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Africa Shoots Back

Africa Shoots Back
Author: Melissa Thackway
Publisher: Indiana University Press
Total Pages: 244
Release: 2003
Genre: History
ISBN: 9780253216427

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"Filmmakers in sub-Saharan Francophone Africa have been using cinema since independence in the Sixties to challenge existing Western stereotypes of the continent. The author shows how directors working in a postcolonial context that has inevitably influence film agendas and styles have produced a range of alternative, challenging representations"--Page 4 of cover.


Africa Shoots Back

Africa Shoots Back
Author: Melissa Thackway
Publisher: Indiana University Press
Total Pages: 248
Release: 2003
Genre: History
ISBN: 9780253343499

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Filmmakers in sub-Saharan francophone Africa have been using cinema since independence in the 1960s to challenge Western stereotypes. This text shows how directors have produced alternatives, focusing on issues of memory and history.


The Perfect Shot

The Perfect Shot
Author: Kevin Robertson
Publisher:
Total Pages: 0
Release: 2015-11-11
Genre:
ISBN: 9781571574626

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The Perfect Shot: Mini Edition for Africa II has been completely revised and expanded! This handy pocket-size guide has been a perennial customer favorite ever since it was first published in 2003. Take this mini reference afield as you hunt elephant, buffalo, hippopotamus, rhinoceros, lion, leopard, Nile crocodile, spotted hyena, giraffe, eland, greater kudu, zebra, sable, roan, waterbuck, blue wildebeest, bongo, oryx/gemsbok, hartebeest, black wildebeest, nyala, reedbuck, blesbok/bontebok, impala, bushbuck, springbok, warthog, duiker, klipspringer, steenbok, and grysbok. As in the big book, the mini edition features animal tracks as well as ghost views of vital areas and point of aim for each animal. A brief essay on natural history, trophy assessment, and subspecies is included. In addition, the updated tables in the back list the minimum requirements for inclusion in the Rowland Ward and SCI record books. While nothing can replace the "big" book, this is a super handy item to throw in your backpack or place in your pocket for your next safari. Don't forget to stick a mini guide in your pocket when afield so you'll know just where to place that "perfect shot"! This expanded and updated version is now 160 pages in length-32 more pages than the original Mini Perfect Shot.


Out Of Africa

Out Of Africa
Author: Isak Dinesen
Publisher: Harper Collins
Total Pages: 408
Release: 2014-06-03
Genre: Biography & Autobiography
ISBN: 1443432954

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In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.


Big Game Shooting - The Lion in South Africa

Big Game Shooting - The Lion in South Africa
Author: F. C. Selous
Publisher: Read Books Ltd
Total Pages: 38
Release: 2013-04-16
Genre: History
ISBN: 1447490851

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Frederick Courteney Selous (1851-1917) was a British explorer, hunter and conservationist, and is most remembered for his activities in Southeast Africa. Selous explored lesser-known areas, where he recorded ethnographic notes and collected specimens. ‘Big Game Shooting’, published in 1894, is an anecdotal account that chronicles his experiences of hunting the lion in South Africa, and offers a personal insight into late nineteenth- and early twentieth-century game hunting practices. It would suit anyone with an interest in the culture of hunting from that period, from the historian to the enthusiast. This vintage text is being republished in a high quality, modern and affordable edition, complete with the original artwork and a specially written concise biography.


Colonial Cinema in Africa

Colonial Cinema in Africa
Author: Glenn Reynolds
Publisher: McFarland
Total Pages: 245
Release: 2015-06-16
Genre: Performing Arts
ISBN: 078647985X

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In recent decades historians and film scholars have intensified their study of colonial cinema in Africa. Yet the vastness of the continent, the number of European powers involved and irregular record keeping has made uncovering the connections between imagery, imperialism and indigenous peoples difficult. This volume takes up the challenge, tracing production and exhibition patterns to show how motion pictures were introduced on the continent during the "Scramble for Africa" and the subsequent era of consolidation. The author describes how early actualities, expeditionary footage, ethnographic documentaries and missionary films were made in the African interior and examines the rise of mass black spectatorship. While Africans in the first two decades of the 20th century were sidelined as cinema consumers because of colonial restrictions, social and political changes in the subsequent interwar period--wrought by large-scale mining in southern Africa--led to a rethinking of colonial film policy by missionaries, mining concerns and colonial officials. By World War II, cinema had come to black Africa.


Women in African Cinema

Women in African Cinema
Author: Lizelle Bisschoff
Publisher: Routledge
Total Pages: 368
Release: 2019-11-14
Genre: Performing Arts
ISBN: 1351854704

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Women in African Cinema: Beyond the Body Politic showcases the very prolific but often marginalised presence of women in African cinema, both on the screen and behind the camera. This book provides the first in-depth and sustained examination of women in African cinema. Films by women from different geographical regions are discussed in case studies that are framed by feminist theoretical and historical themes, and seen through an anti-colonial, philosophical, political and socio-cultural cinematic lens. A historical and theoretical introduction provides the context for thematic chapters exploring topics ranging from female identities, female friendships, women in revolutionary cinema, motherhood and daughterhood, women’s bodies, sexuality, and spirituality. Each chapter serves up a theoretical-historical discussion of the chosen theme, followed by two in-depth case studies that provide contextual and transnational readings of the films as well as outlining production, distribution and exhibition contexts. This book contributes to the feminist anti-racist revision of the canon by placing African women filmmakers squarely at the centre of African film culture. Demonstrating the depth and diversity of the feminine or female aesthetic in African cinema, this book will be of great interest to students and scholars of African cinema, media studies and African studies.


We Are Not Such Things

We Are Not Such Things
Author: Justine van der Leun
Publisher: Random House
Total Pages: 546
Release: 2016-06-28
Genre: True Crime
ISBN: 0812994515

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Justine van der Leun reopens the murder of a young American woman in South Africa, an iconic case that calls into question our understanding of truth and reconciliation, loyalty, justice, race, and class—a gripping investigation in the vein of the podcast Serial “Timely . . . gripping, explosive . . . the kind of obsessive forensic investigation—of the clues, and into the soul of society—that is the legacy of highbrow sleuths from Truman Capote to Janet Malcolm.”—The New York Times Book Review The story of Amy Biehl is well known in South Africa: The twenty-six-year-old white American Fulbright scholar was brutally murdered on August 25, 1993, during the final, fiery days of apartheid by a mob of young black men in a township outside Cape Town. Her parents’ forgiveness of two of her killers became a symbol of the Truth and Reconciliation process in South Africa. Justine van der Leun decided to introduce the story to an American audience. But as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the murder actually responsible for her death? And then van der Leun stumbled upon another brutal crime committed on the same day, in the very same area. The true story of Amy Biehl’s death, it turned out, was not only a story of forgiveness but a reflection of the complicated history of a troubled country. We Are Not Such Things is the result of van der Leun’s four-year investigation into this strange, knotted tale of injustice, violence, and compassion. The bizarre twists and turns of this case and its aftermath—and the story that emerges of what happened on that fateful day in 1993 and in the decades that followed—come together in an unsparing account of life in South Africa today. Van der Leun immerses herself in the lives of her subjects and paints a stark, moving portrait of a township and its residents. We come to understand that the issues at the heart of her investigation are universal in scope and powerful in resonance. We Are Not Such Things reveals how reconciliation is impossible without an acknowledgment of the past, a lesson as relevant to America today as to a South Africa still struggling with the long shadow of its history. “A masterpiece of reported nonfiction . . . Justine van der Leun’s account of a South African murder is destined to be a classic.”—Newsday


African Film and Literature

African Film and Literature
Author: Lindiwe Dovey
Publisher: Columbia University Press
Total Pages: 358
Release: 2009
Genre: Art
ISBN: 0231147546

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Analyzing a range of South African and West African films inspired by African and non-African literature, Lindiwe Dovey identifies a specific trend in contemporary African filmmaking-one in which filmmakers are using the embodied audiovisual medium of film to offer a critique of physical and psychological violence. Against a detailed history of the medium's savage introduction and exploitation by colonial powers in two very different African contexts, Dovey examines the complex ways in which African filmmakers are preserving, mediating, and critiquing their own cultures while seeking a united vision of the future. More than merely representing socio-cultural realities in Africa, these films engage with issues of colonialism and postcolonialism, "updating" both the history and the literature they adapt to address contemporary audiences in Africa and elsewhere. Through this deliberate and radical re-historicization of texts and realities, Dovey argues that African filmmakers have developed a method of filmmaking that is altogether distinct from European and American forms of adaptation.


African Cinema and Human Rights

African Cinema and Human Rights
Author: Mette Hjort
Publisher: Indiana University Press
Total Pages: 327
Release: 2019-03-01
Genre: Performing Arts
ISBN: 0253039460

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Bringing theory and practice together, African Cinema and Human Rights argues that moving images have a significant role to play in advancing the causes of justice and fairness. The contributors to this volume identify three key ways in which film can achieve these goals: documenting human rights abuses and thereby supporting the claims of victims and goals of truth and reconciliation within larger communities; legitimating, and consequently solidifying, an expanded scope for human rights; and promoting the realization of social and economic rights. Including the voices of African scholars, scholar-filmmakers, African directors Jean-Marie Teno and Gaston Kaboré, and researchers whose work focuses on transnational cinema, this volume explores overall perspectives, and differences of perspective, pertaining to Africa, human rights, and human rights filmmaking alongside specific case studies of individual films and areas of human rights violations. With its interdisciplinary scope, attention to practitioners' self-understandings, broad perspectives, and particular case studies, African Cinema and Human Rights is a foundational text that offers questions, reflections, and evidence that help us to consider film's ideal role within the context of our ever-continuing struggle towards a more just global society.