A Social History Of Iranian Cinema Volume 4 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download A Social History Of Iranian Cinema Volume 4 PDF full book. Access full book title A Social History Of Iranian Cinema Volume 4.
Author | : Hamid Naficy |
Publisher | : Duke University Press |
Total Pages | : 666 |
Release | : 2011 |
Genre | : History |
ISBN | : 0822348780 |
Download A Social History of Iranian Cinema, Volume 4 Book in PDF, ePub and Kindle
In the fourth and final volume of A History of Iranian Cinema, Hamid Naficy looks at the extraordinary efflorescence in Iranian film and other visual media since the Islamic Revolution.
Author | : Hamid Naficy |
Publisher | : Duke University Press |
Total Pages | : 458 |
Release | : 2011-09-16 |
Genre | : History |
ISBN | : 082234775X |
Download A Social History of Iranian Cinema, Volume 1 Book in PDF, ePub and Kindle
DIVSocial history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena. The first volume focuses on silent era cinema and the transition to sound./div
Author | : Hamid Naficy |
Publisher | : Duke University Press |
Total Pages | : 560 |
Release | : 2011-09-16 |
Genre | : History |
ISBN | : 0822347741 |
Download A Social History of Iranian Cinema, Volume 2 Book in PDF, ePub and Kindle
Social history of Iranian cinema that explores cinema's role in creating national identity and contextualizes Iranian cinema within an international arena.
Author | : Hamid Naficy |
Publisher | : |
Total Pages | : |
Release | : 2011 |
Genre | : Motion pictures |
ISBN | : |
Download A Social History of Iranian Cinema Book in PDF, ePub and Kindle
Author | : Hamid Naficy |
Publisher | : Duke University Press |
Total Pages | : 288 |
Release | : 2011 |
Genre | : History |
ISBN | : 0822348772 |
Download A Social History of Iranian Cinema, Volume 3 Book in PDF, ePub and Kindle
"Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, [this four-volume set] explains Iran's peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran."--Page 4 of cover.
Author | : Hamid Dabashi |
Publisher | : Verso |
Total Pages | : 328 |
Release | : 2001 |
Genre | : Performing Arts |
ISBN | : 9781859846261 |
Download Close Up Book in PDF, ePub and Kindle
Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre. Book jacket.
Author | : Golbarg Rekabtalaei |
Publisher | : Cambridge University Press |
Total Pages | : 321 |
Release | : 2019-01-17 |
Genre | : History |
ISBN | : 1108418511 |
Download Iranian Cosmopolitanism Book in PDF, ePub and Kindle
A unique look at how cinema shaped the cosmopolitan society in Tehran through cultural exchanges between Iran and the world.
Author | : Parviz Jahed |
Publisher | : Directory of World Cinema |
Total Pages | : 0 |
Release | : 2017 |
Genre | : Motion picture industry |
ISBN | : 9781783204700 |
Download Directory of World Cinema Book in PDF, ePub and Kindle
This title turns the spotlight on the cinema of Iran, with particular attention to the major genres & movements, historical turning points, & prominent figures that have helped shape it. A wide range of genres are presented, including Film Farsi, New Wave, War film, art house film & women's cinema.
Author | : Matthias Wittmann |
Publisher | : |
Total Pages | : 0 |
Release | : |
Genre | : Iran |
ISBN | : 9781399509114 |
Download Counter-memories in Iranian Cinema Book in PDF, ePub and Kindle
Counter-Memories are memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. They have the potential to destabilise official narratives and normative orders of remembering. Due to the strategic and artistic interventions of a range of Iranian filmmakers, such as Abbas Kiarostami and Shahram Mokri, Ali Hatami and Tahmineh Milani, Kianoush Ayari and Rakshan Banietemad, the history of post-revolutionary Iranian Cinema is also structured by counter-memories, with the potential to destabilise officially fabricated success stories of revolution, war and sacred defence. 'Counter-Memories in Iranian Cinema' establishes a new framework for understanding the tensions between censorship and resistance, helping to carve out resistant points of remembering both within and outside state-controlled cinema.
Author | : Pedram Partovi |
Publisher | : Taylor & Francis |
Total Pages | : 234 |
Release | : 2017-07-14 |
Genre | : Social Science |
ISBN | : 1315385619 |
Download Popular Iranian Cinema before the Revolution Book in PDF, ePub and Kindle
Critics and academics have generally dismissed the commercial productions of the late Pahlavi era, best known for their songs and melodramatic plots, as shallow, derivative ‘entertainment’. Instead, they have concentrated on the more recent internationally acclaimed art films, claiming that these constitute Iranian ‘national' cinema, despite few Iranians having seen them. Film discourse, and even fan talk, have long attempted to marginalize the mainstream releases of the 1960s and 1970s with the moniker filmfarsi, ironically asserting that such popular favorites were culturally inauthentic. This book challenges the idea that filmfarsi is detached from the past and present of Iranians. Far from being escapist Hollywood fare merely translated into Persian, it claims that the better films of this supposed genre must be taken as both a subject of, and source for, modern Iranian history. It argues that they have an appeal that relies on their ability to rearticulate traditional courtly and religious ideas and forms to problematize in unexpectedly complex and sophisticated ways the modernist agenda that secular nationalist elites wished to impose on their viewers. Taken seriously, these films raise questions about standard treatments of Iran's modern history. By writing popular films into Iranian history, this book advocates both a fresh approach to the study of Iranian cinema, as well as a rethinking of the modernity/tradition binary that has organized the historiography of the recent past. It will appeal to those interested in Iranian cinema, Iranian history and culture, and, more broadly, readers dissatisfied with a dichotomous approach to modernity.