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Accented Futures

Accented Futures
Author: Carli Coetzee
Publisher: NYU Press
Total Pages: 200
Release: 2013-06-01
Genre: Education
ISBN: 1868147797

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In this wonderfully original, intensely personal yet deeply analytical work, Carli Coetzee argues that difference and disagreement can be forms of activism to bring about social change, inside and outside the teaching environment. Since it is not the student alone who needs to be transformed, she proposes a model of teaching that is insistent on the teacher’s scholarship as a tool for hearing the many voices and accents in the South African classroom. For Coetzee, ‘accentedness’ is a description for actively working towards the ending of apartheid by being aware of the legacies of the past, without attempting to empty out or gloss over the conflicts and violence that may exist under the surface. In the broad context of education, ‘accent’ can be an accent of speech; an attitude; a stance against being ‘understood’; yet a way of teaching that requires teacher and pupil to understand each other’s contexts. This is a book about the relationships created by the use of language to convey knowledge, particularly in translation. The ideas it presents are evocative, thought-provoking and challenging at times. Accented Futures makes a significant and important contribution to research on identity in post-apartheid South Africa as well as to the fields of education and translation studies.


Author:
Publisher:
Total Pages: 200
Release:
Genre:
ISBN: 1868147401

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The Lead and Zinc News

The Lead and Zinc News
Author:
Publisher:
Total Pages: 696
Release: 1903
Genre: Lead mines and mining
ISBN:

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Familiarity Is the Kingdom of the Lost

Familiarity Is the Kingdom of the Lost
Author: Dugmore Boetie
Publisher: Ohio University Press
Total Pages: 281
Release: 2020-11-03
Genre: Fiction
ISBN: 0821447270

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A fast-paced romp through apartheid-era South Africa that exemplifies the creative human capacity to overcome seemingly omnipotent enemies and overwhelming odds. The picaresque hero of this novel, Duggie, is a dispossessed black street kid turned con man. Duggie’s response to being confined to the lowest level of South Africa’s oppressive and humiliating racial hierarchy is to one-up its absurdity with his own glib logic and preposterous schemes. Duggie’s story, as one critic puts it, offers “an encyclopedic catalogue of rip-offs, swindles, and hoaxes” that regularly land him in jail and rely on his white targets’ refusal to admit a black man is capable of outsmarting them. Duggie exploits South Africa’s bureaucratic pass laws and leverages his artificial leg every chance he gets. As “a worthless embarrassment to the authorities and a bad example to the convicts,” Duggie even manages to get himself thrown out of jail. From Duggie’s Depression-era childhood in urban Johannesburg to World War II and the rise of the white supremacist apartheid regime to his final, bitter triumph, Boetie’s narrative celebrates humanity’s relentless drive to survive at any cost. This new edition of Boetie’s out-of-print classic features a recently discovered photograph of the author, an introduction replete with previously unpublished research, numerous annotations, and is accompanied by Lionel Abrahams’ haunting poem, “Soweto Funeral,” composed after attending Boetie’s interment, all of which render the text accessible to a new generation of readers.


Routledge Handbook of African Literature

Routledge Handbook of African Literature
Author: Moradewun Adejunmobi
Publisher: Routledge
Total Pages: 462
Release: 2019-03-13
Genre: Literary Criticism
ISBN: 1351859374

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The turn of the twenty-first century has witnessed an expansion of critical approaches to African literature. The Routledge Handbook of African Literature is a one-stop publication bringing together studies of African literary texts that embody an array of newer approaches applied to a wide range of works. This includes frameworks derived from food studies, utopian studies, network theory, eco-criticism, and examinations of the human/animal interface alongside more familiar discussions of postcolonial politics. Every chapter is an original research essay written by a broad spectrum of scholars with expertise in the subject, providing an application of the most recent insights into analysis of particular topics or application of particular critical frameworks to one or more African literary works. The handbook will be a valuable interdisciplinary resource for scholars and students of African literature, African culture, postcolonial literature and literary analysis. Chapter 4 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 3.0 license. https://s3-us-west-2.amazonaws.com/tandfbis/rt-files/docs/Open+Access+Chapters/9781138713864_oachapter4.pdf


Humor in Global Contemporary Art

Humor in Global Contemporary Art
Author: Mette Gieskes
Publisher: Bloomsbury Publishing
Total Pages: 548
Release: 2024-05-30
Genre: Art
ISBN: 1350415847

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Pursuing a new and timely line of research in world art studies, Humor in Global Contemporary Art is the first edited collection to examine the role of culturally specific humor in contemporary art from a global perspective. Since the 1960s, increasing numbers of artists from around the world have applied humor as a tool for observation, critique, transformation, and debate. Exploring how humorous art produced over the past six decades is anchored in local sociopolitical contexts and translated or misconstrued when exhibited abroad, this book opens new conversations regarding the functioning of humor and the ways in which art travels across the globe. With contributions by an impressive array of internationally based scholars covering six major continental regions, the book is organized into four distinct geographical sections: Africa and the Middle East, Asia and Oceania, South and North America, and Europe. This structure highlights the cultural specificity of each region while the book as a whole offers a critical perspective on the postcolonial, globalized art network. Reflecting on present-day processes of globalization and biennialization, which confront viewers with humorous art from a variety of cultures and countries, this book will provide readers with a culturally sensitive understanding of how humor has become vital to many contemporary artists working in an unprecedentedly interconnected world.


Creolization and Pidginization in Contexts of Postcolonial Diversity

Creolization and Pidginization in Contexts of Postcolonial Diversity
Author:
Publisher: BRILL
Total Pages: 432
Release: 2018-02-27
Genre: Language Arts & Disciplines
ISBN: 9004363394

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This book deals with creolization and pidginization of language, culture and identity and makes use of interdisciplinary approaches developed in the study of the latter. Creolization and pidginization are conceptualized and investigated as specific social processes in the course of which new common languages, socio-cultural practices and identifications are developed under distinct social and political conditions and in different historical and local contexts of diversity. The contributions show that creolization and pidginization are important strategies to deal with identity and difference in a world in which diversity is closely linked with inequalities that relate to specific group memberships, colonial legacies and social norms and values.


Translation Imperatives

Translation Imperatives
Author: Ruth Bush
Publisher: Cambridge University Press
Total Pages: 173
Release: 2022-06-02
Genre: Language Arts & Disciplines
ISBN: 1108804861

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This Element explores the politics of literary translation via case studies from the Heinemann African Writers Series and the work of twenty-first-century literary translators in Cameroon. It intervenes in debates concerning multilingualism, race and decolonization, as well as methodological discussion in African literary studies, world literature, comparative literature and translation studies. The task of translating African literary texts has developed according to political and socio-economic contexts. It has contributed to the consecration of a canon of African classics and fuelled polemics around African languages. Yet retranslation remains rare and early translations are frequently criticised. This Element's primary focus on the labour rather than craft or art of translation emphasises the material basis that underpins who gets to translate and how that embodied labour occurs within the process of book production and reception. The arguments draw on close readings, fresh archival material, interviews, and co-production and observation of literary translation workshops.


On Literary Attachment in South Africa

On Literary Attachment in South Africa
Author: Michael Chapman
Publisher: Routledge
Total Pages: 281
Release: 2021-09-01
Genre: Literary Criticism
ISBN: 1000431797

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This book reflects on the "literary" in literature. Less ideologically construed, more affirmative of literary attachment, the study adopts a style of intimacy – its "tough love" – in a correlation between the creative work and the critical act. Instead of configuring literary works to "state-of-the-nation" issues – the usual approach to literature from South Africa – the chapters keep alive a space for conversation, whether accented inwards to locality or outwards to the Anglophone world: the world to which literature in South Africa continues to belong, albeit as a "problem child". A postcolony that is not quite a postcolony, South Africa is richly but frustratingly textured between Africa and the West, or the South and the North. Its literature – hovering on the cusp of its locality and its global reach – raises peculiar questions of reader reception, epistemological and aesthetic frame, and archival use. Are the Nobel laureates Nadine Gordimer and J.M. Coetzee local writers or global writers? Is the novel or the short story the more appropriate form at the edges of metropolitan cultures? Given language, race, and culture contestation, how do we recover Bushman expression for contemporary use? How to consider the aesthetic appeal of two contemporaneous works, one in English the other in isiXhosa, the one indebted to Bloomsbury modernism the other to African custom? How does Douglas Livingstone attach the Third World to the First World in both science and poetry? What has a "born free" novelist, Kopano Matlwa, got to do with the Bard of Avon? In a time of theorisation, is it permissible for Lewis Nkosi to embody literary criticism in an autobiographical journey? How to read the rupturing event – the statue of Rhodes must fall – through a literary sensibility? Alert to the influence of critique, the study is equally alert to the "limits of critique". Reflecting on several writers, works, and events that do not feature in current publications, On Literary Attachment in South Africa releases literature to speak to us today, within the contours of its originating energy.