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| Author | : Francis Nii-Yartey |
| Publisher | : |
| Total Pages | : 109 |
| Release | : 2016 |
| Genre | : Dance |
| ISBN | : 9780956967022 |
"In eight chapters, the author guides the reader through the history of dance in Ghana and West Africa: from the traditional dances at special occasions to contemporary performances in Ghana and elsewhere. The book is illustrated with photos, sketches and explanatory diagrams."--Book jacket.
| Author | : William Ofotsu Adinku |
| Publisher | : |
| Total Pages | : 92 |
| Release | : 1994 |
| Genre | : Performing Arts |
| ISBN | : |
| Author | : Kariamu Welsh-Asante |
| Publisher | : Infobase Publishing |
| Total Pages | : 137 |
| Release | : 2010 |
| Genre | : Dance |
| ISBN | : 1604134771 |
The ancient tradition of African dance has influenced dance styles all over the world. It is used to commemorate many annual ceremonies and activities, such as rites of passage and the harvest, and it is also an important form of recreation, religious expression, and storytelling. In African Dance, Second Edition, the varied cultures of Africa and their respective dances are explored, along with the effects that colonialism had on the art form.
| Author | : Paschal Yao Younge |
| Publisher | : McFarland |
| Total Pages | : 488 |
| Release | : 2011-09-12 |
| Genre | : Education |
| ISBN | : |
"The dance and musical traditions of Ghana's four main ethnic groups are covered comprehensively: general concepts of music, dance and performance; cultural perspectives; performance; and form and structure of musical types and dance-drumming ceremonies. Historical, geographical, cultural and social backgrounds of the groups are included. Provides curriculum development, teaching methods, photographs, maps, and musical scores"--Provided by publisher.
| Author | : Kariamu Welsh |
| Publisher | : University of Illinois Press |
| Total Pages | : 423 |
| Release | : 2019-12-23 |
| Genre | : Performing Arts |
| ISBN | : 0252051815 |
The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh
| Author | : Lee Warren |
| Publisher | : Prentice Hall |
| Total Pages | : 104 |
| Release | : 1972 |
| Genre | : Juvenile Nonfiction |
| ISBN | : |
Describes many African dances and discusses their origins and their significance as a reflection of almost every aspect of African life.
| Author | : Kukuwa Kyereboah-Nuamah |
| Publisher | : Cognella Academic Publishing |
| Total Pages | : |
| Release | : 2015-01-14 |
| Genre | : |
| ISBN | : 9781634870368 |
African Dance with Passion is a vibrant introduction to African dances from across the continent. The book breaks down the various dance techniques, educates students about the cultures that created the dances, and explains the meanings behind them. Students will learn the detailed choreography of ten different dances and become familiar with the elements, such as the use of a live drummer, that make African dance unique. The book helps students prepare mind and body for the dancing and introduces foundational techniques. It provides a template for dances that can be taught in classes and teaches readers the history of the various dance forms. African Dance with Passion makes the case for this spirited, energetic genre as both a form of art and a form of exercise that can bring health benefits and great joy to the participant. It is intended to accompany the curriculum of courses in beginning African dance. It can also be used as a supplemental reader for classes on African history or cultural studies.
| Author | : James M. Burns |
| Publisher | : Ashgate Publishing, Ltd. |
| Total Pages | : 238 |
| Release | : 2009 |
| Genre | : Music |
| ISBN | : 9780754664956 |
James Burns provides a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society. Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures. The book will appeal to those interested in African Studies, Gender Studies and Oral Literature, as well as ethnomusicology and includes a DVD documentary.
| Author | : Drid Williams |
| Publisher | : eBook Partnership |
| Total Pages | : 68 |
| Release | : 2020-05-01 |
| Genre | : Philosophy |
| ISBN | : 1784798908 |
For more than thirty years, The Institute for Cultural Research (ICR) led the field in stimulating debate and examining ideas within the humanities. Among the Institute's active followers was J. D. Salinger, Robert Graves, Nobel Laureate Doris Lessing, and many others from all walks of life.During its long and distinguished service, ICR published dozens of papers on cultural and cross-cultural themes. Written by scientists, scholars, novelists, musicians, and an array of others, these papers formed a unique resource that is as relevant today as it was decades ago.In the years since ICR ceased formal activities, The Idries Shah Foundation has continued the spirit of its work, and have republished the full range of original monographs.
| Author | : Paul Schauert |
| Publisher | : Indiana University Press |
| Total Pages | : 364 |
| Release | : 2015-09-07 |
| Genre | : Performing Arts |
| ISBN | : 0253017491 |
The Ghana Dance Ensemble takes Ghana's national culture and interprets it in performance using authentic dance forms adapted for local or foreign audiences. Often, says Paul Schauert, the aims of the ensemble and the aims of the individual performers work in opposition. Schauert discusses the history of the dance troupe and its role in Ghana's post-independence nation-building strategy and illustrates how the nation's culture makes its way onto the stage. He argues that as dancers negotiate the terrain of what is or is not authentic, they also find ways to express their personal aspirations, discovering, within the framework of nationalism or collective identity, that there is considerable room to reform national ideals through individual virtuosity.
