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Adapting Nineteenth-Century France

Adapting Nineteenth-Century France
Author: Kate Griffiths
Publisher: University of Wales Press
Total Pages: 328
Release: 2015-05-15
Genre: Literary Criticism
ISBN: 178316557X

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Adapting Nineteenth-Century France uses the output of six canonical novelists and their recreations in a variety of media to push for a re-conceptualisation of our approach to the study of adaptation. The works of Balzac, Hugo, Flaubert, Zola, Maupassant and Verne reveal themselves not as originals to be defended from adapting hands, but fashioned from the adapted voices of a host of earlier artists, moments and media. The text analyses re-workings of key nineteenth-century texts across time and media in order to underline the way in which such re-workings cast new light on many of their source texts and reveal the probing analysis nineteenth-century novelists undertake in relation to notions of originality and authorial borrowing. Moreover, Adapting Nineteeth-Century France traces their subsequent recreations in a comparable range of genres, encompassing key modern media of the twentieth- and twenty-first-centuries: radio, silent film, fiction, musical theatre, sound film and television.


The History of French Literature on Film

The History of French Literature on Film
Author: Kate Griffiths
Publisher: Bloomsbury Publishing USA
Total Pages: 327
Release: 2020-12-24
Genre: Performing Arts
ISBN: 1501311824

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French novels, plays, poems and short stories, however temporally or culturally distant from us, continue to be incarnated and reincarnated on cinema screens across the world. From the silent films of Georges Méliès to the Hollywood production of Gustave Flaubert's Madame Bovary directed by Sophie Barthes, The History of French Literature on Film explores the key films, directors, and movements that have shaped the adaptation of works by French authors since the end of the 19th century. Across six chapters, Griffiths and Watts examine the factors that have driven this vibrant adaptive industry, as filmmakers have turned to literature in search of commercial profits, cultural legitimacy, and stories rich in dramatic potential. The volume also explains how the work of theorists from a variety of disciplines (literary theory, translation theory, adaptation theory), can help to deepen both our understanding and our appreciation of literary adaptation as a creative practice. Finally, this volume seeks to make clear that adaptation is never a simple transcription of an earlier literary work. It is always simultaneously an adaptation of the society and era for which it is created. Adaptations of French literature are thus not only valuable artistic artefacts in their own right, so too are they important historical documents which testify to the values and tastes of their own time.


Institutions and Power in Nineteenth-century French Literature and Culture

Institutions and Power in Nineteenth-century French Literature and Culture
Author: David Evans
Publisher: Brill / Rodopi
Total Pages: 322
Release: 2011-01-01
Genre: Art
ISBN: 9789042033849

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The French Revolution of 1789 altered the face of power and the institutions it inhabited in France, and the aftershocks of this seismic change rippled throughout the nineteenth century. With power changing hands between monarchy, empires and republics in quick succession, the nature of power, both personal and political, and institutions, both real and metaphorical, was constantly being redefined, argued over and fought for. This volume provides innovative analyses of nineteenth-century power relations in France across a series of interlinked spheres: artistic, literary, cultural, political, scientific and topographical. Its seventeen chapters trace the direct impact of politics and the shifting power of regimes on the creative arts, and explore power relations in a wide range of contexts including novels, sculpture, painting, education, religion, science, museums and exhibitions across a wide geographical area from Paris to the provinces, southern France and the colonies. The contributors, all experts in their fields, assess the evolving relationship between institutions and power in nineteenth-century France, exploring how the nation debates its past, negotiates its present and, as the foundation of the Third Republic ushers in a period of relative stability, sets about creating its common future.


Novel Stages

Novel Stages
Author: Pratima Prasad
Publisher: University of Delaware Press
Total Pages: 250
Release: 2007
Genre: Literary Criticism
ISBN: 9780874139778

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The essays in Novel Stages examine the myriad intersections between drama and the novel in nineteenth-century France, a period when the two genres were in constant engagement with one another. The collection is unified by common intellectual concerns: the inscription of theatrical esthetics within the novel; the common practice among nineteenth-century novelists of adapting their works for the stage; and the novel's engagement with popular forms of theater. The essays provide insight into a specific aspect of the relationship between the theater and the novel in the nineteenth century. Their distinct perspectives form an overview of the literary landscape of nineteenth-century France, and demonstrate many ways in which all major nineteenth-century French novelists, including Hugo, Flaubert, Sand, and Zola, participated in the theatrical culture of their century.


Mind, Brain, and Adaptation in the Nineteenth Century

Mind, Brain, and Adaptation in the Nineteenth Century
Author: Robert Maxwell Young
Publisher: Oxford University Press, USA
Total Pages: 310
Release: 1990
Genre: Adaptability (Psychology)
ISBN: 0195063899

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The author examines ideas of the nature and localization of the functions of the brain in the light of the philosophical constraints at work in the sciences of mind and brain in the 19th century. Particular attention is paid to phrenology, sensory-motor physiology and associationist psychology.


Inventing the Israelite

Inventing the Israelite
Author: Maurice Samuels
Publisher: Stanford University Press
Total Pages: 336
Release: 2009-12-07
Genre: Literary Criticism
ISBN: 0804773424

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In this book, Maurice Samuels brings to light little known works of literature produced from 1830 to 1870 by the first generation of Jews born as French citizens. These writers, Samuels asserts, used fiction as a laboratory to experiment with new forms of Jewish identity relevant to the modern world. In their stories and novels, they responded to the stereotypical depictions of Jews in French culture while creatively adapting the forms and genres of the French literary tradition. They also offered innovative solutions to the central dilemmas of Jewish modernity in the French context—including how to reconcile their identities as Jews with the universalizing demands of the French revolutionary tradition. While their solutions ranged from complete assimilation to a modern brand of orthodoxy, these writers collectively illustrate the creativity of a community in the face of unprecedented upheaval.


The Cambridge Companion to `Frankenstein'

The Cambridge Companion to `Frankenstein'
Author: Andrew Smith
Publisher: Cambridge University Press
Total Pages: 291
Release: 2016-08-25
Genre: Comics & Graphic Novels
ISBN: 1107086191

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Sixteen original essays by leading scholars on Mary Shelley's novel provide an introduction to Frankenstein and its various critical contexts.


France and the French in the Second Half of the Nineteenth Century. Transl

France and the French in the Second Half of the Nineteenth Century. Transl
Author: Karl Hillebrand
Publisher: Legare Street Press
Total Pages: 0
Release: 2023-07-18
Genre: History
ISBN: 9781021648297

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This classic work provides a detailed overview of French society and culture in the late nineteenth century, with a particular focus on politics, art, and literature. With insightful analysis and compelling anecdotes, this book is a valuable resource for anyone interested in French history and culture. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


France in the Nineteenth Century

France in the Nineteenth Century
Author: Elizabeth Latimer
Publisher: Tredition Classics
Total Pages: 448
Release: 2011-11
Genre:
ISBN: 9783842475090

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This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.


Reappearing Characters in Nineteenth-Century French Literature

Reappearing Characters in Nineteenth-Century French Literature
Author: Sotirios Paraschas
Publisher: Springer
Total Pages: 288
Release: 2018-04-19
Genre: Literary Criticism
ISBN: 3319692909

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This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honoré de Balzac and Émile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be ‘ideas’ which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.