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Aesthetics and the Art of Musical Composition in the German Enlightenment

Aesthetics and the Art of Musical Composition in the German Enlightenment
Author: Johann Georg Sulzer
Publisher: Cambridge University Press
Total Pages: 224
Release: 1995
Genre: Music
ISBN: 0521360358

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Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.


Musical Aesthetics

Musical Aesthetics
Author: Jonathan L. Friedmann
Publisher: Cambridge Scholars Publishing
Total Pages: 179
Release: 2018-07-27
Genre: Music
ISBN: 1527514900

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This book contains six chapters covering key areas of musical aesthetics, including aesthetics of emotions; aesthetics of listening; aesthetics of performance; aesthetics of composition; aesthetics of nature; and aesthetics of commerce. Each chapter adopts an experiential approach to aesthetics, in which perceptual and intuitive musical responses – real-time experiences – are valued as a source of truth. Unlike intellectual aesthetics, which values conscious associations and meticulous artistic appraisals, experiential aesthetics looks primarily at everyday subconscious appreciations. The explorations here draw from the social sciences, hard sciences, philosophy, literature, theology, musicology, humanities, and other fields that directly or indirectly contribute to an understanding of our attraction to music. Presenting user-friendly distillations of numerous theories, concepts, and functions, this book will be of interest to both lay readers and expert practitioners.


Aesthetics of Musical Art

Aesthetics of Musical Art
Author: Ferdinand Gotthelf Hand
Publisher:
Total Pages: 236
Release: 1880
Genre: Music
ISBN:

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Aesthetics and Music

Aesthetics and Music
Author: Andy Hamilton
Publisher: A&C Black
Total Pages: 257
Release: 2007-08-29
Genre: Philosophy
ISBN: 0826485189

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An engaging but sophisticated look at the debates and ideas involved in the aesthetics of music - part of a major new series from Continuum.


Aesthetics of Music

Aesthetics of Music
Author: Stephen Downes
Publisher: Routledge
Total Pages: 469
Release: 2014-06-27
Genre: Music
ISBN: 1136486909

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Aesthetics of Music: Musicological Approaches is an anthology of fourteen essays, each addressing a single key concept or pair of terms in the aesthetics of music, collectively serving as an authoritative work on musical aesthetics that remains as close to 'the music' as possible. Each essay includes musical examples from works in the 18th, 19th, and into the 20th century. Topics have been selected from amongst widely recognised central issues in musical aesthetics, as well as those that have been somewhat neglected, to create a collection that covers a distinctive range of ideas. All essays cover historical origins, sources, and developments of the chosen idea, survey important musicological approaches, and offer new critical angles or musical case studies in interpretation.


AESTHETICS OF MUSICAL ART

AESTHETICS OF MUSICAL ART
Author: FERDINAND. HAND
Publisher:
Total Pages: 0
Release: 2018
Genre:
ISBN: 9781033639955

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Aesthetics of Musical Art

Aesthetics of Musical Art
Author: Ferdinand Hand
Publisher: Forgotten Books
Total Pages: 200
Release: 2017-12-14
Genre: Music
ISBN: 9780332774916

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Excerpt from Aesthetics of Musical Art: Or the Beautiful in Music There is yet one thing that I am candid enough to admit, it is, that that which is here laid before the reader, without arrogance and destitute Of polemical tendencies, is a product Of the warmest and purest love for the art. As such, may it meet with a friendly reception, and be the means Of inducing others, more intelligent. Soon to supply a better. The order which I have adhered to through out the investigation is explained in the Intro duction. The book itself I wish to be regarded as an educational work, that no one may expect to find in it a means Of delightfully amusing himself, but, rather, be induced thereby to think more deeply, and to aim at the further develop ment Of the hints which it contains. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


The Aesthetics of Music

The Aesthetics of Music
Author: Roger Scruton
Publisher: Oxford University Press
Total Pages: 553
Release: 1999
Genre: Music
ISBN: 019816727X

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What is music, what is its value, and what does it mean? In this stimulating volume, Roger Scruton offers a comprehensive account of the nature and significance of music from the perspective of modern philosophy. The study begins with the metaphysics of sound. Scruton 7istinguishes sound from tone; analyzes rhythm, melody, and harmony; and explores the various dimensions of musical organization and musical meaning. Taking on various fashionable theories in the philosophy and theory of music, he presents a compelling case for the moral significance of music, its place in our culture, and the need for taste and discrimination in performing and listening to it. Laying down principles for musical analysis and criticism, this bold work concludes with a theory of culture--and a devastating demolition of modern popular music. "A provocative new study."--The Guardian