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Who Owns Antiquity?

Who Owns Antiquity?
Author: James Cuno
Publisher: Princeton University Press
Total Pages: 285
Release: 2010-10-18
Genre: Art
ISBN: 1400839246

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Whether antiquities should be returned to the countries where they were found is one of the most urgent and controversial issues in the art world today, and it has pitted museums, private collectors, and dealers against source countries, archaeologists, and academics. Maintaining that the acquisition of undocumented antiquities by museums encourages the looting of archaeological sites, countries such as Italy, Greece, Egypt, Turkey, and China have claimed ancient artifacts as state property, called for their return from museums around the world, and passed laws against their future export. But in Who Owns Antiquity?, one of the world's leading museum directors vigorously challenges this nationalistic position, arguing that it is damaging and often disingenuous. "Antiquities," James Cuno argues, "are the cultural property of all humankind," "evidence of the world's ancient past and not that of a particular modern nation. They comprise antiquity, and antiquity knows no borders." Cuno argues that nationalistic retention and reclamation policies impede common access to this common heritage and encourage a dubious and dangerous politicization of antiquities--and of culture itself. Antiquities need to be protected from looting but also from nationalistic identity politics. To do this, Cuno calls for measures to broaden rather than restrict international access to antiquities. He advocates restoration of the system under which source countries would share newly discovered artifacts in exchange for archaeological help, and he argues that museums should again be allowed reasonable ways to acquire undocumented antiquities. Cuno explains how partage broadened access to our ancient heritage and helped create national museums in Cairo, Baghdad, and Kabul. The first extended defense of the side of museums in the struggle over antiquities, Who Owns Antiquity? is sure to be as important as it is controversial. Some images inside the book are unavailable due to digital copyright restrictions.


The Acquisition and Exhibition of Classical Antiquities

The Acquisition and Exhibition of Classical Antiquities
Author: Robin Francis Rhodes
Publisher:
Total Pages: 198
Release: 2007
Genre: Antiquities
ISBN:

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"A symposium held at the Snite Museum of Art, University of Notre Dame, February 24, 2007 ; organized by Robin F. Rhodes and Charles R. Loving."--P. [ii].


Plundered Empire

Plundered Empire
Author: Michael Greenhalgh
Publisher: BRILL
Total Pages: 696
Release: 2019-07-01
Genre: Art
ISBN: 900440547X

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Providing extensive documentation, the book examines the mechanics, trials and tribulations of plundering the Ottoman East for private and public collections in Europe. It helps document the continuing debate about the ethics of museum collections.


Who Owns Antiquity?

Who Owns Antiquity?
Author: James B. Cuno
Publisher: Princeton University Press
Total Pages: 278
Release: 2008
Genre: Architecture
ISBN: 9780691137124

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History.


Collecting Ancient Europe

Collecting Ancient Europe
Author: Luc W. S. W. Amkreutz
Publisher:
Total Pages:
Release: 2020-12-15
Genre:
ISBN: 9789088909368

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In order to understand our past, we need to understand ourselves as archaeologists and our discipline. This volume presents recent research into collecting practices of European Antiquities by national museums, institutes and individuals during the 19th and early 20th-century, and the 'Ancient Europe' collections that resulted and remain in many museums.This was the period during which the archaeological discipline developed as a scientific field, and the study of the archaeological paradigmatic and practical discourse of the past two centuries is therefore of importance, as are the sequence of key discoveries that shaped our field.Many national museums arose in the early 19th century and strived to acquire archaeological objects from a wide range of countries, dating from Prehistory to the Medieval period. This was done by buying, sometimes complete collections, exchanging or copying. The networks along which these objects traveled were made up out of the ranks of diplomats, aristocracy, politicians, clergymen, military officials and scholars. There were also intensive contacts between museums and universities and there were very active private dealers.The reasons for collecting antiquities were manifold. Many, however, started out from the idea of composing impressive collections brought together for patriotic or nationalistic purposes and for general comparative use. Later on, motives changed, and in the Dutch National Museum of Antiquities became more scientifically oriented. Eventually these collections fossilized, ending up in the depots. The times had changed and the acquisition of archaeological objects from other European countries largely came to an end.This group of papers researches these collections of 'Ancient Europe' from a variety of angles. As such it forms an ideal base for further researching archaeological museum collection history and the development of the archaeological discipline.


Inside Roman Libraries

Inside Roman Libraries
Author: George W. Houston
Publisher: UNC Press Books
Total Pages: 349
Release: 2014
Genre: History
ISBN: 1469617803

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Inside Roman Libraries: Book Collections and Their Management in Antiquity


Acquiring Antiquity: The Future of Cultural Heritage Collecting and Stewardship in the United States

Acquiring Antiquity: The Future of Cultural Heritage Collecting and Stewardship in the United States
Author: Lyssa Claire Stapleton
Publisher:
Total Pages: 335
Release: 2017
Genre:
ISBN:

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During the first decade of the twenty-first century, the number of repatriation requests from foreign governments to museums in the United States greatly increased, and several landmark cases involving looted cultural heritage were decided in favor of the source nation. These transactions have been changing how American museums, private collectors, and art dealers acquire cultural heritage material, particularly when it has an archaeological origin. This study examines the history of collecting, discusses how efforts to prohibit the trade in illicit antiquities are affecting the way in which institutions and individuals acquire cultural heritage material, and supports a broader goal of identifying future strategies for collecting and stewardship. Chinese antiquities that are popular with art collectors are used as a sample group to represent the trade in archaeological material. Three general questions form the cornerstone of this research: (1) What is the impact of the increased use of cultural heritage legislation on the trade in archaeological objects, and can it be quantified? (2) What does the future of collecting look like for American museums and private collectors? How are museums and collectors changing their policies and approaches as a reaction to new legal actions and changing ethics? (3) What role does China play in the protection and consumption of Chinese cultural heritage? Qualitative data are drawn from interviews with 31 stakeholders. To ground the stakeholders' concerns in fact-based research; quantitative data are collected from 86 auctions of Chinese antiquities held between 2000 and 2016. Both data sets show that stakeholders interested in acquiring Chinese antiquities are increasingly concerned with provenance, that verifiable provenance increases the value of an object, and that Chinese buyers play a significant role in auctions in the United States. It will be challenging to curb the demand for archaeological materials, and this study concludes with a discussion of the future of collecting in the United States, outlining current programs and examining new strategies aimed at changing how collectors view antiquities. Three potential approaches for reducing the demand for illicit antiquities are evaluated: government-controlled markets, reproductions, and long-term loans.


Chasing Aphrodite

Chasing Aphrodite
Author: Jason Felch
Publisher: HMH
Total Pages: 397
Release: 2011-05-24
Genre: Art
ISBN: 0547538022

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A “thrilling, well-researched” account of years of scandal at the prestigious Getty Museum (Ulrich Boser, author of The Gardner Heist). In recent years, several of America’s leading art museums have voluntarily given up their finest pieces of classical art to the governments of Italy and Greece. Why would they be moved to such unheard-of generosity? The answer lies at the Getty, one of the world’s richest and most troubled museums, and scandalous revelations that it had been buying looted antiquities for decades. Drawing on a trove of confidential museum records and candid interviews, these two journalists give us a fly-on-the-wall account of the inner workings of a world-class museum, and tell a story of outlandish characters and bad behavior that could come straight from the pages of a thriller. “In an authoritative account, two reporters who led a Los Angeles Times investigation reveal the details of the Getty Museum’s illicit purchases, from smugglers and fences, of looted Greek and Roman antiquities. . . . The authors offer an excellent recap of the museum’s misdeeds, brimming with tasty details of the scandal that motivated several of America’s leading art museums to voluntarily return to Italy and Greece some 100 classical antiquities worth more than half a billion dollars.” —Publishers Weekly, starred review “An astonishing and penetrating look into a veiled world where beauty and art are in constant competition with greed and hypocrisy. This engaging book will cast a fresh light on many of those gleaming objects you see in art museums.” —Jonathan Harr, author of The Lost Painting


Empires in Collision in Late Antiquity

Empires in Collision in Late Antiquity
Author: Glen Warren Bowersock
Publisher: UPNE
Total Pages: 122
Release: 2012
Genre: History
ISBN: 161168322X

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Political and military developments in the Arabian Peninsula on the eve of Islam


Multiple Antiquities - Multiple Modernities

Multiple Antiquities - Multiple Modernities
Author: Gábor Klaniczay
Publisher: Campus Verlag
Total Pages: 613
Release: 2011-09
Genre: History
ISBN: 3593391015

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Antiquity, as the term has been understood and used over the centuries by scholars, political and religious figures, and ordinary citizens, is far from a single, monolithic concept. Rather than reflecting a stable, shared understanding about the past and its meaning, the idea of antiquity is instead varying and multiple, taking on different meanings and deployed to different effects depending on the context in which it is being considered. In this volume, historians from a wide range of specialties offer a comparative assessment of the multiple perceptions of antiquity that have shaped modern European cultures and national identities, deploying a new methodological approach, histoire croisée, which considers these questions in light of the development of cultural diversity across Europe.