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Actors by Daylight

Actors by Daylight
Author:
Publisher:
Total Pages: 224
Release: 1838
Genre:
ISBN:

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American Book Prices Current

American Book Prices Current
Author:
Publisher:
Total Pages: 984
Release: 1920
Genre: Autographs
ISBN:

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A record of literary properties sold at auction in the United States.


Catalogues of Sales

Catalogues of Sales
Author: Sotheby & Co. (London, England)
Publisher:
Total Pages: 1132
Release: 1914
Genre: Art
ISBN:

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Catalogue

Catalogue
Author: Maggs Bros
Publisher:
Total Pages: 508
Release: 1923
Genre: Booksellers' catalogs
ISBN:

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Catalogue

Catalogue
Author:
Publisher:
Total Pages: 1416
Release: 1922
Genre: Catalogs, Booksellers'
ISBN:

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British Nautical Melodramas, 1820–1850

British Nautical Melodramas, 1820–1850
Author: Arnold Schmidt
Publisher: Taylor & Francis
Total Pages: 1224
Release: 2022-07-30
Genre: Literary Criticism
ISBN: 1315530120

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During the 1820s and 30s nautical melodramas "reigned supreme" on London stages, entertaining the mariners and maritime workers who comprised a large part of the audience for small theatres. These plays mixed sentimental moments and comic interludes of domestic melodrama with patriotic images that communicated and reinforced imperial themes. However, generally the study of British theatre history moves from medieval and renaissance plays directly to the realism and naturalism of late Victorian and modern drama. Readers typically encounter a gap between Restoration and eighteenth-century plays like those of Oliver Goldsmith and Richard Brinsley Sheridan, and late-nineteenth plays by Henrik Ibsen and Oscar Wilde. Nineteenth-century drama, with the possible exception of plays by Byron, Shelley, and Wordsworth, remains all but invisible. Until recently, melodramatic plays written and performed during this "gap" received little scholarly attention, but their value as reflections of Britain’s promulgation of imperial ideology — and its role in constructing and maintaining class, gender, and racial identities — have given discussions of melodrama force and momentum. The plays included in these three volumes have never appeared in a critical anthology and most have not been republished since their original nineteenth-century editions. Each play is transcribed from original documents and includes an author biography, a headnote about the play itself, full annotations with brief definitions of unfamiliar vocabulary, and explanatory notes. Comprehensive editorial apparatus details the nineteenth-century imperial, naval, political, and social history relevant to the plays’ nautical themes, as well as discussing nineteenth-century theatre history, melodrama generally, and the nautical melodrama in particular. Contemporary theatre practices — acting, audiences, staging, lighting, special effects — are also examined. An extensive bibliography of primary and secondary texts; a complete index; and contemporary images of the actors, theatres, stage sets, playbills, costumes, and locales have been compiled to aid study further.