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| Author | : Celeste-Marie Bernier |
| Publisher | : |
| Total Pages | : 300 |
| Release | : 2008 |
| Genre | : African American art |
| ISBN | : |
African American Visual Arts: From Slavery to the Present
| Author | : Sharon F. Patton |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 328 |
| Release | : 1998 |
| Genre | : Art |
| ISBN | : 9780192842138 |
Discusses African American folk art, decorative art, photography, and fine arts.
| Author | : Steven Otfinoski |
| Publisher | : Infobase Publishing |
| Total Pages | : 273 |
| Release | : 2014-05-14 |
| Genre | : Art |
| ISBN | : 1438107773 |
While social concerns have been central to the work of many African-American visual artists, painters
| Author | : Sharrell D. Luckett |
| Publisher | : |
| Total Pages | : 323 |
| Release | : 2019 |
| Genre | : ART |
| ISBN | : 9781684481569 |
"Signaling recent activist and aesthetic concepts in the work of Kara Walker, Childish Gambino, BLM, Janelle Monáe, and Kendrick Lamar, and marking the exit of the Obama Administration and the opening of the National Museum of African American History and Culture, this anthology explores the role of African American arts in shaping the future, and further informing new directions we might take in honoring and protecting the success of African Americans in the U.S. The essays in African American Arts: Activism, Aesthetics, and Futurity engage readers in critical conversations by activists, scholars, and artists reflecting on national and transnational legacies of African American activism as an element of artistic practice, particularly as they concern artistic expression and race relations, and the intersections of creative processes with economic, sociological, and psychological inequalities. Scholars from the fields of communication, theater, queer studies, media studies, performance studies, dance, visual arts, and fashion design, to name a few, collectively ask: What are the connections between African American arts, the work of social justice, and creative processes? If we conceive the arts as critical to the legacy of Black activism in the United States, how can we use that construct to inform our understanding of the complicated intersections of African American activism and aesthetics? How might we as scholars and creative thinkers further employ the arts to envision and shape a verdant society?"--
| Author | : Daniel J. Frye |
| Publisher | : Scarecrow Press |
| Total Pages | : 406 |
| Release | : 2001 |
| Genre | : Art |
| ISBN | : 9780810837225 |
A guide to resources for use with K-12 students, this selective volume lists substantial, easily accessible resources on African-American visual artists. In total, 639 resources, referencing 1,174 individual artists are annotated and include works about the artists as well as the contexts in which the artist is situated. The publications are generally contemporary sources (after 1981), but earlier materials do exist, providing a baseline for the study of African-American art and its historical development. An introductory essay documents the successes and struggles of African-Americans in the art world followed by detailed annotations, which are arranged in five sections: General, Survey, Children's Books, Artists, and Artist Groups and Movements. The General, Survey, and Children's Books annotations provide important information including the author name, publication date, title, publisher, and an overview of contents. The Artists and Artist Groups and Movements sections function as indexes to the previous three sections. A final section lists addresses of institutions that hold important African- American art collections.
| Author | : Aston Gonzalez |
| Publisher | : UNC Press Books |
| Total Pages | : 324 |
| Release | : 2020-07-20 |
| Genre | : Social Science |
| ISBN | : 1469659972 |
The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the United States by African Americans. Advances in visual technologies--daguerreotypes, lithographs, cartes de visite, and steam printing presses--enabled people to see and participate in social reform movements in new ways. African American activists seized these opportunities and produced images that advanced campaigns for black rights. In this book, Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned. Understudied artists such as Robert Douglass Jr., Patrick Henry Reason, James Presley Ball, and Augustus Washington produced images to persuade viewers of the necessity for racial equality, black political leadership, and freedom from slavery. Moreover, these activist artists' networks of transatlantic patronage and travels to Europe, the Caribbean, and Africa reveal their extensive involvement in the most pressing concerns for black people in the Atlantic world. Their work demonstrates how images became central to the ways that people developed ideas about race, citizenship, and politics during the nineteenth century.
| Author | : Samella S. Lewis |
| Publisher | : |
| Total Pages | : 328 |
| Release | : 1990 |
| Genre | : Art |
| ISBN | : |
Drawing from historical and private collections around the country, Samella Lewis has gathered an impressive representation of the work of African American artists, from the 18th century to the present. For this edition she has provided a new chapter on art of the last decade. Handsomely and generously illustrated, this book reveals a rich legacy of work by African American painters, sculptors, and graphic artists. "Art historical scholarship is greatly advanced by Samella Lewis's African American Art and Artists in that it foregrounds the work of artists who have been influencing the texture of art in the United States during the last two decades of the 20th century. Throughout African American Art and Artists, Lewis interrogates the issue of identity by presenting the biographical sketch, which locates the individual artistic personality within a specific cultural background with its own peculiar dynamics, giving a face to two cities of Black American art. Without polemics Lewis presents women artists--Edmonia Lewis to Allison Saar--as principal players in constructing an African American visual arts legacy. Here Lewis sufficiently defines the visual arts in order that they may assume their rightful place alongside African American music, literature and folklore as cultural expressions that have helped to give American culture its distinct character."--from the foreword by Floyd Coleman, Harvard University.
| Author | : Lisa E. Farrington |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 0 |
| Release | : 2017 |
| Genre | : African American art |
| ISBN | : 9780199995394 |
African-American Art: A Visual and Cultural History offers a current and comprehensive history that contextualizes black artists within the framework of American art as a whole. The first chronological survey covering all art forms from colonial times to the present to publish in over a decade, it explores issues of racial identity and representation in artistic expression, while also emphasizing aesthetics and visual analysis to help students develop an understanding and appreciation of African-American art that is informed but not entirely defined by racial identity. Through a carefully selected collection of creative works and accompanying analyses, the text also addresses crucial gaps in the scholarly literature, incorporating women artists from the beginning and including coverage of photography, crafts, and architecture in the nineteenth and twentieth centuries as well as twenty-first century developments. All in all, African American Art: A Visual and Cultural History offers a fresh and compelling look at the great variety of artistic expression found in the African-American community. Visit www.oup.com/us/farrington for additional support material, including chapter outlines, study questions, links to artists' sites, and other resources to help students succeed.
| Author | : Samella S. Lewis |
| Publisher | : |
| Total Pages | : 164 |
| Release | : 1976 |
| Genre | : African American art |
| ISBN | : |
| Author | : Gwendolyn DuBois Shaw |
| Publisher | : Yale University Press |
| Total Pages | : 0 |
| Release | : 2014 |
| Genre | : African American art |
| ISBN | : 9780300208009 |
"Published on the occasion of the exhibition 'Represent: 200 years of African American art,' Philadelphia Museum of Art, January 10-April 5, 2015"--Title-page vers
