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| Author | : Ann Clayton |
| Publisher | : Lulu.com |
| Total Pages | : 186 |
| Release | : 2018-05-09 |
| Genre | : Education |
| ISBN | : 1928171680 |
AFRICAN LEGACIES, AFRICAN FICTIONS is a collection of interviews and essays on African fiction.
| Author | : Byron Caminero-Santangelo |
| Publisher | : SUNY Press |
| Total Pages | : 186 |
| Release | : 2004-12-30 |
| Genre | : Literary Criticism |
| ISBN | : 9780791462621 |
Interrogates the "writing back to the center" approach to intertextuality and explores alternatives to it.
| Author | : Evan M. Mwangi |
| Publisher | : State University of New York Press |
| Total Pages | : 363 |
| Release | : 2010-07-02 |
| Genre | : Literary Criticism |
| ISBN | : 1438426976 |
The profound effects of colonialism and its legacies on African cultures have led postcolonial scholars of recent African literature to characterize contemporary African novels as, first and foremost, responses to colonial domination by the West. In Africa Writes Back to Self, Evan Maina Mwangi argues instead that the novels are primarily engaged in conversation with each other, particularly over emergent gender issues such as the representation of homosexuality and the disenfranchisement of women by male-dominated governments. He covers the work of canonical novelists Nadine Gordimer, Chinua Achebe, NguÅgiÅ wa Thiong'o, and J. M. Coetzee, as well as popular writers such as Grace Ogot, David Maillu, Promise Okekwe, and Rebeka Njau. Mwangi examines the novels' self-reflexive fictional strategies and their potential to refigure the dynamics of gender and sexuality in Africa and demote the West as the reference point for cultures of the Global South.
| Author | : Venetria K. Patton |
| Publisher | : State University of New York Press |
| Total Pages | : 214 |
| Release | : 2012-02-01 |
| Genre | : Literary Criticism |
| ISBN | : 1438415613 |
2000CHOICEOutstanding Academic Title Using writers such as Harriet Wilson, Frances E. W. Harper, Pauline Hopkins, Toni Morrison, Sherley Anne Williams, and Gayl Jones, the author highlights recurring themes and the various responses of black women writers to the issues of race and gender. Time and again these writers link slavery with motherhood—their depictions of black womanhood are tied to the effects of slavery and represented through the black mother. Patton shows that both the image others have of black women as well as black women's own self image is framed and influenced by the history of slavery. This history would have us believe that female slaves were mere breeders and not mothers. However, Patton uses the mother figure as a tool to create an intriguing interdisciplinary literary analysis.
| Author | : Ogude, James |
| Publisher | : Africa Institute of South Africa |
| Total Pages | : 182 |
| Release | : 2015-12-01 |
| Genre | : Literary Criticism |
| ISBN | : 0798304901 |
Chinua Achebe's novels and essays have always drawn our attention to issues of memory, the story, history and our own obligation to history as Africans. Achebe constantly goes back to the authority of narrative - the story; and as the subsequent generations of African writers like Chimamanda Adichie keep returning to, to celebrate Africa's many stories, its moments of failure and triumph. Achebe, more than any other writer on this continent, has inspired many, and hopefully the African story tellers of the coming centuries, irrespective of their location will continue to be inspired by him. This collection of essays is an enduring tribute to this rich legacy of Achebe.
| Author | : Amadou Ouédraogo |
| Publisher | : Sans Souci Books |
| Total Pages | : 182 |
| Release | : 2017 |
| Genre | : Collective memory in literature |
| ISBN | : |
From its medieval origins to the present, Mandé culture in West Africa is known for its highly intriguing art and tradition of hunting; undeniably one of its most conspicuous distinctive features. Totally entrenched in myth, legend and history; firmly grounded in the supernatural, the divine and the abstruse, hunting is altogether a cult, a ritual gesture, a token of allegiance to divine forces. Considered to be a dauntless intrusion of man into the realm of metaphysics and the “unknown”, the hunting vocation transcends by far the confines of human and tangible spheres. This study examines various articulations of the hunting art and tradition as they are conveyed in numerous African literary and cinematographic works. It elucidates the mythical and supernatural magnitude of the hunting activity by showing how it is presided over by immutable deities and tutelary figures. Held to be endowed with infrangible supernatural and esoteric proportions, hunting is deemed to be a reflection of Mandé people’s worldview, a vibrant expression of how they perceive and articulate their existence as part of, and in relation to the world. From all perspectives, traditional hunting in Mandé society is viewed as a noble, dignified and revered activity; sustained by a vehement sense of brotherhood, esprit de corps, faithful loyalty, compassion, munificence. It encompasses a set of principles and values enjoined by transcendent forces, in illo tempore, and meant to serve as timeless paradigmatic ideals to be preserved and handed down along generations. By persistently echoing the magnificence of the hunting art and tradition, African artists place the vocation at the heart of contemporary Africans’ yearning quest for origins, identity and plenitude.
| Author | : Gaurav Desai |
| Publisher | : Modern Language Association of America |
| Total Pages | : 0 |
| Release | : 2009-01-01 |
| Genre | : Language Arts & Disciplines |
| ISBN | : 9781603290371 |
What is the African novel, and how should it be taught? The twenty-three essays of this volume address these two questions and in the process convey a wealth of information and ideas about the diverse regions, peoples, nations, languages, and writers of the African continent. Topics include Ngũgĩ wa Thiong'o's favoring of indigenous languages and literary traditions over European; the special place of Marxism in African letters;the influence of Frantz Fanon; women writers and the sub-Saharan novel;the Maghrebian novel;the novel and the griot epic in the Sahel;Islam in the West African novel;novels in Spanish from Equatorial Guinea;apartheid and postapartheid fiction;African writers in the diaspora;globalization in East African fiction; teaching Chinua Achebe's Things Fall Apart to students in different countries;the Onitsha market romance. The volume editor, Gaurav Desai, writes, "The point of the volume is to encourage a reading of Africa that is sensitive to its history of colonization but at the same time responsive to its present multiracial and multicultural condition."
| Author | : Ernest Emenyo̲nu |
| Publisher | : |
| Total Pages | : 200 |
| Release | : 2006 |
| Genre | : African literature (English) |
| ISBN | : |
This volume of the historic journal African Literature Today provides an overview of the position of African literature at the end of the 20th century and an examination of the directions that African literature is now taking with new and emerging writers and the growth of writing by African women. Contributors examine the influence of new concerns such as globalization and the view from the diaspora and anticipate where this might lead the next generation of African writers. Contents: Editorial Article: New Directions in African Literature: Building on the Legacies of the 20th Century by Ernest N. Emenyonu- Articles: African Literature in the 21st Century: Challenges for Writers & Critics by Charles Nnolim-Bursting at the Seams: New Dimensions for African Literature in the 21st Century by Thomas Hale- New Trends in the Sierra Leonean Novel by Eustace Palmer- Transcultural Identity in African Narrative of Childhood by Richard Priebe-The Marks Left on the Surface; Zoe Wicomb's David's Story by Kenneth W. Harrow- Mothering Daughters: The Other Side of the Story by Monica Bungaro-Transcending the Margins: New Trends in Female Writings in Africa by Iniobong I. Uko-Rethinking Nation and Narrative in a Global Era: Recent African Writing by Nana Wilson-Tagoe-A Last Shot at the 20th Century Canon by Bernth Lindfors-Reviews.
| Author | : Aida Levy-Hussen |
| Publisher | : NYU Press |
| Total Pages | : 224 |
| Release | : 2016-12-13 |
| Genre | : Literary Criticism |
| ISBN | : 1479838144 |
How to Read African American Literature offers a series of provocations to unsettle the predominant assumptions readers make when encountering post-Civil Rights black fiction. Foregrounding the large body of literature and criticism that grapples with legacies of the slave past, Aida Levy-Hussen’s argument develops on two levels: as a textual analysis of black historical fiction, and as a critical examination of the reading practices that characterize the scholarship of our time. Drawing on psychoanalysis, memory studies, and feminist and queer theory, Levy-Hussen examines how works by Toni Morrison, David Bradley, Octavia Butler, Charles Johnson, and others represent and mediate social injury and collective grief. In the criticism that surrounds these novels, she identifies two major interpretive approaches: “therapeutic reading” (premised on the assurance that literary confrontations with historical trauma will enable psychic healing in the present), and “prohibitive reading” (anchored in the belief that fictions of returning to the past are dangerous and to be avoided). Levy-Hussen argues that these norms have become overly restrictive, standing in the way of a more supple method of interpretation that recognizes and attends to the indirect, unexpected, inconsistent, and opaque workings of historical fantasy and desire. Moving beyond the question of whether literature must heal or abandon historical wounds, Levy-Hussen proposes new ways to read African American literature now.
| Author | : Tim Woods |
| Publisher | : Manchester University Press |
| Total Pages | : 304 |
| Release | : 2018-09-30 |
| Genre | : Literary Criticism |
| ISBN | : 1526130793 |
African pasts examines African literatures in English since the end of colonialism, investigating how they represents African history through the twin matrices of memory and trauma. Inextricably tied up with the historical conditions of Africa’s colonisation, charting the emergence of its independence, and scrutinising Africa’s contemporary neo-colonial and postcolonial states as a legacy of the colonial past, African literatures are continually preoccupied with exploring modes of representation to ‘work through’ their different traumatic colonial pasts. Among other issues, this book deals with literature in the era of apartheid, the post-apartheid aftermath, metafictional experiments in African fiction, gender representation in reaction to the trauma of colonialism and ‘imprisonment narratives’. African pasts covers a wide range of African literatures and a cross-section of genres – fiction, poetry, prison-narratives, postcolonial theory – and embraces such well-known writers as Soyinka, Coetzee, Ngugi and Achebe, and more recent writers such as Nuruddin Farah, Tsitsi Dangarembga, Achmat Dangor, Etienne van Heerden, Zakes Mda, Gillian Slovo and Calixthe Beyala.
