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An Introduction to Kant's Aesthetics

An Introduction to Kant's Aesthetics
Author: Christian Helmut Wenzel
Publisher: John Wiley & Sons
Total Pages: 208
Release: 2008-04-15
Genre: Philosophy
ISBN: 1405150157

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In An Introduction to Kant’s Aesthetics, Christian Wenzel discusses and demystifies Kant’s Critique of the Power of Judgment, guiding the reader each step of the way and placing key points of discussion in the context of Kant’s other work. Explains difficult concepts in plain language, using numerous examples and a helpful glossary. Proceeds in the same order as Kant’s text for ease of reference and comprehension. Includes an illuminating foreword by Henry E. Allison. Offers twenty-six further-reading sections, commenting briefly on books and articles from the English, German, and French, that are relevant for each topic Provides an extensive bibliography and a chapter summarizing Kant's main points.


Subjective Universality in Kant's Aesthetics

Subjective Universality in Kant's Aesthetics
Author: Ross Wilson
Publisher: Peter Lang
Total Pages: 240
Release: 2007
Genre: Literary Criticism
ISBN: 9783039111060

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Drawing on a wide range of scholarship, this book offers a new and comprehensive examination of Kant's argument that aesthetic judgements are combined with a claim to subjective universality. The author gives a detailed account of the background to this claim in Kant's epistemology, logic, and metaphysics, before closely attending to the crucial sections of the Critique of the Power of Judgement. In particular, it is shown that Kant's aesthetics requires that his theory of the subject be rethought. Central to the theory of the subject that begins to emerge from the Third Critique is Kant's enigmatic notion of 'life' which is extensively explored here. This study, therefore, thoroughly examines the central features of Kant's account of aesthetic judgements, suggesting that a new and exciting theory of subjectivity begins to be outlined in Kant's aesthetics. The author argues for the placement of Kant's account of the subjective universality of aesthetic judgement at the centre of contemporary philosophical aesthetics.


Kant's Theory of Freedom

Kant's Theory of Freedom
Author: Henry E. Allison
Publisher: Cambridge University Press
Total Pages: 322
Release: 1990-09-28
Genre: Philosophy
ISBN: 9780521387088

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An innovative and comprehensive interpretation of Kant's concept of freedom analyzes the role it plays in his moral philosophy and psychology and considers critical literature on the subject.


The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)

The Critique of Judgment (Theory of the Aesthetic Judgment & Theory of the Teleological Judgment)
Author: Immanuel Kant
Publisher: Good Press
Total Pages: 318
Release: 2024-01-09
Genre: Philosophy
ISBN:

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The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior. Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.


Kant's Theory of Taste

Kant's Theory of Taste
Author: Henry E. Allison
Publisher: Cambridge University Press
Total Pages: 444
Release: 2001-03-19
Genre: Philosophy
ISBN: 1139428683

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This book constitutes one of the most important contributions to recent Kant scholarship. In it, one of the pre-eminent interpreters of Kant, Henry Allison, offers a comprehensive, systematic, and philosophically astute account of all aspects of Kant's views on aesthetics. The first part of the book analyses Kant's conception of reflective judgment and its connections with both empirical knowledge and judgments of taste. The second and third parts treat two questions that Allison insists must be kept distinct: the normativity of pure judgments of taste, and the moral and systematic significance of taste. The fourth part considers two important topics often neglected in the study of Kant's aesthetics: his conceptions of fine art, and the sublime.


Kant’s ›Critique of Aesthetic Judgment‹ in the 20th Century

Kant’s ›Critique of Aesthetic Judgment‹ in the 20th Century
Author: Stefano Marino
Publisher: Walter de Gruyter GmbH & Co KG
Total Pages: 390
Release: 2020-11-09
Genre: Philosophy
ISBN: 3110596490

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Kant’s Critique of Judgment represents one of the most important texts in modern philosophy. However, while its importance for 19th-century philosophy has been widely acknowledged, scholars have often overlooked its far-reaching influence on 20th-century thought. This book aims to account for the various interpretations of Kant’s notion of aesthetic judgment formulated in the last century. The book approaches the subject matter from both a historical and a theoretical point of view and in relation to different cultural contexts, also exploring in an unprecedented way its influence on some very up-to-date philosophical developments and trends. It represents the first choral and comprehensive study on this missing piece in the history of modern and contemporary philosophy, capable of cutting in a unique way across different traditions, movements and geographical areas. All main themes of Kant’s aesthetics are investigated in this book, while at the same time showing how they have been interpreted in very different ways in the 20th century. With contributions by Alessandro Bertinetto, Patrice Canivez, Dario Cecchi, Diarmuid Costello, Nicola Emery, Serena Feloj, Günter Figal, Tom Huhn, Hans-Peter Krüger, Thomas W. Leddy, Stefano Marino, Claudio Paolucci, Anne Sauvagnargues, Dennis J. Schmidt, Arno Schubbach, Scott R. Stroud, Thomas Teufel, and Pietro Terzi.


The Harmony of Reason

The Harmony of Reason
Author: Francis X. J.. Coleman
Publisher:
Total Pages: 221
Release: 1974
Genre: Aesthetics, German
ISBN: 9780783721491

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A Study in Kant's Aesthetics

A Study in Kant's Aesthetics
Author: Barrows Dunham
Publisher:
Total Pages: 172
Release: 1934
Genre: Philosophy
ISBN:

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The Harmony of Reason

The Harmony of Reason
Author: Francis X. J. Coleman
Publisher: University of Pittsburgh Pre
Total Pages: 238
Release: 2010-11-23
Genre: Philosophy
ISBN: 0822976021

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The Harmony of Reason is the first book-length critical study of Kant's Critique of Judgement, shedding new light on this often-overlooked work and Kant's other writings on aesthetics. Francis X. J. Coleman's deep analysis of Kant is intended for readers interested in philosophy, fine arts and literary criticism.


The Idea of Form

The Idea of Form
Author: Rodolphe Gasché
Publisher: Stanford University Press
Total Pages: 276
Release: 2003
Genre: Philosophy
ISBN: 9780804780315

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Against the assumption that aesthetic form relates to a harmonious arrangement of parts into a beautiful whole, this book argues that reason is the real theme of the "Critique of Judgment" as of the two earlier "Critiques." Since aesthetic judgment of the beautiful becomes possible only when the mind is confronted with things of nature, for which no determined concepts of understanding are available, aesthetic judgment is involved in an epistemological or, rather, para-epistemological task. The predicate "beautiful" indicates that something has minimal form and is cognizable. This book explores this concept of form, in particular the role of presentation ("Darstellung") in what Kant refers to as "mere form," which involves not only the understanding, but also reason as the faculty of ideas. Such a notion of form reveals why the beautiful can be related to the morally good. On the basis of this reinterpreted concept of form, most major concepts and themes of the "Critique of Judgment"--such as disinterestedness, free play, the sublime, genius, and beautiful arts--are examined by the author and shown in a new light.