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| Author | : Monroe C. Beardsley |
| Publisher | : Hackett Publishing |
| Total Pages | : 694 |
| Release | : 1981-01-01 |
| Genre | : Philosophy |
| ISBN | : 9780915145089 |
This second edition features a new 48-page Afterword--1980 updating Professor Beardsley's classic work.
| Author | : Monroe C. Beardsley |
| Publisher | : |
| Total Pages | : 658 |
| Release | : 1958 |
| Genre | : Aesthetics |
| ISBN | : |
| Author | : Arnold Isenberg |
| Publisher | : University of Chicago Press |
| Total Pages | : 362 |
| Release | : 1988-03-25 |
| Genre | : Philosophy |
| ISBN | : 0226385124 |
"These sixteen essays by Arnold Isenberg "bring wide-ranging connoiseurship, intricate analysis, and epigrammatic literacy to bear on a number of glib and fuzzy oppositions between form and content, description and interpretation, perception and meaning, technique and substance, and belief and expression, articulating provocative strategies for illuminating the canon of the arts and the organ of criticism. . . . Any thoughtful lover of the arts could read this book with profit and inspiration."—Choice
| Author | : Monroe C. Beardsley |
| Publisher | : |
| Total Pages | : 400 |
| Release | : 1982 |
| Genre | : Aesthetics |
| ISBN | : |
| Author | : Jerrold Levinson |
| Publisher | : Oxford University Press |
| Total Pages | : 844 |
| Release | : 2005-01-27 |
| Genre | : Art |
| ISBN | : 9780199279456 |
'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.
| Author | : Robert B. Pippin |
| Publisher | : University of Chicago Press |
| Total Pages | : 282 |
| Release | : 2021-05-11 |
| Genre | : Art |
| ISBN | : 022677094X |
Throughout his career, Robert B. Pippin has examined the relationship between philosophy and the arts. With his writings on film, literature, and visual modernism, he has shown that there are aesthetic objects that cannot be properly understood unless we acknowledge and reflect on the philosophical concerns that are integral to their meaning. His latest book, Philosophy by Other Means, extends this trajectory, offering a collection of essays that present profound considerations of philosophical issues in aesthetics alongside close readings of novels by Henry James, Marcel Proust, and J. M. Coetzee. The arts hold a range of values and ambitions, offering beauty, playfulness, and craftsmanship while deepening our mythologies and enriching the human experience. Some works take on philosophical ambitions, contributing to philosophy in ways that transcend the discipline’s traditional analytic and discursive forms. Pippin’s claim is twofold: criticism properly understood often requires a form of philosophical reflection, and philosophy is impoverished if it is not informed by critical attention to aesthetic objects. In the first part of the book, he examines how philosophers like Kant, Hegel, and Adorno have considered the relationship between art and philosophy. The second part of the book offers an exploration of how individual artworks might be considered forms of philosophical reflection. Pippin demonstrates the importance of practicing philosophical criticism and shows how the arts can provide key insights that are out of reach for philosophy, at least as traditionally understood.
| Author | : Monroe C. Beardsley |
| Publisher | : University of Alabama Press |
| Total Pages | : 415 |
| Release | : 1975-10-30 |
| Genre | : Fiction |
| ISBN | : 0817366237 |
Seeks to bring present-day philosophy principles into the history of aesthetics Before the publication of Aesthetics from Classical Greece to the Present there were three histories of aesthetics in English—Bosanquet's pioneering work, the second part of Croce's Aesthetic in the Ainsle translation, and the comprehensive volume by Gilbert and Kuhn. While each of these is interesting in its own ways, and together they cover a good deal of ground, none of them is very new. Thus none could take advantage of recent work on many important philosophers and periods and bring into a consideration of the past the best concepts and principles that have been developed by present-day philosophy.
| Author | : Noel Carroll |
| Publisher | : Routledge |
| Total Pages | : 239 |
| Release | : 2009-06-02 |
| Genre | : Philosophy |
| ISBN | : 1134221304 |
In a recent poll of practicing art critics, 75 percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a troubling statistic for philosopher and critic Noel Carroll, who argues that that the proper task of the critic is not simply to describe, or to uncover hidden meanings or agendas, but instead to determine what is of value in art. Carroll argues for a humanistic conception of criticism which focuses on what the artist has achieved by creating or performing the work. Whilst a good critic should not neglect to contextualize and offer interpretations of a work of art, he argues that too much recent criticism has ignored the fundamental role of the artist's intentions. Including examples from visual, performance and literary arts, and the work of contemporary critics, Carroll provides a charming, erudite and persuasive argument that evaluation of art is an indispensable part of the conversation of life.
| Author | : Stephen Halliwell |
| Publisher | : Princeton University Press |
| Total Pages | : 440 |
| Release | : 2009-01-10 |
| Genre | : Philosophy |
| ISBN | : 140082530X |
Mimesis is one of the oldest, most fundamental concepts in Western aesthetics. This book offers a new, searching treatment of its long history at the center of theories of representational art: above all, in the highly influential writings of Plato and Aristotle, but also in later Greco-Roman philosophy and criticism, and subsequently in many areas of aesthetic controversy from the Renaissance to the twentieth century. Combining classical scholarship, philosophical analysis, and the history of ideas--and ranging across discussion of poetry, painting, and music--Stephen Halliwell shows with a wealth of detail how mimesis, at all stages of its evolution, has been a more complex, variable concept than its conventional translation of "imitation" can now convey. Far from providing a static model of artistic representation, mimesis has generated many different models of art, encompassing a spectrum of positions from realism to idealism. Under the influence of Platonist and Aristotelian paradigms, mimesis has been a crux of debate between proponents of what Halliwell calls "world-reflecting" and "world-simulating" theories of representation in both the visual and musico-poetic arts. This debate is about not only the fraught relationship between art and reality but also the psychology and ethics of how we experience and are affected by mimetic art. Moving expertly between ancient and modern traditions, Halliwell contends that the history of mimesis hinges on problems that continue to be of urgent concern for contemporary aesthetics.
| Author | : Owen Hulatt |
| Publisher | : Columbia University Press |
| Total Pages | : 272 |
| Release | : 2016-09-27 |
| Genre | : Philosophy |
| ISBN | : 0231542208 |
In Adorno's Theory of Philosophical and Aesthetic Truth, Owen Hulatt undertakes an original reading of Theodor W. Adorno's epistemology and its material underpinnings, deepening our understanding of his theories of truth, art, and the nonidentical. Hulatt's novel interpretation casts Adorno's theory of philosophical and aesthetic truth as substantially unified, supporting the thinker's claim that both philosophy and art are capable of being true. For Adorno, truth is produced when rhetorical "texture" combines with cognitive "performance," leading to the breakdown of concepts that mediate the experience of the consciousness. Both philosophy and art manifest these features, although philosophy enacts these conceptual issues directly, while art does so obliquely. Hulatt builds a robust argument for Adorno's claim that concepts ineluctably misconstrue their objects. He also puts the still influential thinker into conversation with Hegel, Husserl, Frazer, Sohn-Rethel, Benjamin, Strawson, Dahlhaus, Habermas, and Caillois, among many others.
