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African Video Film Today

African Video Film Today
Author: Foluke Ogunleye
Publisher: Integritas Services
Total Pages: 178
Release: 2003
Genre: Video recordings
ISBN: 9780797829312

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This book considers the current state and status of the video film in different parts of Africa: Nigeria, Ghana, Lesotho, and Congo Kinshasa. It addresses technological, ethical and gender considerations, and issues of language and ethnicity, suggesting in the concluding chapters that the video film in Africa has become an art form that crosses borders, and an important means of communication within the continent. The editor thus argues it must be treated seriously as an art form and cultural industry in its own right, and as worthy of the scholarship such that this volume is conceived to encourage.


Viewing African Cinema in the Twenty-First Century

Viewing African Cinema in the Twenty-First Century
Author: Mahir Saul
Publisher: Ohio University Press
Total Pages: 257
Release: 2010-10-12
Genre: Art
ISBN: 0821419315

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Viewing African Cinema in the Twenty-first Century brings together a set of fascinating essays by international scholars on these contrasting cinema forms.


Global Nollywood

Global Nollywood
Author: Matthias Krings
Publisher: Indiana University Press
Total Pages: 383
Release: 2013-05-27
Genre: Performing Arts
ISBN: 0253009421

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“Reveals in fascinating detail the wild popularity, controversies, and complaints provoked by this film form . . . shap[ing] the media landscape of Africa.” —Brian Larkin, Barnard College Global Nollywood considers this first truly African cinema beyond its Nigerian origins. In fifteen lively essays, this volume traces the engagement of the Nigerian video film industry with the African continent and the rest of the world. Topics such as Nollywood as a theoretical construct, the development of a new, critical film language, and Nollywood’s transformation outside of Nigeria reveal the broader implications of this film form as it travels and develops. Highlighting controversies surrounding commodification, globalization, and the development of the film industry on a wider scale, Global Nollywood gives sustained attention to Nollywood as a uniquely African cultural production. “Offers original material with respect to the transnational presence of Nollywood.” ?Moradewun Adejunmobi, University of California, Davis “Unveils a fascinating variety of the ways in which Nollywood cinema is viewed and interpreted.” ?Research in African Literatures “Delightfully entertaining yet appropriately erudite. . . . A welcome addition to the fields of film, media, African, and cultural studies.” —Cinema Journal “Highly recommended.” ?Choice “[T]he cumulative effect of [these] studies is to provide invaluable information for those wishing to keep up with where African cinema is today.” ?Journal of African History “Global Nollywood represents the most up-to-date research on Nollywood as a transnational cultural practice and is a must-read for scholars and students of African screen media.” —African Studies Review “Ground-breaking. . . . It proves that, in spite of appearing to be a niche market, Nollywood . . . can no longer be excluded from the canon of African cinema in the field of film studies.” ?African Affairs


African Video Movies and Global Desires

African Video Movies and Global Desires
Author: Carmela Garritano
Publisher: Ohio University Press
Total Pages: 259
Release: 2013-02-15
Genre: Social Science
ISBN: 0896804844

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African Video Movies and Global Desires is the first full-length scholarly study of Ghana’s commercial video industry, an industry that has produced thousands of movies over the last twenty years and has grown into an influential source of cultural production. Produced and consumed under circumstances of dire shortage and scarcity, African video movies narrate the desires and anxieties created by Africa’s incorporation into the global cultural economy. Drawing on archival and ethnographic research conducted in Ghana over a ten-year period, as well as close readings of a number of individual movies, this book brings the insights of historical context as well as literary and film analysis to bear on a range of movies and the industry as a whole. Garritano makes a significant contribution to the examination of gender norms and the ideologies these movies produce. African Video Movies and Global Desires is a historically and theoretically informed cultural history of an African visual genre that will only continue to grow in size and influence.


African Film

African Film
Author: Foluke Ogunleye
Publisher: Cambridge Scholars Publishing
Total Pages: 265
Release: 2014-03-17
Genre: Performing Arts
ISBN: 1443857491

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African Film: Looking Back and Looking Forward acknowledges all those filmmakers and film scholars who, through their productions and theorization, have made a difference to the filmic universe in Africa. Their substantial contribution reflects our world and has the potential to change our lives. The book adopts an interdisciplinary character, traversing, as it does, the diverse subjects of politics, economics and history, among others. It interrogates Africa’s filmic past, analyses current productions, projects into the future of the film in Africa, and deals with the nature of the filmmaking profession. This book contributes to the growing literature on the African film and will provide the opportunity for filmmakers, academics and students to learn about the history, theories, problems, and various approaches to production, marketing, gender issues, race and legal issues, and a host of other subjects that impinge upon the African film.


Nigerian Video Films

Nigerian Video Films
Author: Jonathan Haynes
Publisher: Ohio University Press
Total Pages: 291
Release: 2000
Genre: Motion pictures
ISBN: 0896802116

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Nigerian video films--dramatic features shot on video and sold as cassettes--are being produced at the rate of nearly one a day, making them the major contemporary art form in Nigeria. The history of African film offers no precedent for such a huge, popularly based industry. The contributors to this volume, who include film and television directors, an anthropologist, and scholars of film studies and literature, take a variety of approaches to this flourishing popular art. Topics include aesthetic forms and distribution; the configurations of various ethnic audiences; the new media environment dominated by cassette technology; the video's materialism in a period of economic collapse; transformation of the traditional Yoruba traveling theater; individualism and the moral crisis in Igbo society; Hausa cultural values; the negotiation of gender roles, and the genre of Christian videos.


Focus on African Films

Focus on African Films
Author: Françoise Pfaff
Publisher: Indiana University Press
Total Pages: 344
Release: 2004-07-13
Genre: Performing Arts
ISBN: 9780253216687

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'Focus on African Films' offers pluralistic perspectives on filmmaking across Africa, highlighting the distinct thematic, stylistic, and socioeconomic circumstances of African film production.


A Companion to African Cinema

A Companion to African Cinema
Author: Kenneth W. Harrow
Publisher: John Wiley & Sons
Total Pages: 512
Release: 2018-12-27
Genre: Performing Arts
ISBN: 1119100313

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An authoritative guide to African cinema with contributions from a team of experts on the topic A Companion to African Cinema offers an overview of critical approaches to African cinema. With contributions from an international panel of experts, the Companion approaches the topic through the lens of cultural studies, contemporary transformations in the world order, the rise of globalization, film production, distribution, and exhibition. This volume represents a new approach to African cinema criticism that once stressed the sociological and sociopolitical aspects of a film. The text explores a wide range of broad topics including: cinematic economics, video movies, life in cinematic urban Africa, reframing human rights, as well as more targeted topics such as the linguistic domestication of Indian films in the Hausa language and the importance of female African filmmakers and their successes in overcoming limitations caused by gender inequality. The book also highlights a comparative perspective of African videoscapes of Southern Nigeria, Ethiopia, and Côte d’Ivoire and explores the rise of Nairobi-based Female Filmmakers. This important resource: Puts the focus on critical analyses that take into account manifestations of the political changes brought by neocolonialism and the waning of the cold war Explores Examines the urgent questions raised by commercial video about globalization Addresses issues such as funding, the acquisition of adequate production technologies and apparatuses, and the development of adequately trained actors Written for film students and scholars, A Companion to African Cinema offers a look at new critical approaches to African cinema.


African Film Cultures

African Film Cultures
Author: Añuli Agina
Publisher: Cambridge Scholars Publishing
Total Pages: 267
Release: 2017-08-21
Genre: Performing Arts
ISBN: 1527500578

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The growing body of films in and around Africa, and the seemingly incongruent growth in African film scholarship, suggests the need for new perspectives, approaches and insights into film cultures in Africa. Although it is impossible to capture the entire diversity of existing African film cultures, this collection, which has resulted from African film conferences organized by the University of Westminster, United Kingdom, has recognized the significance and urgency of this task. The book offers a unique engagement with widened African film ‘cultures’ in the context of diverse peoples, histories, geographies, languages and changing film production cultures shaped by audiences and users at home and in the diaspora. The volume is a significant contribution to the processes of representing the self and other, as well as the emergence of alternative, non-official dialogues, circulation and consumption, including on social media. Students, researchers, film policy makers, film producers, distributors and anyone else with an interest in African screen media will find in the book useful and readable analyses of socio-political factors that affect and are shaped by African film.


Africa Through the Eye of the Video Camera

Africa Through the Eye of the Video Camera
Author: Foluke Ogunleye
Publisher: Integritas Services
Total Pages: 300
Release: 2008
Genre: Africa
ISBN: 9780797800250

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African through the Eye of the Video Camera emanated from the African Video Film Arts Festival, which was held at Obafemi Awolowo University, Nigeria. The twenty-five articles deal with foundational issues about the video film industry such as African identity as a basis for the video film. The Legal and economic environments of the video film are also discussed along with suggestions about reviewing the currents laws and drafting new laws in order to ensure the sustenance of the video genre. Country reports from Nigeria, Kenya, Uganda and Ghana are presented and the images of women as portrayed in the files are examined.