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Aboriginal Art, Identity and Appropriation

Aboriginal Art, Identity and Appropriation
Author: Elizabeth Burns Coleman
Publisher: Routledge
Total Pages: 225
Release: 2017-05-15
Genre: Social Science
ISBN: 1351961306

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The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.


White Aborigines

White Aborigines
Author: Ian McLean
Publisher: Cambridge University Press
Total Pages: 0
Release: 2009-10-01
Genre: Art
ISBN: 9780521120678

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This highly original book shows that Australian art, and the writing of its history, has since settlement been in a dialog (although often submerged) with Aboriginal art and culture; and that this dialog is inextricably interwoven with the struggle to find an identity in the antipodes. McLean argues that the colonizing culture invested far more in indigenous aspects of the country and its inhabitants than it has been willing to admit. He considers artists and their work within their cultural context, and in light of contemporary theory.


Aboriginal Art and Australian Society

Aboriginal Art and Australian Society
Author: Laura Fisher
Publisher: Anthem Press
Total Pages: 373
Release: 2016-05-30
Genre: Art
ISBN: 1783085339

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This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.


The Politics of Space in Contemporary Australian Aboriginal Art

The Politics of Space in Contemporary Australian Aboriginal Art
Author: Daniela Gisela Limpert
Publisher: GRIN Verlag
Total Pages: 76
Release: 2011-09-29
Genre: Language Arts & Disciplines
ISBN: 3656018197

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Master's Thesis from the year 2011 in the subject Communications - Intercultural Communication, grade: 1.2, University of Kaiserslautern, language: English, abstract: Politics of Space ́s idea is to present a body of work that address some of the key questions that have held my attention over several years in relation to the nature and peculiar concerns of contemporary non-Western art, especially on how Contemporary Australian Aboriginal Art is perceived, received and read in significant parts of the public where cross-cultural exchange occurs. Significant areas of research in relation to Contemporary Indigenous Art are not only certain institutions within the art world such as art centres, art galleries and museums but also public areas like universities, government bureaus and particularly touristic institutions, as a vast majority of non-indigenous people experience non-Western art in this context only.


Aboriginal and Torres Strait Islander Art

Aboriginal and Torres Strait Islander Art
Author: Gretchen M. Stolte
Publisher: Routledge
Total Pages: 230
Release: 2020-05-31
Genre: Social Science
ISBN: 1000185559

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Aboriginal and Torres Strait Islander Art explores the effects of Queensland government policies on urban First Nation artists. While such art has often been misinterpreted as derivative lesser copies of ‘true’ Indigenous works, this book unveils new histories and understandings about the mixed legacy left for Queensland Indigenous artists. Gretchen Stolte uses rich ethnographic detail to illuminate how both Aboriginal and Torres Strait Islander artists understand and express their heritage. She specifically focuses on artwork at the Aboriginal and Torres Strait Islander art studio in the Tropical North Queensland College of Technical and Further Education (TNQT TAFE), Cairns. Stolte's ethnography further develops methodologies in art history and anthropology by identifying additional methods for understanding how art is produced and meaning is created.


Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present

Visual Culture, Heritage and Identity: Using Rock Art to Reconnect Past and Present
Author: Andrzej Rozwadowski
Publisher: Archaeopress Publishing Ltd
Total Pages: 150
Release: 2021-06-17
Genre: Art
ISBN: 1789698472

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This book presents a fresh perspective on rock art by considering how ancient images function in the present. It focuses on how ancient heritage is recognized and reified in the modern world, and how rock art stimulates contemporary processes of cultural identity-making.


Illusions of Identity

Illusions of Identity
Author: Anne-Marie Willis
Publisher:
Total Pages: 214
Release: 1993
Genre: Art
ISBN:

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Illusions of identity: the art of nation.


Double Desire

Double Desire
Author: Ian McLean
Publisher: Cambridge Scholars Publishing
Total Pages: 380
Release: 2014-11-19
Genre: Art
ISBN: 1443871338

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Double Desire challenges the tendency by critics to perpetuate an aesthetic apartheid between Indigenous and Western art. The double desire explored in this book is that of the divided but also amplified attractions that occur between cultural traditions in places where both indigenous and colonial legacies are strong. The result, it is argued, produces imaginative transcultural practices that resist the assimilation or acculturation of Indigenous perspectives into the dominant Western mod...


Narratives and Journeys in Rock Art: A Reader

Narratives and Journeys in Rock Art: A Reader
Author: George Nash
Publisher: Archaeopress Publishing Ltd
Total Pages: 702
Release: 2018-11-19
Genre: Social Science
ISBN: 1784915610

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Why publish a Reader? Today, it is relatively easy and convenient to switch on your computer and download an academic paper. However, as many scholars have experienced, historic references are difficult to access. Moreover, some are now lost and are merely references in later papers. This can be frustrating.


Law, Knowledge, Culture

Law, Knowledge, Culture
Author: Jane E. Anderson
Publisher: Edward Elgar Publishing
Total Pages: 269
Release: 2009-01-01
Genre: Law
ISBN: 1848447191

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Combining unique practical experience with a sophisticated historical and theoretical framework, this impressive work offers a new basis to explore indigenous intellectual property. In this wide-ranging and imaginative study, Anderson has laid the groundwork for future scholarship in the field. Hopefully this work will set a new trajectory for how this important topic is approached and advanced with indigenous people. Brad Sherman, University of Queensland, Australia This informative book investigates how indigenous and traditional knowledge has been produced and positioned within intellectual property law and the effects of this position in both national and international jurisdictions. Drawing upon critical cultural and legal theory, Jane Anderson illustrates how the problems facing the inclusion of indigenous knowledge resonate with tensions that characterise intellectual property as a whole. She explores the extent that the emergence of indigenous interests in intellectual property law is a product of shifting politics within law, changing political environments, governmental intervention through strategic reports and innovative instances of individual agency. The author draws on long-term practical experience of working with indigenous people and communities whilst engaging with ongoing debates in the realm of legal theory. Detailing a comprehensive view on how indigenous knowledge has emerged as a discrete category within intellectual property law, this book will benefit researchers, academics and students dealing with law in the fields of IP, human rights, property and environmental law. It will also appeal to anthropologists, sociologists, philosophers and cultural theorists.