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| Author | : Tonya Foster |
| Publisher | : Belladonna* |
| Total Pages | : 0 |
| Release | : 2015 |
| Genre | : Haiku |
| ISBN | : 9780988539914 |
Haiku poems capture life in Harlem in the 21st century.
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| Publisher | : |
| Total Pages | : 1152 |
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| Author | : George Wythe |
| Publisher | : |
| Total Pages | : 532 |
| Release | : 1852 |
| Genre | : Law reports, digests, etc |
| ISBN | : |
| Author | : Nicholas Nace |
| Publisher | : Northwestern University Press |
| Total Pages | : 404 |
| Release | : 2017-10-15 |
| Genre | : Literary Criticism |
| ISBN | : 0810136074 |
The Fate of Difficulty in the Poetry of Our Time offers original readings of poems composed in this century—poems that are challenging to follow, challenging to understand, challenging to discuss, and challenging to enjoy. Difficult poetry of the past relied on allusion, syntactic complexity, free association, and strange juxtapositions. The new poetry breaks with the old in its stunning variety; its questioning of inherited values, labels, and narratives; its multilingualism; its origin in and production of unnamed affects; and its coherence around critical and social theorists as much as other poets. The essays in this volume include poets writing on the works of a younger generation (Lyn Hejinian on Paolo Javier, Bob Perelman on Rachel Zolf, Roberto Tejada on Rosa Alcalá), influential writers addressing the work of peers (Ben Lerner on Maggie Nelson, Michael W. Clune on Aaron Kunin), critics making imaginative leaps to encompass challenging work (Brian M. Reed on Sherwin Bitsui, Siobhan Philips on Juliana Spahr), and younger scholars coming to terms with poets who continue to govern new poetic experimentation (Joseph Jeon on Myung Mi Kim, Lytle Shaw on Lisa Robertson). In pairings that are both intuitive (Marjorie Perloff on Craig Dworkin) and unexpected (Langdon Hammer on Srikanth Reddy), The Fate of Difficulty in the Poetry of Our Time illuminates the myriad pathways and strategies for exploring difficult poetry of the present.
| Author | : Maureen N. McLane |
| Publisher | : University of Chicago Press |
| Total Pages | : 295 |
| Release | : 2024-04-03 |
| Genre | : Literary Collections |
| ISBN | : 0226832651 |
Acclaimed poet and critic Maureen N. McLane offers an experimental work of criticism ranging across Romantic and contemporary poetry. In My Poetics, Maureen N. McLane writes as a poet, critic, theorist, and scholar—but above all as an impassioned reader. Written in an innovative, conversable style, McLane’s essays illuminate her own poetics and suggest more generally all that poetics can encompass. Ranging widely from romantic-era odes and hymns to anonymous ballads to haikus and haibuns to modernist and contemporary poetries in English, My Poetics explores poems as speculative instruments and as ways of registering our very sense of being alive. McLane pursues a number of open questions: How do poems generate modes for thinking? How does rhyme help us measure out thought? What is the relation of poetry to its surroundings, and how do specific poems activate that relation? If, as Wallace Stevens wrote, “poetry is the scholar’s art,” My Poetics flies under a slightly different banner: study and criticism are also the poet’s art. Punctuated with McLane’s poems and drawing variously on Hannah Arendt, Percy Bysshe Shelley, Roland Barthes, Bruno Latour, and other writers and poets, My Poetics is a formally as well as intellectually adventurous work. Its artful arrangement of readings and divagations shows us a way to be with poems and poetics.
| Author | : Stephanie Burt |
| Publisher | : Basic Books |
| Total Pages | : 243 |
| Release | : 2019-05-21 |
| Genre | : Literary Criticism |
| ISBN | : 0465094511 |
An award-winning poet offers a brilliant introduction to the joys--and challenges--of the genre In Don't Read Poetry, award-winning poet and literary critic Stephanie Burt offers an accessible introduction to the seemingly daunting task of reading, understanding, and appreciating poetry. Burt dispels preconceptions about poetry and explains how poems speak to one another--and how they can speak to our lives. She shows readers how to find more poems once they have some poems they like, and how to connect the poetry of the past to the poetry of the present. Burt moves seamlessly from Shakespeare and other classics to the contemporary poetry circulated on Tumblr and Twitter. She challenges the assumptions that many of us make about "poetry," whether we think we like it or think we don't, in order to help us cherish--and distinguish among--individual poems. A masterful guide to a sometimes confounding genre, Don't Read Poetry will instruct and delight ingénues and cognoscenti alike.
| Author | : Bernard de Mandeville |
| Publisher | : |
| Total Pages | : 506 |
| Release | : 1724 |
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| Total Pages | : 556 |
| Release | : 1889 |
| Genre | : Bee culture |
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| Author | : Herschel Prins |
| Publisher | : Routledge |
| Total Pages | : 298 |
| Release | : 2008-03-07 |
| Genre | : Law |
| ISBN | : 1134852495 |
How responsible are mentally disordered offenders for their crimes? Aimed specifically at understanding the social context of the serious criminal offender who is deemed to be mentally abnormal, this new edition of Offenders, Deviants or Patients? takes into account the many changes in legal practice, methods of treatment and attitudes since the first edition was published in 1980. Herschel Prins examines the relationship between mental abnormality and criminal behaviour, the extent to which this relationship is used (or misused) in the criminal courts and the various facilities that are currently available for treatment. Unique in its multidisciplinary approach Offenders, Deviants or Patients? will be invaluable to all those who come into contact with serious offenders.
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| Publisher | : |
| Total Pages | : 932 |
| Release | : 1898 |
| Genre | : Law reports, digests, etc |
| ISBN | : |
