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| Author | : Dorothy Susan Gross |
| Publisher | : |
| Total Pages | : 752 |
| Release | : 1975 |
| Genre | : Electronic data processing |
| ISBN | : |
| Author | : Richard Kronland-Martinet |
| Publisher | : Springer |
| Total Pages | : 284 |
| Release | : 2006-05-19 |
| Genre | : Computers |
| ISBN | : 3540340289 |
This book constitutes the post-proceedings of the Third International Computer Music Modeling and Retrieval Symposium, CMMR 2005. The 24 revised full papers address a broad variety of topics, organized in topical sections on sound synthesis; music perception and cognition; interactive music: interface, interaction, gestures and sensors, music composition; music retrieval; music performance, music analysis, music representation; as well as interdisciplinarity and computer music.
| Author | : David Cope |
| Publisher | : A-R Editions, Inc. |
| Total Pages | : 376 |
| Release | : 2009-06-01 |
| Genre | : Music |
| ISBN | : 0895796406 |
Today's computers provide music theorists with unprecedented opportunities to analyze music more quickly and accurately than ever before. Where analysis once required several weeks or even months to complete¿often replete with human errors, computers now provide the means to accomplish these same analyses in a fraction of the time and with far more accuracy. However, while such computer music analyses represent significant improvements in the field, computational analyses using traditional approaches by themselves do not constitute the true innovations in music theory that computers offer. In Hidden Structure: Music Analysis Using Computers David Cope introduces a series of analytical processes that¿by virtue of their concept and design¿can be better, and in some cases, only accomplished by computer programs, thereby presenting unique opportunities for music theorists to understand more thoroughly the various kinds of music they study.Following the introductory chapter that covers several important premises, Hidden Structure focuses on several unique approaches to music analysis offered by computer programs. While these unique approaches do not represent an all-encompassing and integrated global theory of music analysis, they do represent significantly more than a compilation of loosely related computer program descriptions. For example, Chapter 5 on function in post-tonal music, firmly depends on the scalar foundations presented in chapter 4. Likewise, chapter 7 presents a multi-tiered approach to musical analysis that builds on the material found in all of the preceding chapters. In short, Hidden Structure uniquely offers an integrated view of computer music analysis for today¿s musicians.
| Author | : Michael Hewitt |
| Publisher | : Course Technology Ptr |
| Total Pages | : 309 |
| Release | : 2008 |
| Genre | : Music |
| ISBN | : 9781598635034 |
Many DJs, gigging musicians, and electronic music producers understand how to play their instruments or make music on the computer, but they lack the basic knowledge of music theory needed to take their music-making to the next level and compose truly professional tracks. Beneath all the enormously different styles of modern electronic music lie certain fundamentals of the musical language that are exactly the same no matter what kind of music you write. It is very important to acquire an understanding of these fundamentals if you are to develop as a musician and music producer. Put simply, you need to know what you are doing with regard to the music that you are writing. Music Theory for Computer Musicians explains these music theory fundamentals in the most simple and accessible way possible. Concepts are taught using the MIDI keyboard environment and today's computer composing and recording software. By reading this book and following the exercises contained within it, you, the aspiring music producer/computer musician, will find yourself making great progress toward understanding and using these fundamentals of the music language. The result will be a great improvement in your ability to write and produce your own original music!
| Author | : Craig R. Harris |
| Publisher | : |
| Total Pages | : 38 |
| Release | : 1985 |
| Genre | : |
| ISBN | : |
| Author | : Fred Thomas Hofstetter |
| Publisher | : Pearson |
| Total Pages | : 376 |
| Release | : 1988 |
| Genre | : Computers |
| ISBN | : |
This innovative volume brings together under one cover a comprehensive, easily understandable overview of the computer music field, including composing, teaching, recording, arranging, and printing of music. The focus of this book is on what computer music systems are and the principles upon which they are based. Section I describes and compares the musical capabilities of dozens of computer systems, providing a general introduction to the field. Presents discussion of terminology and buzzwords, offers a tutorial on digital music techniques, and describes how the MIDI standard lets music keyboards communicate with each other and with personal computers. Section II discusses and analyzes 196 computer music programs in the areas of early childhood, music composition, ear-training, music theory, instrumental methods, music appreciation, history, terminology, sequencing, editing, printing, transcription, and music analysis.
| Author | : |
| Publisher | : Academic Press |
| Total Pages | : 479 |
| Release | : 1993-06-07 |
| Genre | : Computers |
| ISBN | : 0080566685 |
Advances in Computers
| Author | : Roberta Cram Russell |
| Publisher | : |
| Total Pages | : 182 |
| Release | : 1985 |
| Genre | : Music |
| ISBN | : |
| Author | : John W. Schaffer |
| Publisher | : A-R Editions, Inc. |
| Total Pages | : 416 |
| Release | : 1997-01-01 |
| Genre | : Music |
| ISBN | : 0895793784 |
In Knowledge-Based Programming for Music Research, Schaffer and McGee explore expert systems for applications in artificial intelligence (AI). The text concerns (1) basic principles for knowledge-based programming, (2) concepts and strategies for programming these systems, (3) a "universal data" model for music analysis, and (4) examples that concern specific aspects of design and application. The authors also investigate Prolog (programming in logic), one of the most widely used computer languages for AI, and base some of their applications on the recent implication-based theories of Eugene Narmour. Of the applications for programming a knowledge-based system, music analysis has the most potential. Beyond identifying isolated elements, it is possible to create programs that extend to chord structures and other, more complex structures. This kind of programming allows the authors to embed the rules of composition in the application and then extend the analysis throughout the musical work. It also allows them to arrive at the underlying principles for a given composition. As a tool for music analysis, such programming has profound implications for further growth. The text is designed for musicians at various levels and could also be used in courses on computer-music programming. Parts of the book have been successfully used in courses on computer programming for music research, with which the authors have direct experience. The text includes extensive examples of code for use in individual Prolog applications and a comprehensive bibliography.
| Author | : Ann Kariger Blombach |
| Publisher | : |
| Total Pages | : 704 |
| Release | : 1976 |
| Genre | : Information storage and retrieval systems |
| ISBN | : |
