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Building A Character

Building A Character
Author: Constantin Stanislavski
Publisher: Routledge
Total Pages: 347
Release: 2013-12-04
Genre: Performing Arts
ISBN: 1135855269

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Building a Character is one of the three volumes that make up Stanislavski’s The Acting Trilogy. An Actor Prepares explores the inner preparation an actor must undergo in order to explore a role to the full. In this volume, Sir John Gielgud said, this great director “found time to explain a thousand things that have always troubled actors and fascinated students.” Building a Character discusses the external techniques of acting: the use of the body, movement, diction, singing, expression, and control. Creating a Role describes the preparation that precedes actual performance, with extensive discussions of Gogol’s The Inspector General and Shakespeare’s Othello. Sir Paul Scofield called Creating a Role “immeasurably important” for the actor. These three volumes belong on any actor’s short shelf of essential books.


Stanislavski in Practice

Stanislavski in Practice
Author: Nick O'Brien
Publisher: Routledge
Total Pages: 277
Release: 2010-10-04
Genre: Performing Arts
ISBN: 1136945598

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Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike. This is an exercise book for students and a lesson planner for teachers on syllabi from Edexcel, WJEC and AQA to the practice-based requirements of BTEC. Each element of the System is covered practically through studio exercises and jargon-free discussion. Over a decade’s experience of acting and teaching makes O’Brien perfectly placed to advise anyone wanting to understand or apply Stanislavski’s system. Features include: Practical extension work for students to take away from the lesson Notes for teachers on how to use material with different age groups Exam tips for students based on specific syllabi requirements A chapter dedicated to using Stanislavski when rehearsing a text A glossary of terms that students of the System will encounter


Stanislavski and the Actor

Stanislavski and the Actor
Author: Jean Benedetti
Publisher: Routledge
Total Pages: 180
Release: 2013-12-04
Genre: Performing Arts
ISBN: 1136758038

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In Stanislavski and the Actor , Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, last work by the great director and teacher. In this volume readers will find the first English text of Stanislavski s notes and practical exercises from these last sessions. This is a major rediscovered work by Stanislavski, full of new ideas and insights about his working method. To the original materials Jean Benedetti adds his own analysis of Stanislavski's approach to acting and rehearsal methods.The master's own summary of a lifetime of theatrical experience, Stanislavski and the Actor will quickly become an essential tool for actors, students, and teachers everywhere.


An Actor's Work

An Actor's Work
Author: Konstantin Stanislavski
Publisher: Taylor & Francis
Total Pages: 726
Release: 2016-10-04
Genre: Performing Arts
ISBN: 1315474247

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Stanislavski’s ‘system’ has dominated actor-training in the West since his writings were first translated into English in the 1920s and 30s. His systematic attempt to outline a psycho-physical technique for acting single-handedly revolutionized standards of acting in the theatre. Until now, readers and students have had to contend with inaccurate, misleading and difficult-to-read English-language versions. Some of the mistranslations have resulted in profound distortions in the way his system has been interpreted and taught. At last, Jean Benedetti has succeeded in translating Stanislavski’s huge manual into a lively, fascinating and accurate text in English. He has remained faithful to the author's original intentions, putting the two books previously known as An Actor Prepares and Building A Character back together into one volume, and in a colloquial and readable style for today's actors. The result is a major contribution to the theatre, and a service to one of the great innovators of the twentieth century. This Routledge Classics edition includes a new Foreword by the director Richard Eyre.


An Actor Prepares

An Actor Prepares
Author: Konstantin Sergeevič Stanislavskij
Publisher:
Total Pages: 295
Release: 1967
Genre:
ISBN:

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Acting Stanislavski

Acting Stanislavski
Author: John Gillett
Publisher: Bloomsbury Publishing
Total Pages: 320
Release: 2014-02-13
Genre: Performing Arts
ISBN: 1472517482

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Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world – but is still often rejected, misunderstood and misapplied. In Acting Stanislavski, John Gillett offers a clear, accessible and comprehensive account of the Stanislavski approach, from the actor's training to final performance, exploring: ease and focus the nature of action, interaction and objectives the imaginary reality, senses and feeling active analysis of text physical and vocal expression of character the actor in the context of training and the industry. Drawing on Stanislavski's major books, in both English translations, and on records of his directing process and final studio classes, Acting Stanislavski demystifies terms and concepts. It is for actors from an actor's point of view, and offers many practical exercises and examples as an integrated part of each subject. Acting Stanislavski also creates an up-to-date overview of the Stanislavski approach, connecting his legacy with the work of his successors, from Michael Chekhov to Meisner, Adler and Strasberg. A new, extended and fully updated edition of Acting on Impulse: Reclaiming the Stanislavski Approach (Methuen Drama, 2007), Acting Stanislavski now includes new exercises and biographies, a further chapter on The Character, and an expanded glossary along with many other additions to the previous chapters. It is an essential practical and educational resource for any acting student, professional or teacher.


Acting

Acting
Author:
Publisher:
Total Pages: 226
Release: 2014-07-17
Genre: Performing Arts
ISBN: 9781614276692

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2014 Reprint of 1947 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "A wealth of material on the theory and practice of acting ... a book which may be read, re-read and absorbed by everyone who assumes the directing of actors or that most difficult task, the teaching of acting." --Quarterly Journal of Speech. Contains early contributions on the craft by Stanislavski, I. Rapoport, M.A. Chekhov, Vakhtangov, Giatsintova, Pudovkin, Zakhava and others. Also includes 25 illustrations related to the stage and the art of acting. Contents include: Introduction / Lee Strasberg -- The actor's responsibility / Constantin Stanislavski -- Direction and acting / Constantin Stanislavski -- The work of the actor / I. Rapoport -- The creative process / I. Sudakov -- Stanislavski's method of acting / M.A. Chekhov -- Preparing for the role: from the diary of E. Vakhtangov / E. Vakhtangov -- Case history of a role / A.S. Giatsintova -- From the production plan of Othello / Constantin Stanislavski -- Film acting: two phases / V.I. Pudovkin -- Principles of directing / B.E. Zakhava -- To his players at the first rehearsal of The blue bird / Constantin Stanislavski.


Voice into Acting

Voice into Acting
Author: Christina Gutekunst
Publisher: A&C Black
Total Pages: 307
Release: 2014-01-16
Genre: Performing Arts
ISBN: 1408184508

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How can actors bridge the gap between themselves and the text and action of a script, integrating fully their learned vocal skills? How do we make an imaginary world real, create the life of a role, and fully embody it vocally and physically so that voice and acting become one? Christina Gutekunst and John Gillett unite their depth of experience in voice training and acting to create an integrated and comprehensive approach informed by Stanislavski and his successors – the acting approach widely taught to actors in drama schools throughout the world. The authors create a step-by-step guide to explore how voice can: respond to our thoughts, senses, feelings, imagination and will fully express language in content and form communicate imaginary circumstances and human experience transform to adapt to different roles connect to a variety of audiences and spaces Featuring over fifty illustrations by German artist Dany Heck, Voice into Acting is an essential manual for the actor seeking full vocal identity in characterization, and for the voice teacher open to new techniques, or an alternative approach, to harmonize with the actor's process.


An Actor's Work on a Role

An Actor's Work on a Role
Author: Konstantin Stanislavski
Publisher: Routledge
Total Pages: 488
Release: 2009-09-01
Genre: Performing Arts
ISBN: 1135203431

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An Actor’s Work on a Role is Konstantin Stanislavski’s exploration of the rehearsal process, applying the techniques of his seminal actor training system to the task of bringing truth to one’s chosen role. Originally published over half a century ago as Creating a Role, this book was the third in a planned trilogy – after An Actor Prepares and Building a Character, now combined in An Actor’s Work – in which Stanislavski sets out his psychological, physical and practical vision of actor training. This new translation from renowned scholar Jean Benedetti not only includes Stanislavski’s original teachings, but is also furnished with invaluable supplementary material in the shape of transcripts and notes from the rehearsals themselves, reconfirming 'The System' as the cornerstone of actor training.


Acting on Impulse: Reclaiming the Stanislavski approach

Acting on Impulse: Reclaiming the Stanislavski approach
Author: John Gillett
Publisher: Bloomsbury Publishing
Total Pages: 321
Release: 2007-10-29
Genre: Performing Arts
ISBN: 1408147742

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"A manual full of enabling, easing exercises - it will enable you to analyse any scene. The cry of the actor at sea `I don't know what I'm doing' should, with this book, become a thing of the past' Sam West "I'd recommend this book to anyone wanting an introduction to Stanislavksi or Michael Chekhov or acting in general." Matt Peover, LAMDA trainer and theatre director. "Contains all the important things that need to be said about learning to act...in an extremely logical and sensible manner." Simon Dunmore, Editor Actor's Yearbook An inspiring and technically thorough practical book for actors that sets down a systematic and coherent process for organic, experienced acting. The author offers a step-by-step and demystifying Stanislavski-based approach to text, role, rehearsal and performance to be used in everyday work, and gathers together in one volume the essential tools for recreating human experience. A nuts-and-bolts practical guide with exercises for the actor to work through sequentially. Contains a Foreword by Sam West. John Gillett builds on his experience of teaching at drama school level as well as many decades of acting. This book, by an actor for actors, is a comprehensive, clear and inspirational guide to creating a truthful, dynamic and audience-captivating performance.