Aesthetics And Subjectivity From Kant To Nietzsche PDF Download
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| Author | : Andrew Bowie |
| Publisher | : Manchester University Press |
| Total Pages | : 358 |
| Release | : 2013-07-19 |
| Genre | : History |
| ISBN | : 1847795129 |
Download Aesthetics and subjectivity Book in PDF, ePub and Kindle
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. New, completely revised and re-written edition. Offers a detailed, but asccesible account of the vital German philosophical tradition of thinking about art and the self. Looks at recent historical research and contemporary arguments in philosophy and theory in the humanities, following the path of German philosophy from Kant, via Ficthe and Holderlin, the early Romantis, Schelling, Hegel, Scleimacher, to Nietzsche. Develops the approaches to subjectivity, aesthetics, music and language in relation to new theoretical developments bridging the divide between the continental and analytical traditions of philosophy. The huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy will make this an indispensible read
| Author | : Andrew Bowie |
| Publisher | : |
| Total Pages | : 284 |
| Release | : 1990-01-01 |
| Genre | : History |
| ISBN | : 9780719024450 |
Download Aesthetics and Subjectivity from Kant to Nietzsche Book in PDF, ePub and Kindle
This new, completely revised and re-written edition of aesthetics and subjectivity brings up to date the original book's account of the path of German philosophy from Kant, via Fichte and Holderlin, the early Romantis, Schelling, Hegel, Schleimacher, to Nietzsche, in view of recent historical research and contemporary arguments in philosophy and theory in the humanities. The original book helped make subjectivity, aesthetics, music and language a significant part of debate in the humanity. Bowie develops the approaches to these areas in relation to new theoretical advances which bridge the divide between the continental and analytical traditions of philosophy. In light of the huge growth of interest in German philosophy as a resource for re-thinking both literary and cultural theory, and contemporary philosophy, aesthetics and subjectivity will be indispensable reading for students and teachers in all humanities subjects, from literature, to philosophy, to music and beyond.
| Author | : Jane Kneller |
| Publisher | : Cambridge University Press |
| Total Pages | : 8 |
| Release | : 2007-02-08 |
| Genre | : Philosophy |
| ISBN | : 1139462172 |
Download Kant and the Power of Imagination Book in PDF, ePub and Kindle
In this book Jane Kneller focuses on the role of imagination as a creative power in Kant's aesthetics and in his overall philosophical enterprise. She analyzes Kant's account of imaginative freedom and the relation between imaginative free play and human social and moral development, showing various ways in which his aesthetics of disinterested reflection produce moral interests. She situates these aspects of his aesthetic theory within the context of German aesthetics of the eighteenth century, arguing that Kant's contribution is a bridge between early theories of aesthetic moral education and the early Romanticism of the last decade of that century. In so doing, her book brings the two most important German philosophers of Enlightenment and Romanticism, Kant and Novalis, into dialogue. It will be of interest to a wide range of readers in both Kant studies and German philosophy of the eighteenth and nineteenth centuries.
| Author | : Tanja Mirjana Juric |
| Publisher | : Library and Archives Canada = Bibliothèque et Archives Canada |
| Total Pages | : 312 |
| Release | : 2005 |
| Genre | : |
| ISBN | : 9780494029091 |
Download The Aesthetics of Ethical Subjectivity [microform] : Ethics and Aesthetics in the Work of Immanuel Kant, Friedrich Nietzsche and Theodor Adorno Book in PDF, ePub and Kindle
This project examines the effect that aesthetic reflection can have on the formation of ethical subjects and the development of reciprocal relations between individuals. In particular, it investigates whether aesthetic judgement, precisely because it encourages the development of a critically self-reflexive subject, provides a valuable model for ethics. Theodor Adorno's dialectical approach, on the other hand, interprets the subject as intersubjectively developed, which acknowledges the importance of reciprocal relations with others. Adorno's constant reference to the generic subject and object, however, does not differentiate between various types of subjects and objects and their relationships and in so doing, threatens to negate the agency of individuals. In order for Adorno's approach to be a viable means through which ethical subjectivity can be formulated, it needs to be able to acknowledge that ethical interaction occurs between socially embedded individuals because it is through these relationships that individuals can be challenged and exercise their agency as ethical subjects. The groundwork for this investigation is laid by Immanuel Kant who depicts the individual as an autonomous, rational agent that is capable of, and indeed responsible for, determining his or her own judgement. Kant's insight regarding the autonomy of the subject enables him to create a system of ethics that is upheld by imperatives, which he argues command respect because they are universally valid for all rational beings. Friedrich Nietzsche and Theodor Adorno build upon Kant's claim concerning the subject's autonomy to put forward two very different interpretations of what it means to be or become an ethical subject. Nietzsche encourages individuals to create or shape their identity as highly individualised, dynamic subjects akin to living works of art, rather than universalised and disembodied subjects. Nietzsche's emphasis on the subject's flourishing and growth provides important insights into the formation of oneself as an ethical subject, but it provides little in terms of recognising and developing reciprocal, ethical relations with others.
| Author | : Matthew Rampley |
| Publisher | : Cambridge University Press |
| Total Pages | : 300 |
| Release | : 2007-07-19 |
| Genre | : Philosophy |
| ISBN | : 9780521037938 |
Download Nietzsche, Aesthetics and Modernity Book in PDF, ePub and Kindle
Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the countermovement to modern nihilism. It also highlights the extent to which Nietzsche counters the culture of his own time with a dialectical notion of aesthetic interpretation and practice.
| Author | : Ayon Maharaj |
| Publisher | : A&C Black |
| Total Pages | : 241 |
| Release | : 2013-02-28 |
| Genre | : Philosophy |
| ISBN | : 1441140840 |
Download The Dialectics of Aesthetic Agency Book in PDF, ePub and Kindle
This study examines how key figures in the German aesthetic tradition — Kant, Schelling, Friedrich Schlegel, Hegel, and Adorno — attempted to think through the powers and limits of art in post-Enlightenment modernity. Ayon Maharaj argues that the aesthetic speculations of these thinkers provide the conceptual resources for a timely dialectical defense of "aesthetic agency"— art's capacity to make available uniquely valuable modes of experience that escape the purview of Enlightenment scientific rationality. Blending careful philosophical analysis with an intellectual historian's attention to the broader cultural resonance of philosophical arguments, Maharaj has two interrelated aims. He provides challenging new interpretations of the aesthetic philosophies of Kant, Schelling, Schlegel, Hegel, and Adorno by focusing on aspects of their thought that have been neglected or misunderstood in Anglo-American and German scholarship. He demonstrates that their subtle investigations into the nature and scope of aesthetic agency have far-reaching implications for contemporary discourse on the arts. The Dialectics of Aesthetic Agency is an important and original contribution to scholarship on the German aesthetic tradition and to the broader field of aesthetics.
| Author | : Christopher Kul-Want |
| Publisher | : Columbia University Press |
| Total Pages | : 377 |
| Release | : 2010-06-01 |
| Genre | : Philosophy |
| ISBN | : 0231526253 |
Download Philosophers on Art from Kant to the Postmodernists Book in PDF, ePub and Kindle
Here, for the first time, Christopher Kul-Want brings together twenty-five texts on art written by twenty philosophers. Covering the Enlightenment to postmodernism, these essays draw on Continental philosophy and aesthetics, the Marxist intellectual tradition, and psychoanalytic theory, and each is accompanied by an overview and interpretation. The volume features Martin Heidegger on Van Gogh's shoes and the meaning of the Greek temple; Georges Bataille on Salvador Dalí's The Lugubrious Game; Theodor W. Adorno on capitalism and collage; Walter Benjamin and Roland Barthes on the uncanny nature of photography; Sigmund Freud on Leonardo Da Vinci and his interpreters; Jacques Lacan and Julia Kristeva on the paintings of Holbein; Freud's postmodern critic, Gilles Deleuze on the visceral paintings of Francis Bacon; and Giorgio Agamben on the twin traditions of the Duchampian ready-made and Pop Art. Kul-Want elucidates these texts with essays on aesthetics, from Hegel and Nietzsche to Badiou and Rancière, demonstrating how philosophy adopted a new orientation toward aesthetic experience and subjectivity in the wake of Kant's powerful legacy.
| Author | : Luc Ferry |
| Publisher | : University of Chicago Press |
| Total Pages | : 300 |
| Release | : 1993 |
| Genre | : Philosophy |
| ISBN | : 9780226244594 |
Download Homo Aestheticus Book in PDF, ePub and Kindle
Can subjective, individual taste be reconciled with an objective, universal standard? In Homo Aestheticus, Luc Ferry argues that this central problem of aesthetic theory is fundamentally related to the political problem of democratic individualism. Ferry's treatise begins in the mid-1600s with the simultaneous invention of the notions of taste (the essence of art as subjective pleasure) and modern democracy (the idea of the State as a consensus among individuals). He explores the differences between subjectivity and individuality by examining aesthetic theory as developed first by Kant's predecessors and then by Kant, Hegel, Nietzsche, and proponents of the avant-garde. Ferry discerns two "moments" of the avant-garde aesthetic: the hyperindividualistic iconoclasm of creating something entirely new, and the hyperrealistic striving to achieve an extraordinary truth. The tension between these two, Ferry argues, preserves an essential element of the Enlightenment concern for reconciling the subjective and the objective—a problem that is at once aesthetic, ethical, and political. Rejecting postmodern proposals for either a radical break with or return to tradition, Ferry embraces a postmodernism that recasts Enlightenment notions of value as a new intersubjectivity. His original analysis of the growth and decline of the twentieth-century avant-garde movement sheds new light on the connections between aesthetics, ethics, and political theory.
| Author | : Michael J. Matthis |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 140 |
| Release | : 2020-06-01 |
| Genre | : Art |
| ISBN | : 1527554074 |
Download The Beautiful, the Sublime, and the Grotesque Book in PDF, ePub and Kindle
The eighteenth-century Enlightenment represents a turn toward experience, that is, toward the experiencing subject. Still the Enlightenment involves an aspiration toward objective truth in the ideals of the newly emerging sciences and in the experiments in democracy that were beginning to transform the political landscape of Europe and America. Immanuel Kant’s towering philosophical achievement in his critical works helps to reformulate a meaning of objectivity that is congenial to the climate of inquiry and freedom in that remarkable century, a meaning that is unburdened of the metaphysical commitments of many of his predecessors. Kant’s revolution in philosophical thought gives us an objectivity that is crucially related to epistemic conditions rooted in subjectivity, a correlation between subjectivity and objectivity that carries over as well into his critical treatises concerned with ethics and aesthetics. This book of essays explores the tension between subjectivity and objectivity as it develops in the Enlightenment in Winkelmann, Hume, and Kant. The focus is upon aesthetic theories concerning the beautiful, the sublime, and the grotesque. The question by two of the authors as to whether aesthetic enjoyment of the blues is morally justified underscores an interest in these essays in the connection between aesthetics and ethics. This concern of the relation of aesthetics to judgments in cognition and in morality underlies an area of peculiar interest to Kant, and therefore to many of these essays. Finally the authors examine a turn toward the subjective in the Postmodern world of art and aesthetic theory, a turn that represents a relaxation of the original Enlightenment tension between subjectivity and objectivity. It also represents perhaps a grotesque turn toward the extreme of subjectivity in the realm of Postmodern theory, an extreme toward which at least one of the authors casts a critical eye.
| Author | : Lydia L. Moland |
| Publisher | : Oxford University Press, USA |
| Total Pages | : 353 |
| Release | : 2019 |
| Genre | : Philosophy |
| ISBN | : 0190847328 |
Download Hegel's Aesthetics Book in PDF, ePub and Kindle
Hegel is known as "the father of art history," yet recent scholarship has overlooked his contributions. This is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. In a new analysis of Hegel's notorious "end of art" thesis, Hegel's Aesthetics shows the indispensability of Hegel's aesthetics for understanding his philosophical idealism and introduces a new claim about his account of aesthetic experience. In a departure from previous interpretations, Lydia Moland argues for considering Hegel's discussion of individual arts--architecture, sculpture, painting, music, and poetry--on their own terms, unlocking new insights about his theories of perception, feeling, selfhood, and freedom. This new approach allows Hegel's philosophy to engage with modern aesthetic theories and opens new possibilities for applying Hegel's aesthetics to contemporary art. Moland further elucidates his controversial analysis of symbolic, classical, and romantic art through clarifying Hegel's examples of each. By incorporating newly available sources from Hegel's lectures on art, this book widely expands our understanding of the particular artworks Hegel discusses as well as the theories he rejects. Hegel's Aesthetics further situates his arguments in the intense philosophizing about art among his contemporaries, including Kant, Lessing, Herder, Schelling, and the Schlegel brothers. Ultimately, the book offers a rich vision of the foundation of his ideas about art and the range of their application, confirming Hegel as one of the most important theorists of art in the history of philosophy.
