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Affectionately, Marcel

Affectionately, Marcel
Author: Marcel Duchamp
Publisher: Ludion
Total Pages: 432
Release: 2000
Genre: Art
ISBN:

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Marcel Duchamp left behind a large volume of correspondence, more than a thousand documents forming a valuable archive of primary source materials on one the 20th Century's most important cutural figures. In his letters, Duchmap writes about his latest plans, works in progress, concepts such as the "ready-made," his passion for chess, the mundane details of life, as well as extraordinary ideas. The letters are reproduced in their entirety along with chronological and biographical data illumintaing the circumstances behind the letters. An essential volume for art historians and students of 20th Century culture.


The Artist and His Critic Stripped Bare

The Artist and His Critic Stripped Bare
Author: Paul B. Franklin
Publisher: Getty Publications
Total Pages: 422
Release: 2016-06-01
Genre: Art
ISBN: 1606064436

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Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.


An Audience of Artists

An Audience of Artists
Author: Catherine Craft
Publisher: University of Chicago Press
Total Pages: 326
Release: 2012-05-30
Genre: Art
ISBN: 0226116808

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An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.


Please Touch

Please Touch
Author: Janine A. Mileaf
Publisher: UPNE
Total Pages: 313
Release: 2010
Genre: Art
ISBN: 1584659343

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Exploring the notion of tactility in dada and surrealism


Marcel Proust

Marcel Proust
Author: William C. Carter
Publisher: Yale University Press
Total Pages: 998
Release: 2013-04-16
Genre: Biography & Autobiography
ISBN: 0300191790

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Reissued with a new preface to commemorate the publication of "A la recherche du temps perdu" one hundred years ago, this title portrays in abundant detail the life and times of literary voices of the twentieth century.


The Original Copy

The Original Copy
Author: Roxana Marcoci
Publisher: The Museum of Modern Art
Total Pages: 263
Release: 2010
Genre: Art
ISBN: 0870707574

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"Published in conjunction with the exhibition The original copy: photography of sculpture, 1839 to today, at the Museum of Modern Art, New York (August 1-November 1, 2010)"--T.p. verso.


Crimes of the Future

Crimes of the Future
Author: Jean-Michel Rabat�
Publisher: Bloomsbury Publishing USA
Total Pages: 281
Release: 2014-04-24
Genre: Literary Criticism
ISBN: 1441146342

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"Crimes of the Future sees one of the world's leading literary theorists exploring the past, present and potential future of Theory"--


New Collecting: Exhibiting and Audiences after New Media Art

New Collecting: Exhibiting and Audiences after New Media Art
Author: Professor Beryl Graham
Publisher: Ashgate Publishing, Ltd.
Total Pages: 255
Release: 2014-05-28
Genre: Art
ISBN: 1472406435

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The collections of museums, galleries and online art organisations are increasingly broadening to include more new media art. Because new media is used as a means of documenting, archiving and distributing art, and because new media art might be interactive with its audiences, this highlights the new kinds of relationships that might occur between audiences as viewers, participants, selectors, taggers or taxonomisers. New media art presents many challenges to the curator and collector, but there is very little published analytical material available to help meet those challenges. This book fills that gap. Drawing from the editor's extensive research and the authors' expertise in the field, the book provides clear navigation through a disparate arena. The authors offer examples from a wide geographical reach, including the UK, North America and Asia and integrate the consideration of audience response into all aspects of their work. The book will be essential reading for those studying or practicing in new media, curating or museums and galleries.


Framed!

Framed!
Author: Lucy Bolton
Publisher: Peter Lang
Total Pages: 244
Release: 2007
Genre: Art
ISBN: 9783039110438

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Broaching the notion of the 'frame' from a variety of analytic perspectives, and employing a range of approaches, this collection of articles engages with contemporary debates on text and image relations, literary reception and translation, narratology and cinematographic technique. The various contributions to this collection provide new readings in their respective fields, and share a common concern with exploring the productive and problematic notion of the 'frame' and of 'framing' in a wide variety of cultural media in French Studies. This interdisciplinary analysis of literary and theoretical texts, visual art and film allows for fruitful connections to be made at the level of analysis of themes and of methodology. It thus provides material that is of interest both to specialists in these fields, and also to those seeking a more general introduction to each area. This collection of articles is selected from the proceedings of the 'Framed! in French Studies' workshop, held at the Institut Français in London in February 2006.


Remaking the Readymade

Remaking the Readymade
Author: Adina Kamien-Kazhdan
Publisher: Routledge
Total Pages: 378
Release: 2018-05-11
Genre: Art
ISBN: 0429843569

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Replication and originality are central concepts in the artistic oeuvres of Marcel Duchamp and Man Ray. Remaking the Readymade reveals the underlying and previously unexplored processes and rationales for the collaboration between Duchamp, Man Ray, and Arturo Schwarz on the replication of readymades and objects. The 1964 editioned replicas of the readymades sent shock waves through the art world. Even though the replicas undermined ideas of authorship and problematized the notion of identity and the artist, they paradoxically shared in the aura of the originals, becoming stand-ins for the readymades. Scholar-poet-dealer Arturo Schwarz played a crucial role, opening the door to joint or alternate authorship—an outstanding relationship between artist and dealer. By unearthing previously unpublished correspondence and documentary materials and combining this material with newly conducted exclusive interviews with key participants, Remaking the Readymade details heretofore unrevealed aspects of the technical processes involved in the (re)creation of iconic, long-lost Dada objects. Launched on the heels of the centenary of Duchamp’s Fountain, this new analysis intensifies and complicates our understanding of Duchamp and Man Ray’ initial conceptions, and raises questions about replication and authorship that will stimulate significant debate about the legacy of the artists, the continuing significance of their works, and the meaning of terms such as creativity, originality, and value in the formation of art.