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A Study of Women of Bengal

A Study of Women of Bengal
Author: Sankar Sen Gupta
Publisher: Calcutta : Indian Publications
Total Pages: 448
Release: 1970
Genre: Women
ISBN:

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Women and Politics

Women and Politics
Author: Sanghamitra Sen Chaudhuri
Publisher:
Total Pages: 166
Release: 1995
Genre: Women
ISBN:

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This Study, In The Light Of West Bengal Experience Stresses That Women Are Still Second Class Citizen In Spite Of The Equal Rights Conferred On Them.


A Study of Woman of Bengal

A Study of Woman of Bengal
Author: Sankar Sen Gupta
Publisher:
Total Pages:
Release: 1970
Genre:
ISBN:

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Women and Labour in Late Colonial India

Women and Labour in Late Colonial India
Author: Samita Sen
Publisher: Cambridge University Press
Total Pages: 287
Release: 1999-05-06
Genre: Business & Economics
ISBN: 0521453631

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Samita Sen's history of labouring women in Calcutta in the late nineteenth and early twentieth centuries considers how social constructions of gender shaped their lives. Dr Sen demonstrates how - in contrast to the experience of their male counterparts - the long-term trends in the Indian economy devalued women's labour, establishing patterns of urban migration and changing gender equations within the family. She relates these trends to the spread of dowry, enforced widowhood and child marriage. The book provides insight into the lives of poor urban women who were often perceived as prostitutes or social pariahs. Even trade unions refused to address their problems and they remained on the margins of organized political protest. The study will make a signficant contribution to the understanding of the social and economic history of colonial India and to notions of gender construction.


Women in Bengal

Women in Bengal
Author: Sudarshana Sen
Publisher: Taylor & Francis
Total Pages: 330
Release: 2024-07-26
Genre: Social Science
ISBN: 1040109586

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This book analyses the status of women in Bengal, India, by examining the versatile everyday living conditions of women, and how they are represented as individuals and as a category in the media. Contributors to the book start their discussion from the point that women in India have a varied experience of living, thinking, and acting specific to the regional cultural context. Caste ideology specified privileges and sanctions according to innate attributes, differ by sex as well as ethnicity, class, caste, minority status, and marginal position intersect lives and render unique life experiences. With a focus on women and their lived experiences, performances by them and performances imitating women’s roles, the book offers a complex and rich analysis of the reality of women’s lives based on research and reflections by 25 scholars. Organised into two sections, the book presents women in reality, their living conditions, struggles, and women as represented in films, stories, framed in plots sometimes by women and sometimes by men. The chapters provide insights on how institutionalised gender distinctions create subordination and marginality of women and their struggles to survive in a society dominated by heteropatriarchal ideology and its practice. This book improves our understanding of various dimensions of gender and transgender relations in India. It will be of interest to researchers in Gender Studies, South Asian Culture and Society, and Studies on India.


Women, Religion and the Body in South Asia

Women, Religion and the Body in South Asia
Author: Kristin Hanssen
Publisher: Routledge
Total Pages: 269
Release: 2018-04-19
Genre: Social Science
ISBN: 135135759X

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Noted for their haunting melodies and enigmatic lyrics, Bauls have been portrayed as spiritually enlightened troubadours traveling around the countryside in West Bengal in India and in Bangladesh. As emblems of Bengali culture, Bauls have long been a subject of scholarly debates which center on their esoteric practices, and middle class imaginaries of the category Baul. Adding to this literature, the intimate ethnography presented in this book recounts the life stories of members from a single family, shining light on their past and present tribulations bound up with being poor and of a lowly caste. It shows that taking up the Baul path is a means of softening the stigma of their lower caste identity in that religious practice, where women play a key role, renders the body pure. The path is also a source of monetary income in that begging is considered part of their vocation. For women, the Baul path has the added implication of lessening constraints of gender. While the book describes a family of singers, it also portrays the wider society in which they live, showing how their lives connect and interlace with other villagers, a theme not previously explored in literature on Bauls. A novel approach to the study of women, the body and religion, this book will be of interest to undergraduates and graduates in the field of the anthropology. In addition, it will appeal to students of everyday religious lives as experienced by the poor, through case studies in South Asia. The book provides further evidence that renunciation in South Asia is not a uniform path, despite claims to the contrary. There is also a special interest in Bauls among those familiar with the Bengali speaking region. While this book speaks to that interest, its wider appeal lies in the light it sheds on religion, the body, life histories, and poverty.


Words of Her Own

Words of Her Own
Author: Maroona Murmu
Publisher: Oxford University Press
Total Pages: 314
Release: 2019-11-05
Genre: History
ISBN: 0199098212

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Words of Her Own situates the experiences and articulations of emergent women writers in nineteenth-century Bengal through an exploration of works authored by them. Based on a spectrum of genres—such as autobiographies, novels, and travelogues—this book examines the sociocultural incentives that enabled the dawn of middle-class Hindu and Brahmo women authors at that time. Murmu explores the intersections of class, caste, gender, language, and religion in these works. Reading these texts within a specific milieu, Murmu sets out to rectify the essentialist conception of women’s writings being a monolithic body of works that displays a firmly gendered form and content, by offering rich insights into the complex world of subjectivities of women in colonial Bengal. In attempting to do so, this book opens up the possibility of reconfiguring mainstream history by questioning the scholarly conceptualization of patriarchy being omnipotent enough to shape the intricacies of gender relations, resulting in the flattening of self-fashioning by women writers. The book contends that there were women authors who flouted the norms of literary aesthetics and tastes set by male literati, thereby creating a literary tradition of their own in Bangla and becoming agents of history at the turn of the century.


The Refugee Woman

The Refugee Woman
Author: Paulomi Chakraborty
Publisher: Oxford University Press
Total Pages: 314
Release: 2018-07-27
Genre: Literary Collections
ISBN: 0199095396

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The Refugee Woman examines the Partition of 1947 by engaging with the cultural imagination of the ‘refugee woman’ in West Bengal, particularly in three significant texts of the Partition of Bengal—Ritwik Ghatak’s film Meghe Dhaka Tara; and two novels, Jyotirmoyee Devi’s Epar Ganga, Opar Ganga and Sabitri Roy’s Swaralipi. It shows that the figure of the refugee woman, animated by the history of the political left and refugee movements, and shaped by powerful cultural narratives, can contest and reconstitute the very political imagination of ‘woman’ that emerged through the long history of dominant cultural nationalisms. The reading it offers elucidates some of the complexities of nationalist, communal, and communist gender-politics of a key period in post-independence Bengal.


Women and Resistance in Contemporary Bengali Cinema

Women and Resistance in Contemporary Bengali Cinema
Author: Srimati Mukherjee
Publisher: Routledge
Total Pages: 173
Release: 2016-01-13
Genre: Performing Arts
ISBN: 131730991X

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Historically, Indian cinema has positioned women at the intersection of tradition and a more evolving culture, portraying contradictory attitudes which affect women’s roles in public and private spheres. Examining the work of three directors from West Bengal, this book addresses the juxtaposition of tradition and culture regarding women in Bengali cinema. It argues the antithesis of women’s roles, particularly in terms of ideas of resistance, revolution, change, and autonomy, by suggesting they convey resistance to hegemonic structures, encouraging a re-envisioning of women’s positions within the familial-social matrix. Along with presenting a perception of culture as dynamic and evolving, the book discusses how some directors show that with this rupturing of the traditionally prohibitive, and a notion of unmaking and making in women, a traditional inclination is exposed to align women with ideas of absence, substitution, and disposability. The author goes on to show how selected auteurs in contemporary Bengali cinema break with certain traditional representations of women, gesturing towards a culture that is more liberating for women. Presenting the first full-length study of women’s changing roles over the last twenty years of Bengali cinema, this book will be a useful contribution for students and scholars of South Asian Culture, Film Studies and Gender Studies.