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Aboriginal Art and Australian Society

Aboriginal Art and Australian Society
Author: Laura Fisher
Publisher: Anthem Press
Total Pages: 373
Release: 2016-05-30
Genre: Art
ISBN: 1783085339

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This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.


Aboriginal Art

Aboriginal Art
Author: Donna Leslie
Publisher: MacMillan Art Publishing
Total Pages: 330
Release: 2008
Genre: Aboriginal Australians
ISBN:

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Donna Leslie, a Post-doctoral Research Fellow at The University of Melbourne, sets out to demonstrate how Aboriginal art has questioned the 'assimilationist' policies which prevailed in Australia from the 1930s to the 1970s. Her rigorous and sustained argument, supported by an impressive array of important visual images, reveals an extensive grasp of issues relating not only to the practice and history of art, but also in fields of anthropology, ethnology and sociology. The book is a rare presentation of aspects of the history of Aboriginal art from an Aboriginal perspective, and provides fresh ways of understanding Aboriginal experience. While the author acknowledges the problems faced by Aboriginal peoples, particularly those associated with the former policy of assimilation, her message is positive and encourages a deepening understanding of Aboriginal art, culture and peoples in the spirit of reconciliation. Moreover, she addresses the development of Aboriginal art in the modern Australian city, as well as in the more traditional environment of the land.


The Australian Aboriginal Heritage

The Australian Aboriginal Heritage
Author: Ronald Murray Berndt
Publisher:
Total Pages: 336
Release: 1978
Genre: Aboriginal Australians
ISBN:

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Issued with slide/tape set located at AV 709.011 A938.


Aboriginal Art A&i

Aboriginal Art A&i
Author: Howard Morphy
Publisher: Phaidon Press Limited
Total Pages: 458
Release: 1998-10-11
Genre: Art
ISBN:

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A survey of the great variety of Aboriginal art.


Aboriginal Art, Identity and Appropriation

Aboriginal Art, Identity and Appropriation
Author: Elizabeth Burns Coleman
Publisher: Routledge
Total Pages: 225
Release: 2017-05-15
Genre: Social Science
ISBN: 1351961306

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The belief held by Aboriginal people that their art is ultimately related to their identity, and to the continued existence of their culture, has made the protection of indigenous peoples' art a pressing matter in many postcolonial countries. The issue has prompted calls for stronger copyright legislation to protect Aboriginal art. Although this claim is not particular to Australian Aboriginal people, the Australian experience clearly illustrates this debate. In this work, Elizabeth Burns Coleman analyses art from an Australian Aboriginal community to interpret Aboriginal claims about the relationship between their art, identity and culture, and how the art should be protected in law. Through her study of Yolngu art, Coleman finds Aboriginal claims to be substantially true. This is an issue equally relevant to North American debates about the appropriation of indigenous art, and the book additionally engages with this literature.


Rethinking Australia’s Art History

Rethinking Australia’s Art History
Author: Susan Lowish
Publisher: Routledge
Total Pages: 292
Release: 2018-05-30
Genre: Art
ISBN: 1351049976

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This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.


Aboriginal Art of Australia

Aboriginal Art of Australia
Author: Carol Finley
Publisher: Lerner Publications
Total Pages: 64
Release: 1999-01-01
Genre: Juvenile Nonfiction
ISBN: 9780822520764

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Describes the art of the Australian Aborigines including rock painting and engraving as well as sand and bark painting; also discusses the symbolism found in these works.


Dreamings

Dreamings
Author: Peter Sutton
Publisher:
Total Pages: 266
Release: 1989-01
Genre: Aboriginal Australians
ISBN: 9780670824496

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A very comprehensive look at Aboriginal art from traditional to contemporary art. Lively discussion and beautiful presentation.


Painting Culture

Painting Culture
Author: Fred R. Myers
Publisher: Duke University Press
Total Pages: 444
Release: 2002-12-16
Genre: Antiques & Collectibles
ISBN: 9780822329497

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DIVThe history of the Australian Aboriginal painting movement from its local origins to its career in the international art market./div


Aboriginal Art and Australian Society

Aboriginal Art and Australian Society
Author: Laura Fisher
Publisher: Anthem Press
Total Pages: 259
Release: 2016-05-30
Genre: Art
ISBN: 1783085320

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This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.