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Acquiring Antiquity: The Future of Cultural Heritage Collecting and Stewardship in the United States

Acquiring Antiquity: The Future of Cultural Heritage Collecting and Stewardship in the United States
Author: Lyssa Claire Stapleton
Publisher:
Total Pages: 335
Release: 2017
Genre:
ISBN:

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During the first decade of the twenty-first century, the number of repatriation requests from foreign governments to museums in the United States greatly increased, and several landmark cases involving looted cultural heritage were decided in favor of the source nation. These transactions have been changing how American museums, private collectors, and art dealers acquire cultural heritage material, particularly when it has an archaeological origin. This study examines the history of collecting, discusses how efforts to prohibit the trade in illicit antiquities are affecting the way in which institutions and individuals acquire cultural heritage material, and supports a broader goal of identifying future strategies for collecting and stewardship. Chinese antiquities that are popular with art collectors are used as a sample group to represent the trade in archaeological material. Three general questions form the cornerstone of this research: (1) What is the impact of the increased use of cultural heritage legislation on the trade in archaeological objects, and can it be quantified? (2) What does the future of collecting look like for American museums and private collectors? How are museums and collectors changing their policies and approaches as a reaction to new legal actions and changing ethics? (3) What role does China play in the protection and consumption of Chinese cultural heritage? Qualitative data are drawn from interviews with 31 stakeholders. To ground the stakeholders' concerns in fact-based research; quantitative data are collected from 86 auctions of Chinese antiquities held between 2000 and 2016. Both data sets show that stakeholders interested in acquiring Chinese antiquities are increasingly concerned with provenance, that verifiable provenance increases the value of an object, and that Chinese buyers play a significant role in auctions in the United States. It will be challenging to curb the demand for archaeological materials, and this study concludes with a discussion of the future of collecting in the United States, outlining current programs and examining new strategies aimed at changing how collectors view antiquities. Three potential approaches for reducing the demand for illicit antiquities are evaluated: government-controlled markets, reproductions, and long-term loans.


Who Owns Antiquity?

Who Owns Antiquity?
Author: James B. Cuno
Publisher: Princeton University Press
Total Pages: 278
Release: 2008
Genre: Architecture
ISBN: 9780691137124

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History.


The Futures of Our Pasts

The Futures of Our Pasts
Author: Michael A. Adler
Publisher:
Total Pages: 0
Release: 2012
Genre: Antiquities
ISBN: 9781934691540

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Ownership of "the past"--a concept invoking age-old struggles to possess and control ancient objects--is an essential theme in understanding our global cultural heritage. Beyond ownership, however, lies the need for stewardship: the responsibility of owners, possessors, and others interested in ancient objects to serve as custodians for the benefit of present and future generations. Peru is battling Yale University over artifacts from Machu Picchu, Italy is demanding the return of treasured objects from museums and collectors alike, and Native American tribes and other indigenous communities seek to reclaim important cultural items and rebury human remains and funerary objects taken from their lands. In the middle of this roiling debate over who has the right to collect and display antiquities, a group of scholars convened to debate differing perspectives on the ethics of antiquities collecting. This volume is one outgrowth of those efforts.


Cultural Property Acquisitions

Cultural Property Acquisitions
Author: Aimée L Taberner
Publisher: Routledge
Total Pages: 210
Release: 2016-06-16
Genre: Law
ISBN: 1315430967

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Museum staff--whether new to the field or working with collections for decades--are often overwhelmed by the complexities of acquiring cultural property, particularly antiquities and archaeological material. Collecting practices now require a greater degree of transparency and cooperation with various stakeholders than in the past, and are under greater scrutiny to be in line with current legal requirements and ethical expectations. This book provides a concise, unbiased, and practical resource for those tasked with navigating the complicated and rapidly changing legal and ethical landscape governing the acquisition of cultural property and archaeological material.


Rescuing the Past

Rescuing the Past
Author: Jonathan Tokeley
Publisher: Andrews UK Limited
Total Pages: 387
Release: 2015-11-03
Genre: Social Science
ISBN: 1845405412

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Jonathan Tokeley was contentiously convicted of 'smuggling' Egyptian antiquities in a landmark trial - one of a series which had devastating consequences for the antiquities market. The Cultural Heritage Crusade claims that 'Source Countries' have an indefeasible right to ancient artefacts found in their soil. And past acquisitions, like the Elgin Marbles, should be returned. Archaeologists widely accept this, and also the need for government 'prohibitions' to prevent the looting of the sites. But this makes Antiquity a plaything of the modern humbug - of national vanity, of antiwestern dogma, of political correctness, and the academic's disdain for the very idea of profit. None of which will prevent the looting. The Cultural Heritage Crusade, in short, is not an answer to the problem. It may actually be the problem. This book is both a philosophical analysis and a demonstration - in one country, Egypt - of its horrific consequences.


Whose Culture?

Whose Culture?
Author: James Cuno
Publisher:
Total Pages: 220
Release: 2009
Genre: Art
ISBN: 9780691133331

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The international controversy over who "owns" antiquities has pitted museums against archaeologists and source countries where ancient artifacts are found. In his book Who Owns Antiquity?, James Cuno argued that antiquities are the cultural property of humankind, not of the countries that lay exclusive claim to them. Now in Whose Culture?, Cuno assembles preeminent museum directors, curators, and scholars to explain for themselves what's at stake in this struggle--and why the museums' critics couldn't be more wrong. Source countries and archaeologists favor tough cultural property laws restricting the export of antiquities, have fought for the return of artifacts from museums worldwide, and claim the acquisition of undocumented antiquities encourages looting of archaeological sites. In Whose Culture?, leading figures from universities and museums in the United States and Britain argue that modern nation-states have at best a dubious connection with the ancient cultures they claim to represent, and that archaeology has been misused by nationalistic identity politics. They explain why exhibition is essential to responsible acquisitions, why our shared art heritage trumps nationalist agendas, why restrictive cultural property laws put antiquities at risk from unstable governments--and more. Defending the principles of art as the legacy of all humankind and museums as instruments of inquiry and tolerance, Whose Culture? brings reasoned argument to an issue that for too long has been distorted by politics and emotionalism. In addition to the editor, the contributors are Kwame Anthony Appiah, Sir John Boardman, Michael F. Brown, Derek Gillman, Neil MacGregor, John Henry Merryman, Philippe de Montebello, David I. Owen, and James C. Y. Watt.


The Ethics of Collecting Cultural Property

The Ethics of Collecting Cultural Property
Author: Phyllis Mauch Messenger
Publisher: UNM Press
Total Pages: 336
Release: 1999
Genre: Architecture
ISBN: 9780826321251

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Explores the ethical, legal, and intellectual issues related to excavating, selling, collecting, and owning cultural artifacts.


Who Owns the Past?

Who Owns the Past?
Author: American Council for Cultural Policy
Publisher: Rutgers University Press
Total Pages: 402
Release: 2005
Genre: Antiques & Collectibles
ISBN: 9780813536873

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Public and private institutions in the United States have long been home to a variety of art works, antiquities, and ethnological materials. For years, these collections have been seen as important archives that allow present and future generations to enjoy, appreciate, and value the art of all cultures. The past decade, however, has seen major changes in law and public policy and an active, ongoing debate over legal and ethical issues affecting the ownership of art and other cultural property. Contributors to Who Owns the Past? include legal scholars, museum professionals, anthropologists, archaeologists, and collectors. In clear, nontechnical language, they provide a comprehensive overview of the development of cultural property law and practices, as well as recent case law affecting the ability of museums and private collectors to own art from other countries. Topics covered include rights to property, ethical ownership, the public responsibilities of museums, threats to art from war, pillage, and development, and international cooperation to preserve collections in the developing world. Engaging all perspectives on this debate, Who Owns the Past? challenges all who care about the arts to work together toward policies that consider traditional American interests in securing cultural resources and respect international concerns over loss of heritage.


Illicit Antiquities

Illicit Antiquities
Author: Neil Brodie
Publisher: Routledge
Total Pages: 383
Release: 2003-08-27
Genre: Social Science
ISBN: 1134568223

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The exploitation of archaeological sites for commercial gain is a serious problem worldwide. In peace and during wartime archaeological sites and cultural institutions, both on land and underwater, are attacked and their contents robbed for sale on an international 'antiquities' market. Objects are excavated without record, smuggled across borders and sold for exorbitant prices in the salesrooms of Europe and North America. In some countries this looting has now reached such a scale as to threaten the very survival of their archaeological and cultural heritage. This volume highlights the deleterious effects of the trade on cultural heritage, but in particular it focuses upon questions of legal and local responses: How can people become involved in the preservation of their past and what, in economic terms, are the costs and benefits? Are international conventions or export restrictions effective in diminishing the volume of the trade and the scale of its associated destruction?


Antiquities

Antiquities
Author: Maxwell Lincoln Anderson
Publisher: Oxford University Press
Total Pages: 273
Release: 2017
Genre: Antiques & Collectibles
ISBN: 0190614935

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The destruction of ancient monuments by the Taliban and the Islamic State have shocked observers worldwide. Art historian Maxwell Anderson's Antiquities: What Everyone Needs to Know(R) analyzes continuing threats to our heritage as well as a balanced account of treaties and laws, collections past and present, forgeries, and other controversial issues. Antiquities explores the legal, practical, and moral choices we face when confronting antiquities in a museum gallery, shop window, or for sale on the Internet.