of the theatre from which each woman is writing. This provides a rich context from which these plays can be prescribed for study, both at secondary school and undergraduate level--Provided by publisher.
| Author | : Yvonne Shafer |
| Publisher | : Peter Lang Incorporated, International Academic Publishers |
| Total Pages | : 568 |
| Release | : 1995 |
| Genre | : Drama |
| ISBN | : |
This book presents an analysis of the many plays written by women in the American theatre in the first half of the century. Such playwrights as Rachel Crothers, Zona Gale, Susan Glaspell, Edna Ferber, and Lillian Hellman were popular and successful contributors to the stage. Many of their plays won such awards as the Pulitzer Prize, the Drama Critics Circle Award, and Tony Awards. The plays are discussed in terms of their popular and critical value and placed within the historical and social background of the period. In this time of intense change for women in American society, the plays reflect the new demands for freedom, careers, the right to vote, equality with men, and the right to intellectual development. Shafer calls attention to many fine plays which deserve production today.
| Author | : Martin Banham |
| Publisher | : James Currey Publishers |
| Total Pages | : 198 |
| Release | : 2002 |
| Genre | : African drama |
| ISBN | : 9781868143870 |
The contributions to this volume in the African Theatre series make clear that the role of women in the theatre across the continent has changed as control is mainly held by literate elites and women's traditional standing has been lost to men.
