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Abe Kōbō , Literary Strategist

Abe Kōbō , Literary Strategist
Author: Thomas Schnellbächer
Publisher: Iudicium
Total Pages: 508
Release: 2004-09-01
Genre: Literary Criticism
ISBN: 3862059146

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Among the great authors of postwar Japan, Abe Kōbō (1924–1993) is the mechanic. Works such as "The Woman in the Dunes" (1962), which brought him worldwide renown, conduct a profound analysis of human existence, while revelling in technical detail. The early postwar years were not only formative for Abe as a writer and political activist, they were also formative years for Japanese literature, culture, and politics. While progressing, in his own words, "from existentialism, to surrealism, and on to Communism", Abe published numerous treatises, tracts and other essays of various kinds concerning revolutionary aesthetics and the historic role of the arts, between artistic autonomy and social commitment. Abe's essays show the maturing of both his artistic and aesthetic agenda, and of his essay style. This process also involves political disillusionment, raising the question of what bearing Abe's earlier radical positions have on his more mature work. This study examines Abe Kōbō's programmatic essays written between his repatriation from Manchuria in 1947 and his expulsion from the Communist Party in 1962. The texts are placed in the context of the artistic and political groups in which he was active, and of the broader literary issues of the time, centring on the quest for a new beginning in literature.


Abe Kōbō, Literary Strategist

Abe Kōbō, Literary Strategist
Author: Thomas Schnellbächer
Publisher:
Total Pages: 526
Release: 2004
Genre: Authors, Japanese
ISBN:

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Among the great authors of postwar Japan, Abe Kb (1924-1993) is the mechanic. Works such as The Woman in the Dunes (1962), which brought him worldwide renown, conduct a profound analysis of human existence, while revelling in technical detail. The early postwar years were not only formative for Abe as a writer and political activist, they were also formative years for Japanese literature, culture, and politics. While progressing, in his own words, "from existentialism, to surrealism, and on to Communism", Abe published numerous treatises, tracts and other essays of various kinds concerning revolutionary aesthetics and the historic role of the arts, between artistic autonomy and social commitment. Abe's essays show the maturing of both his artistic and aesthetic agenda, and of his essay style. This process also involves political disillusionment, raising the question of what bearing Abe's earlier radical positions have on his more mature work. This study examines Abe Kb's programmatic essays written between his repatriation from Manchuria in 1947 and his expulsion from the Communist Party in 1962. The texts are placed in the context of the artistic and political groups in which he was active, and of the broader literary issues of the time, centring on the quest for a new beginning in literature.


Truth from a Lie

Truth from a Lie
Author: Margaret Key
Publisher: Lexington Books
Total Pages: 207
Release: 2011-05-05
Genre: Literary Criticism
ISBN: 0739138774

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Critics typically regard Abe Kobo (1924-93) as writing against realism, due to his avant-garde aesthetics that challenged the Naturalist realism dominating the literary mainstream and the Socialist realism of the orthodox Left in postwar Japan. He considered his work thoroughly realist, however, and starting in the early 1950s in a series of avant-garde art and literary groups, he championed the possibility of a vital, contemporary realism that challenged the reader to question the "reality" represented in the text through increasingly self-conscious writing strategies. Through a reassessment of the texts in which he worked out his theory of realism, this study traces the development of his commitment to making "truth from a lie"—to fiction, drama, and reportage that openly display their artifice. Key argues that the reflexivity of Abe's texts, which lay bare their own processes of artificial construction in order to reflect how our everyday sense of reality is constructed and maintained, created a critical space for metatextual ideas that were not acknowledged by the literary establishment of his time and have yet to be recognized by critics today. Undergirding his theory and practice of realism was a critique of conventional documentary and of the classic detective story. The texts examined here expose the degree to which the documentarian and the detective are active fabricators of meaning rather than neutral observers of fact. By paying close attention to the tension between the documentary and the fictive in Abe's works, Key draws out the ethical implications of his documentary approach, arguing persuasively that the documentary qualities of his writing, such as its valorization of objectivity over psychologism and the realm of "concrete things" over abstraction are strategies for challenging the dominant assumptions about what constitutes good ethics and good art, as well as the relationship between these two spheres.


The Palgrave Handbook of Cold War Literature

The Palgrave Handbook of Cold War Literature
Author: Andrew Hammond
Publisher: Springer Nature
Total Pages: 826
Release: 2020-09-04
Genre: Literary Criticism
ISBN: 3030389731

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This book offers a comprehensive guide to global literary engagement with the Cold War. Eschewing the common focus on national cultures, the collection defines Cold War literature as an international current focused on the military and ideological conflicts of the age and characterised by styles and approaches that transcended national borders. Drawing on specialists from across the world, the volume analyses the period’s fiction, poetry, drama and autobiographical writings in three sections: dominant concerns (socialism, decolonisation, nuclearism, propaganda, censorship, espionage), common genres (postmodernism, socialism realism, dystopianism, migrant poetry, science fiction, testimonial writing) and regional cultures (Asia, Africa, Oceania, Europe and the Americas). In doing so, the volume forms a landmark contribution to Cold War literary studies which will appeal to all those working on literature of the 1945-1989 period, including specialists in comparative literature, postcolonial literature, contemporary literature and regional literature.


Shock and Naturalization in Contemporary Japanese Literature

Shock and Naturalization in Contemporary Japanese Literature
Author: Carl Cassegård
Publisher: Global Oriental
Total Pages: 256
Release: 2007-03-29
Genre: Literary Criticism
ISBN: 9004213481

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This study introduces the concepts of naturalization and naturalized modernity, and uses them as tools for understanding the way modernity has been experienced and portrayed in Japanese literature since the end of the Second World War.


Breaching the Frame

Breaching the Frame
Author: Pedro R. Erber
Publisher: Univ of California Press
Total Pages: 246
Release: 2014-12-12
Genre: Art
ISBN: 0520282434

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Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. Members of the Brazilian Neoconcrete group, such as HŽlio Oiticica and Lygia Clark, and their counterparts in Japan, such as Akasegawa Genpei and the Kansai-based Gutai Art Association, challenged the boundaries between art and non-art, between fiction and reality, between visual artwork and its discursive frame. In place of the indefinitely deferred promise of a revolution of the senses, artists called for Òdirect actionÓ here and now. Pedro Erber situates the beginnings of these profound transformations of art in the politically charged debates on realism and abstraction and in the experiments of 1950s concrete poetry. He shows how artists and critics in Brazil and Japan brought modern painting to a point of crisis that paved the way for the radical experiments of the 1960s generation. In contrast to the ÒdematerializationÓ of the art object promoted by New YorkÐbased critics and conceptual artists in the late 1960s, avant-garde artists and poets in Brazil and Japan embraced materiality as intrinsic and fundamental to their highly conceptual practices. Breaching the Frame explores their uncannily contemporaneous trajectories, tracing the emergence of participatory practices and theories that challenged the limits of aesthetic contemplation and redefined the politics of spectatorship.


Beyond Nation

Beyond Nation
Author: Richard Calichman
Publisher: Stanford University Press
Total Pages: 286
Release: 2016-03-02
Genre: History
ISBN: 0804797552

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In the work of writer Abe Kōbō (1924–1993), characters are alienated both from themselves and from one another. Through close readings of Abe's work, Richard Calichman reveals how time and writing have the ability to unground identity. Over time, attempts to create unity of self cause alienation, despite government attempts to convince people to form communities (and nations) to recapture a sense of wholeness. Art, then, must resist the nation-state and expose its false ideologies. Calichman argues that Abe's attack on the concept of national affiliation has been neglected through his inscription as a writer of Japanese literature. At the same time, the institution of Japan Studies works to tighten the bond between nation-state and individual subject. Through Abe's essays and short stories, he shows how the formation of community is constantly displaced by the notions of time and writing. Beyond Nation thus analyzes the elements of Orientalism, culturalism, and racism that often underlie the appeal to collective Japanese identity.


In Pursuit of a New Realism

In Pursuit of a New Realism
Author: Margaret S. Key
Publisher:
Total Pages: 0
Release: 2005
Genre: Literature, Modern
ISBN: 9780542506017

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This dissertation examines the role of the documentary and detective genres in Japanese writer Abe Kobo's realist project of the 1950s and 1960s. Critics typically regard Abe (1924-93) as writing against realism, due to his avant-garde aesthetics that challenged mainstream forms of realism. My analysis of a range of texts, including reportage, critical essays, fiction, television drama, and theatre, aims to show that an emphatically realist agenda was at the heart of Abe's life work. Underlying his theory and practice of realism was a critique of conventional documentary and of the classic detective story, two genres that promise to deliver "the truth" based on an objective narrativization of the facts. Through representational strategies that became increasingly self-conscious as his theory of realism evolved, Abe drew attention to the degree to which the documentarian and the detective are active fabricators of meaning, rather than neutral observers, and foregrounded the cognitive processes by which we, detective-like, interpret the world around us. By undermining the epistemological foundations and aesthetic conventions of the two genres, Abe sought to reinvigorate literature's capacity for representing what is real. The self-conscious aesthetic of his work also created a critical space for metafictional ideas that were not yet acknowledged by the literary establishment of his time and have yet to be recognized by critics today. Although my primary concern is the way in which the texts critically engage in methodological and epistemological questions of artistic representation, I am also interested in the ethical aim behind Abe's efforts to develop a new form of realism. The documentary qualities of his writing, such as its valorization of objectivity and its particular attention to the material and the concrete rather than the emotional and the abstract, are strategies for challenging the dominant assumptions about what constitutes good ethics and good art, as well as the relationship between these two spheres.


The Ruined Map

The Ruined Map
Author: Kobo Abe
Publisher: Vintage
Total Pages: 305
Release: 2011-12-14
Genre: Fiction
ISBN: 0307813703

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Of all the great Japanese novelists, Kobe Abe was indubitably the most versatile. With The Ruined Map, he crafted a mesmerizing literary crime novel that combines the narrative suspense of Chandler with the psychological depth of Dostoevsky. Mr. Nemuro, a respected salesman, disappeared over half a year ago, but only now does his alluring yet alcoholic wife hire a private eye. The nameless detective has but two clues: a photo and a matchbook. With these he embarks upon an ever more puzzling pursuit that leads him into the depths of Tokyo's dangerous underworld, where he begins to lose the boundaries of his own identity. Surreal, fast-paced, and hauntingly dreamlike, Abe’s masterly novel delves into the unknowable mysteries of the human mind. Translated from the Japanese by E. Dale Saunders.