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| Author | : Michel Foucault |
| Publisher | : Penguin Classics |
| Total Pages | : 0 |
| Release | : 2020-08-06 |
| Genre | : Philosophy |
| ISBN | : 9780241435113 |
Aesthetics offers a focused study on the philosophy, literature and art which informed Foucault's engagement with ethics and power, including brilliant commentaries on the work of de Sade, Rousseau, Marx, Nietzsche, Freud and Wagner.
| Author | : Michel Foucault |
| Publisher | : Penguin Books, Limited (UK) |
| Total Pages | : 486 |
| Release | : 2000 |
| Genre | : Aesthetics |
| ISBN | : 9780140259568 |
Volume 2 in the ESSENTIAL WORKS OF FOUCAULT series and originally published by Allen Lane in 1999, a collection of articles, interviews and lectures on the subject of aesthetics, written by the twentieth century French philosopher, Michel Foucault and translated into English.
| Author | : Michael Foucault |
| Publisher | : |
| Total Pages | : 486 |
| Release | : 1998 |
| Genre | : |
| ISBN | : |
| Author | : Matthew Kieran |
| Publisher | : Springer Science & Business Media |
| Total Pages | : 185 |
| Release | : 2007-10-20 |
| Genre | : Philosophy |
| ISBN | : 1402052650 |
Artworks potentially convey two kinds of knowledge: knowledge of art itself as well as general empirical knowledge, especially knowledge of human psychology. This book collects ten essays written by leading philosophers who distill and build upon recent work at the intersection of aesthetics and epistemology. The volume also explores the challenges that art poses for theories of knowledge as well as the challenges that artistic knowledge poses to traditional views about art.
| Author | : Catherine Labio |
| Publisher | : Cornell University Press |
| Total Pages | : 210 |
| Release | : 2018-07-05 |
| Genre | : Philosophy |
| ISBN | : 1501727435 |
What epistemic assumptions framed eighteenth-century thinkers' speculations regarding origins? What, if anything, connected these speculations? The best way to understand the Enlightenment's obsession with origins is to study it in conjunction with the contemporary conceptualization of originality as a criterion of aesthetic value, Catherine Labio maintains. Her expansive survey of the era's thought places special emphasis on epistemology and is genuinely interdisciplinary, drawing on such fields as anthropology, geometry, historiography, literary criticism, and political economy. One of the most striking facets of Enlightenment thought, according to Labio, is the emergence of aesthetics as a master discourse that enabled its users to make sense of worlds ostensibly unrelated to the arts. In particular, once knowledge became defined as knowledge of things made by human beings, originality became valued not only for its novelty but also as a guarantee of epistemological certainty. Labio analyzes the views held by a variety of European thinkers—including Baumgarten, Condillac, Descartes, Kant, Locke, Rousseau, Adam Smith, Vico, and Edward Young—on the origins of ideas, languages, nations, nature, and wealth. Throughout, the author deals with a wide range of primary and secondary materials.
| Author | : Errol Lord |
| Publisher | : Oxford University Press |
| Total Pages | : 278 |
| Release | : 2018-05-30 |
| Genre | : Philosophy |
| ISBN | : 0192546759 |
The Importance of Being Rational systematically defends a novel reasons-based account of rationality. The book's central thesis is that what it is for one to be rational is to correctly respond to the normative reasons one possesses. Errol Lord defends novel views about what it is to possess reasons and what it is to correctly respond to reasons. He shows that these views not only help to support the book's main thesis, they also help to resolve several important problems that are independent of rationality. The account of possession provides novel contributions to debates about what determines what we ought to do, and the account of correctly responding to reasons provides novel contributions to debates about causal theories of reacting for reasons. After defending views about possession and correctly responding, Lord shows that the account of rationality can solve two difficult problems about rationality. The first is the New Evil Demon problem. The book argues that the account has the resources to show that internal duplicates necessarily have the same rational status. The second problem concerns the deontic significance of rationality. Recently it has been doubted whether we ought to be rational. The ultimate conclusion of the book is that the requirements of rationality are the requirements that we ultimately ought to comply with. If this is right, then rationality is of fundamental importance to our deliberative lives.
| Author | : Benjamin Morgan |
| Publisher | : University of Chicago Press |
| Total Pages | : 380 |
| Release | : 2017-05 |
| Genre | : Art |
| ISBN | : 022646220X |
Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.
| Author | : Noam Chomsky |
| Publisher | : The New Press |
| Total Pages | : 177 |
| Release | : 2015-05-05 |
| Genre | : Philosophy |
| ISBN | : 1595586571 |
In this historic 1971 debate, two of the twentieth century’s most influential thinkers discuss whether there is such a thing as innate human nature. In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: Is there such a thing as “innate” human nature independent of our experiences and external influences? The resulting dialogue is one of the most original, provocative, and spontaneous exchanges to have occurred between contemporary philosophers. Above all, their discussion serves as a concise introduction to their two opposing theories. What begins as a philosophical argument rooted in linguistics (Chomsky) and the theory of knowledge (Foucault), soon evolves into a broader discussion encompassing a wide range of topics, from science, history, and behaviorism to creativity, freedom, and the struggle for justice in the realm of politics. In addition to the debate itself, this volume features a newly written introduction by noted Foucault scholar John Rajchman and includes substantial additional texts by Chomsky and Foucault. “[Chomsky is] arguably the most important intellectual alive.” —The New York Times “Foucault . . . leaves no reader untouched or unchanged.” —Edward Said
| Author | : Owen Hulatt |
| Publisher | : Columbia University Press |
| Total Pages | : 272 |
| Release | : 2016-09-27 |
| Genre | : Philosophy |
| ISBN | : 0231542208 |
In Adorno's Theory of Philosophical and Aesthetic Truth, Owen Hulatt undertakes an original reading of Theodor W. Adorno's epistemology and its material underpinnings, deepening our understanding of his theories of truth, art, and the nonidentical. Hulatt's novel interpretation casts Adorno's theory of philosophical and aesthetic truth as substantially unified, supporting the thinker's claim that both philosophy and art are capable of being true. For Adorno, truth is produced when rhetorical "texture" combines with cognitive "performance," leading to the breakdown of concepts that mediate the experience of the consciousness. Both philosophy and art manifest these features, although philosophy enacts these conceptual issues directly, while art does so obliquely. Hulatt builds a robust argument for Adorno's claim that concepts ineluctably misconstrue their objects. He also puts the still influential thinker into conversation with Hegel, Husserl, Frazer, Sohn-Rethel, Benjamin, Strawson, Dahlhaus, Habermas, and Caillois, among many others.
| Author | : Jean Laplanche |
| Publisher | : Els Editions |
| Total Pages | : 196 |
| Release | : 2007 |
| Genre | : Biography & Autobiography |
| ISBN | : |
