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Chinese Narrative Poetry

Chinese Narrative Poetry
Author: Dore Jesse Levy
Publisher: Durham [N.C.] : Duke University Press
Total Pages: 248
Release: 1988
Genre: Literary Criticism
ISBN:

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Chinese Narrative Poetry brings a new perspective to some of China's best-loved and most influential poems, including Ts'ai Yen's "Poem of Affliction," Po Chu-yi's "Song of Everlasting Sorrow," and Wei Chuang's recently discovered "Song of the Lady of Ch'in." Composed in the shih form during the Late Han, Six Dynasties, and T'ang periods, these poems stand out as masterworks of narrative art. Yet paradoxically, their narrative qualities have been little recognized or explored in either traditional Chinese or modern Western scholarship. The reason for this neglect is that Western literary traditions acknowledge their origins in epic poetry and thus take narrative for granted, but the Chinese tradition is fundametally based on lyric and does not admit of a separate category for narrative poetry. Drawing on both classical Chinese critical works and the most recent Western contributions to the theory of narrative, Levy shows how narrative elements developed out of the lyrical conventions of shih. In doing so, she accomplishes a double purpose, guiding the modern reader to an understanding of the nature of narrative in Chinese poetry and shedding light on the ways in which Chinese poets adapted the devises of lyric to the needs of a completely different expressive mode. Students of Chinese literature will welcome this pathbreaking study, but Chinese Narrative Poetry will interest other scholars as well because it addresses questions of crucial importance for literary theory and comparative literature, particularly the central issue of the applicability of Western critical concepts to non-Western literature and culture.


Ideal and Actual in the Story of the Stone

Ideal and Actual in the Story of the Stone
Author: Dore Jesse Levy
Publisher: Columbia University Press
Total Pages: 236
Release: 1999
Genre: Education
ISBN: 9780231114073

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Levy explores the classic Chinese novelThe Story of the Stone(also known as The Dream of the Red Chamber), illuminating the work by interpreting its four major themes: the inversion of traditional family dynamics, the function of illness and medicine in a Buddhist society, the role of poetry in a dynastic Chinese society, and the use of poetry as a vehicle for spiritual retribution.


Poems of the Late T'ang

Poems of the Late T'ang
Author: Angus Charles Graham
Publisher: [Harmondsworth ; Middlesex] : Penguin Books
Total Pages: 184
Release: 1965
Genre: Fiction
ISBN:

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How to Read Chinese Poetry in Context

How to Read Chinese Poetry in Context
Author: Zong-qi Cai
Publisher: Columbia University Press
Total Pages: 356
Release: 2018-02-20
Genre: Literary Criticism
ISBN: 0231546122

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How to Read Chinese Poetry in Context is an introduction to the golden age of Chinese poetry, spanning the earliest times through the Tang dynasty (618–907). It aims to break down barriers—between language and culture, poetry and history—that have stood in the way of teaching and learning Chinese poetry. Not only a primer in early Chinese poetry, the volume demonstrates the unique and central role of poetry in the making of Chinese culture. Each chapter focuses on a specific theme to show the interplay between poetry and the world. Readers discover the key role that poetry played in Chinese diplomacy, court politics, empire building, and institutionalized learning; as well as how poems shed light on gender and women’s status, war and knight-errantry, Daoist and Buddhist traditions, and more. The chapters also show how people of different social classes used poetry as a means of gaining entry into officialdom, creating self-identity, fostering friendship, and airing grievances. The volume includes historical vignettes and anecdotes that contextualize individual poems, investigating how some featured texts subvert and challenge the grand narratives of Chinese history. Presenting poems in Chinese along with English translations and commentary, How to Read Chinese Poetry in Context unites teaching poetry with the social circumstances surrounding its creation, making it a pioneering and versatile text for the study of Chinese language, literature, history, and culture.


The Poetics of Decadence

The Poetics of Decadence
Author: Fusheng Wu
Publisher: SUNY Press
Total Pages: 292
Release: 1998-01-01
Genre: Literary Criticism
ISBN: 9780791437513

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A reconsideration of Chinese decadent (tuifei) poetry which argues that this poetry is not a marginal trend but rather a vital part of the Chinese literary tradition.


The Birth Of China Seen Through Poetry

The Birth Of China Seen Through Poetry
Author: Hong-mo Chan
Publisher: World Scientific
Total Pages: 265
Release: 2011-03-24
Genre: Literary Collections
ISBN: 9814462314

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Erratum A Recital of the Chinese Poems - Hear what they sound like The book introduces Chinese culture to readers of English, using poetry from the various periods rendered into English verse to bring back to life past Chinese society as it developed from about 1000 B.C to the form we see today. With China's increasing importance on the world stage today, many readers, no doubt, would want to learn more about its ancient culture. However, to learn about a culture from its history alone, especially one as long as that of China, is time-consuming and requires a historian's expert skill. This book offers the general reader a direct glimpse into the human core of it via the universally accessible channel of poetry. It provides an outline of Chinese history from prehistoric times to the present printed mostly on left-hand pages, accompanied on the right by a selection of Chinese poems of the corresponding periods translated into English verse by the author. The poems total about eighty in number and come mostly from the classical phase dating from around 1000 B.C. to 1200 A.D. Contents:The Spring and Autumn PeriodThe Warring StatesThe Qin DynastyThe Han DynastyWei, Jin and the Northern and Southern DynastiesThe Tang DynastySong and Its Preceding Five DynastiesRoundoffAppendices:Timeline and MapsHistorical Sources, Original PoemsA Recital of the PoemsCaptions of IllustrationsGlossary of Chinese Names and Terms Readership: Anyone interested in China, history, poetry, culture, or literature. Keywords:China;History;Poetry;CultureKey Features:Unique combination of Chinese history and poetry woven into an easily readable organic wholeCan be read through as a story with the poems serving as illustrations for the historical narrativeCan be kept and enjoyed as a short anthology of Chinese poetry set in its historical backgroundReviews: “In tracing the poetic footprints in Chinese history, the author combines the precision of a scientist …, the refined taste of a lettré, the concern of a humanist …, and the acute sense of rhyme and rhythm of a creative writer … In viticultural terms, the author has selected grapes from an excellent vineyard and transformed them into mellow wine for your appreciation.” Yau Shun-chiu Emeritus Director of Research The French National Scientific Research Centre (CNRS) “Rarely is there an anthology of Chinese poetry Translator one single individual, not a team, and yet comprehensive in its selection. Chan Hong-Mo has done it … by treating poetry with not only inspired translation but also a sense of history that would transport modern-day readers back into the original context of each poem. This bridge brings together, too, the poetic traditions of east and west, in sentiments as well as musical patterns … ” E. S. P. Almberg-Ng Professor Formerly of the Department of Translation in the Chinese University of Hong Kong “This book is a gem. What a novel idea to view Chinese history through the eyes of its most famous poets. The poems are well chosen and expertly translated … I thoroughly enjoyed and learnt much from this articulate and artistic book, written with scholarship and devotion.” Sir David Todd Emeritus Professor University of Hong Kong “ … We meet, across this great span of time, the real people who make history come alive: the soldier returning home as an old man to find his village deserted, the young man tempted away from work by a girl ‘with spring time in her heart’, … and many others. We could not get better proof that human emotions were the same centuries ago as they are now … Dr Chan's fluent translations enable us to appreciate the beauty of the poems …” Janet Morgan District Councillor The Vale of White Horse, Oxford “ … The book gave me the opportunity to learn about the country, its people, history and culture. It manages to be both condensed in contents, and easy to read, being written in a style accessible even to readers, like me, whose mother tongue is not English … The most striking feature is that, in reading these poems …, you make discoveries about life in your own country, which shares similar worries and joys …” Jose Bordes Chaired Professor (catedratico) in theoretical physics at the University of Valencia, Spain


The Late Tang

The Late Tang
Author: Stephen Owen
Publisher: Harvard University Press
Total Pages: 632
Release: 2006
Genre: Literary Criticism
ISBN:

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Owen analyzes the redirection of poetry following the deaths of the major poets of the High and Mid-Tang and the rejection of their poetic styles. In the Late Tang, the poetic past was beginning to assume the form it would have for the next millennium--a repertoire of styles, genres, and the voices of past poets.


Southern Identity and Southern Estrangement in Medieval Chinese Poetry

Southern Identity and Southern Estrangement in Medieval Chinese Poetry
Author: Ping Wang
Publisher: Hong Kong University Press
Total Pages: 238
Release: 2015-01-01
Genre: Literary Criticism
ISBN: 9888139266

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From ancient times, China's remote and exotic South—a shifting and expanding region beyond the Yangtze River—has been an enduring theme in Chinese literature. For poets and scholar-officials in medieval China, the South was a barbaric frontier region of alienation and disease. But it was also a place of richness and fascination, and for some a site of cultural triumph over exile. The eight essays in this collection explore how tensions between pride in southern culture and anxiety over the alien qualities of the southern frontier were behind many of the distinctive features of medieval Chinese literature. They examine how prominent writers from this period depicted themselves and the South in poetic form through attitudes that included patriotic attachment and bitter exile. By the Tang dynasty, poetic symbols and clichés about the exotic South had become well established, though many writers were still able to use these in innovative ways. Southern Identity and Southern Estrangement in Medieval Chinese Poetry is the first work in English to examine the cultural south in classical Chinese poetry. The book incorporates original research on key poets, such as Lu Ji, Jiang Yan, Wang Bo, and Li Bai. It also offers a broad survey of cultural and historical trends during the medieval period, as depicted in poetry. The book will be of interest to students of Chinese literature and cultural history. Ping Wang is assistant professor of Chinese at University of Washington, Seattle. Nicholas Morrow Williams is research assistant professor at the Mr. Simon Suen and Mrs. Mary Suen Sino-Humanitas Institute, Hong Kong Baptist University. "A long-overdue appreciation of the South as a center for the production of medieval Chinese literature as well as a focal point of Chinese cultural and intellectual reflection and identity, this collection of essays by a stellar roster of leading scholars offers an immensely rich contribution to the study of classical Chinese poetry." — Martin Kern, Greg (’84) and Joanna (P13) Zeluck Professor in Asian Studies, Princeton University "This book presents a systematic study of how the symbol of the 'southland' was reinvented in medieval Chinese literature, taking readers on a cultural and geographic journey to survey the continuous rewriting of the South and its identity." — Yu Yu Cheng, Distinguished Professor of Chinese Literature, National Taiwan University