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A Sketch of the Negro in Politics

A Sketch of the Negro in Politics
Author: Frederic Bancroft
Publisher:
Total Pages: 102
Release: 1885
Genre: African Americans
ISBN:

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A Sketch of the Negro in Politics

A Sketch of the Negro in Politics
Author: Abraham Charles Bernheim
Publisher:
Total Pages: 92
Release: 1885
Genre: African Americans
ISBN:

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A Moral and Political Sketch of the United States of North America

A Moral and Political Sketch of the United States of North America
Author: William Bridges Adams
Publisher: Palala Press
Total Pages:
Release: 2016-05-20
Genre:
ISBN: 9781357936990

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Liberalism, Black Power, and the Making of American Politics, 1965-1980

Liberalism, Black Power, and the Making of American Politics, 1965-1980
Author: Devin Fergus
Publisher: University of Georgia Press
Total Pages: 378
Release: 2009
Genre: History
ISBN: 0820333239

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In this pioneering exploration of the interplay between liberalism and black nationalism, Devin Fergus returns to the tumultuous era of Johnson, Nixon, Carter, and Helms and challenges us to see familiar political developments through a new lens. What if the liberal coalition, instead of being torn apart by the demands of Black Power, actually engaged in a productive relationship with radical upstarts, absorbing black separatists into the political mainstream and keeping them from a more violent path? What if the New Right arose not only in response to Great Society Democrats but, as significantly, in reaction to Republican moderates who sought compromise with black nationalists through conduits like the Blacks for Nixon movement? Focusing especially on North Carolina, a progressive southern state and a national center of Black Power activism, Fergus reveals how liberal engagement helped to bring a radical civic ideology back from the brink of political violence and social nihilism. He covers Malcolm X Liberation University and Soul City, two largely forgotten, federally funded black nationalist experiments; the political scene in Winston-Salem, where Black Panthers were elected to office in surprising numbers; and the liberal-nationalist coalition that formed in 1974 to defend Joan Little, a black prisoner who killed a guard she accused of raping her. Throughout, Fergus charts new territory in the study of America's recent past, taking up largely unexplored topics such as the expanding political role of institutions like the ACLU and the Ford Foundation and the emergence of sexual violence as a political issue. He also urges American historians to think globally by drawing comparisons between black nationalism in the United States and other separatist movements around the world. By 1980, Fergus writes, black radicals and their offspring were "more likely to petition Congress than blow it up." That liberals engaged black radicalism at all, however, was enough for New Right insurgents to paint liberalism as an effete, anti-American ideology--a sentiment that has had lasting appeal to significant numbers of voters.


A Moral and Political Sketch of the United States of North America

A Moral and Political Sketch of the United States of North America
Author: Achille Murat
Publisher: Forgotten Books
Total Pages: 446
Release: 2017-07-21
Genre: Political Science
ISBN: 9781527653467

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Excerpt from A Moral and Political Sketch of the United States of North America: With a Note on Negro Slavery The author's opinions on some of the subjects discussed will not meet with universal assent, but he is entitled to hold and utter them, and. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


A Nation Under Our Feet

A Nation Under Our Feet
Author: Steven Hahn
Publisher: Belknap Press
Total Pages: 610
Release: 2005
Genre: History
ISBN: 9780674017658

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Emphasizing the role of kinship, labor, and networks in the African American community, the author retraces six generations of black struggles since the end of the Civil War, revealing a "nation" under construction.


Whose Harlem Is This, Anyway?

Whose Harlem Is This, Anyway?
Author: Shannon King
Publisher: NYU Press
Total Pages: 272
Release: 2015-07-03
Genre: Social Science
ISBN: 1479808962

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2015 Choice Outstanding Academic Title Winner of the Anna Julia Cooper/CLR James Award for Outstanding Book in Africana Studies presented by the National Council for Black Studies Demonstrates how Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture In Whose Harlem Is This, Anyway?, Shannon King vividly uncovers early twentieth century Harlem as an intersection between the black intellectuals and artists who created the New Negro Renaissance and the working class who found fought daily to combat institutionalized racism and gender discrimination in both Harlem and across the city. New Negro activists, such as Hubert Harrison and Frank Crosswaith, challenged local forms of economic and racial inequality in attempts to breakdown the structural manifestations that upheld them. Insurgent stay-at-home black mothers took negligent landlords to court, complaining to magistrates about the absence of hot water and heat in their apartment buildings. Black men and women, propelling dishes, bricks, and other makeshift weapons from their apartment windows and their rooftops, retaliated against hostile policemen harassing blacks on the streets of Harlem. From the turn of the twentieth century to the Great Depression, black Harlemites mobilized around local issues—such as high rents, jobs, leisure, and police brutality—to make their neighborhood an autonomous black community. In Whose Harlem Is This, Anyway?, Shannon King demonstrates how, against all odds, the Harlemite’s dynamic fight for their rights and neighborhood raised the black community’s racial consciousness and established Harlem’s legendary political culture. By the end of the 1920s, Harlem had experience a labor strike, a tenant campaign for affordable rents, and its first race riot. These public forms of protest and discontent represented the dress rehearsal for black mass mobilization in the 1930s and 1940s. By studying blacks' immense investment in community politics, King makes visible the hidden stirrings of a social movement deeply invested in a Black Harlem. Whose Harlem Is This, Anyway? Is a vibrant story of the shaping of a community during a pivotal time in American History.