Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Wider Trecento PDF full book. Access full book title A Wider Trecento.
| Author | : Louise Bourdua |
| Publisher | : BRILL |
| Total Pages | : 249 |
| Release | : 2011-12-09 |
| Genre | : History |
| ISBN | : 9004210768 |
These studies explore aspects of Julian Gardner’s wide range of interests and approaches, ranging from Parisian metalwork to the Wilton diptych, Franciscan iconography, the tomb of a leading theologian and several studies of the art of Rome and Northern Italy.
| Author | : |
| Publisher | : BRILL |
| Total Pages | : 248 |
| Release | : 2011-12-09 |
| Genre | : History |
| ISBN | : 9004226516 |
Julian Gardner’s preeminent role in British studies of the art of the 13th and 14th centuries, particularly the interaction of papal and theological issues with its production and on either side of the Alps, is celebrated in these studies by his pupils. They discuss Roman works: a Colonna badge in S. Prassede and a remarkably uniform Trinity fresco fragment, as well as monochrome dado painting up to Giotto, Duccio's representations of proskynesis, a Parisian reliquary in Assisi, Riminese painting for the Franciscans, the tomb of a theologian in Vercelli, Bartolomeo and Jacopino da Reggio, the Room of Love at Sabbionara, the cult of Urban V in Bologna after 1376, Altichiero and the cult of St James in Padua, the orb of the Wilton Diptych, and Julian Gardner’s career itself. The contributors to the volume are Serena Romano, Jill Bain, Claudia Bolgia, Louise Bourdua, Joanna Cannon, Roberto Cobianchi, Anne Dunlop, Jill Farquhar, Robert Gibbs, Virginia Glenn, Dillian Gordon, John Osborne and Martina Schilling.
| Author | : Holly Flora |
| Publisher | : Brepols Publishers |
| Total Pages | : 0 |
| Release | : 2018 |
| Genre | : Art |
| ISBN | : 9782503581958 |
The age of Giotto, Dante, and Boccaccio, the fourteenth century in Italy, known as the Trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, materiality, politics, patronage, and devotion, contributing to a new understanding of how art was made and experienced in this nodal century. These papers were originally presented at the Andrew Ladis Trecento Conference held at Tulane University in November of 2016.
| Author | : Victoria Kirkham |
| Publisher | : University of Chicago Press |
| Total Pages | : 568 |
| Release | : 2009-06-10 |
| Genre | : Literary Criticism |
| ISBN | : 0226437434 |
Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features. A sophisticated but accessible handbook that illuminates Petrarch’s love of classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.
| Author | : Lauren Jennings |
| Publisher | : Routledge |
| Total Pages | : 396 |
| Release | : 2016-04-01 |
| Genre | : Music |
| ISBN | : 1317057090 |
The metaphor of marriage often describes the relationship between poetry and music in both medieval and modern writing. While the troubadours stand out for their tendency to blur the distinction between speaking and singing, between poetry and song, a certain degree of semantic slippage extends into the realm of Italian literature through the use of genre names like canzone, sonetto, and ballata. Yet, paradoxically, scholars have traditionally identified a 'divorce' between music and poetry as the defining feature of early Italian lyric. Senza Vestimenta reintegrates poetic and musical traditions in late medieval Italy through a fresh evaluation of more than fifty literary sources transmitting Trecento song texts. These manuscripts have been long noted by musicologists, but until now they have been used to bolster rather than to debunk the notion that so-called 'poesia per musica' was relegated to the margins of poetic production. Jennings revises this view by exploring how scribes and readers interacted with song as a fundamentally interdisciplinary art form within a broad range of literary settings. Her study sheds light on the broader cultural world surrounding the reception of the Italian ars nova repertoire by uncovering new, diverse readers ranging from wealthy merchants to modest artisans.
| Author | : Boyd Taylor Coolman |
| Publisher | : Oxford University Press |
| Total Pages | : 285 |
| Release | : 2017 |
| Genre | : History |
| ISBN | : 0199601763 |
Knowledge, Love, and Ecstasy in the Theology of Thomas Gallus provides the first full study of Thomas Gallus (d. 1246) in English and represents a significant advance in his distinctive theology. Boyd Taylor Coolman argues that Gallus distinguishes, but never separates and intimately relates two "international modalities" in human consciousness: the intellective and the affective, both of which are forms of cognition. Coolman shows that Gallus conceives these two cognitive modalities as co-existing in an interdependent manner, and that this reciprocity is given a particular character by Gallus' anthropological appropriation of the Dionysian concept of hierarchy. Because Gallus conceives of the soul as "hierarchized" on the model of the angelic hierarchy, the intellect-affect relationship is fundamentally governed by the dynamism of a Dionysian hierarchy, which has two simultaneous trajectories: ascending and descending. Two crucial features are noteworthy in this regard: in ascending, firstly, the lower is subsumed by the higher; in descending, secondly, the higher communicates with the lower, according to the nature of the lower. When Gallus posits a higher, affective cognitio above an intellective cognitio at the highest point in the ascent, accordingly, this higher affective form both builds upon and sublimates the lower intellective form. At the same time, this affective cognitio descends back down into the soul, both enriching its properly intellective capacity and also renewing the ascending movement in love. For Gallus, then, in the hierarchized soul a dynamic mutuality between intellect and affect emerges, which he construes as a "spiralling" motion, by which the soul unceasingly stretches beyond itself, ecstatically, in knowing and loving God.
| Author | : Bryan Keene |
| Publisher | : |
| Total Pages | : 320 |
| Release | : 2021-03-04 |
| Genre | : Art |
| ISBN | : 9782503586182 |
The fourteenth century in Italy, the age of Giotto, Dante, and Boccaccio, widely known as the trecento, was a pivotal moment in art history and in European culture. The studies in this volume present new approaches to art in this important but often neglected period of the late Middle Ages and early Renaissance. Scholars at various stages in their careers discuss a wide range of topics including architecture, cultural exchange, materiality, politics, patronage, and devotion, contributing to a new understanding of how art was made and experienced in this nodal century. These papers were originally presented at the Andrew Ladis Trecento Conference held at the Museum of Fine Arts in Houston in November of 2018.
| Author | : Aileen Astorga Feng |
| Publisher | : University of Toronto Press |
| Total Pages | : 280 |
| Release | : 2017-01-18 |
| Genre | : Literary Criticism |
| ISBN | : 1487511809 |
Covering a period from the late-fourteenth to mid-sixteenth century, Aileen A. Feng’s engagingly written work identifies and analyzes a Latin humanist precursor to the poetic movement known as Renaissance Petrarchism. Though Petrachism is usually read solely as a vernacular poetic tradition, in Writing Beloveds, Feng recovers the initial political purposes in Latin prose and traces how poetry set the terms for gender, agency, and power in early modern Italy. By revealing the literary motifs in men’s and women’s writing about gender she maps how certain figures in Petrarch’s writing transmitted gendered ideas of power and reflected a growing anxiety about women as public figures. This work includes nuanced analyses of poetry, linguistic treatises, debates on imitation, representations of gender and epistolary correspondence in Latin and Italian. Writing Beloveds is a landmark study that highlights the new social reality of women writers in early modern Europe.
| Author | : Lezlie S. Knox |
| Publisher | : University of Notre Dame Pess |
| Total Pages | : 257 |
| Release | : 2017-10-30 |
| Genre | : History |
| ISBN | : 026810204X |
Margherita Colonna (1255–1280) was born into one of the great baronial families that dominated Rome politically and culturally in the thirteenth century. After the death of her father and mother, Margherita was raised by her brothers, including Cardinal Giacomo Colonna. The two extant contemporary accounts of her short life offer a daring model of mystical lay piety forged in imitation of St. Francis but worked out in the vibrant world of medieval Rome. In Visions of Sainthood in Medieval Rome, Larry F. Field, Lezlie S. Knox, and Sean L. Field present the first English translations of Margherita Colonna’s two “lives” and a dossier of associated texts, along with thoroughly researched contextualization and scholarly examination. The first of the two lives was written by a layman, the Roman Senator Giovanni Colonna, one of Margherita Colonna's brothers. The second was written by a woman named Stefania, who had been a close follower of Margherita Colonna and assumed leadership of her Franciscan community after Margherita's death. These intriguing texts open up new perspectives on numerous historical questions. How did authorial gender and status influence hagiographic perspective? How fluid was the nature of female Franciscan identity during the era in which the papacy was creating the Order of St. Clare? What were the experiences and influences of female visionaries? And what was the process of saint-making at the heart of an aristocratic Roman family? These texts add rich new texture to our overall picture of medieval visionary culture and will interest students and scholars of medieval and renaissance history, literature, religion, and women's studies.
| Author | : Foteini Spingou |
| Publisher | : Cambridge University Press |
| Total Pages | : 1683 |
| Release | : 2022-04-21 |
| Genre | : History |
| ISBN | : 1108643906 |
In this book the beauty and meaning of Byzantine art and its aesthetics are for the first time made accessible through the original sources. More than 150 medieval texts are translated from nine medieval languages into English, with commentaries from over seventy leading scholars. These include theories of art, discussions of patronage and understandings of iconography, practical recipes for artistic supplies, expressions of devotion, and descriptions of cities. The volume reveals the cultural plurality and the interconnectivity of medieval Europe and the Mediterranean from the late eleventh to the early fourteenth centuries. The first part uncovers salient aspects of Byzantine artistic production and its aesthetic reception, while the second puts a spotlight on particular ways of expressing admiration and of interpreting of the visual.
