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| Author | : David W. Music |
| Publisher | : A-R Editions, Inc. |
| Total Pages | : 154 |
| Release | : 2005-01-01 |
| Genre | : Music |
| ISBN | : 0895795752 |
xiv + 172 pp., includes facsimile pages
| Author | : Buell E. Cobb, Jr. |
| Publisher | : University of Georgia Press |
| Total Pages | : 273 |
| Release | : 2004-12-01 |
| Genre | : Music |
| ISBN | : 0820323713 |
On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable--clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the “singings.” Illustrated with forty-one songs from the original songbook, The Sacred Harp is a comprehensive account of a unique form of folk music. Buell Cobb’s study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.
| Author | : David Warren Steel |
| Publisher | : University of Illinois Press |
| Total Pages | : 354 |
| Release | : 2024-03-31 |
| Genre | : Music |
| ISBN | : 0252053958 |
This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. Where other studies of the Sacred Harp have focused on the sociology of present-day singers and their activities, David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. The Makers of the Sacred Harp also includes analyses of the textual influences on the music--including metrical psalmody, English evangelical poets, American frontier preachers, camp meeting hymnody, and revival choruses--and essays placing the Sacred Harp as a product of the antebellum period with roots in religious revivalism. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition.
| Author | : Kiri Miller |
| Publisher | : University of Illinois Press |
| Total Pages | : 274 |
| Release | : 2008 |
| Genre | : Pluralism |
| ISBN | : 0252032144 |
A compelling account of the vibrant musical tradition of Sacred Harp singing, Traveling Home describes how song brings together Americans of widely divergent religious and political beliefs. Named after the most popular of the nineteenth-century shape-note tunebooks - which employed an innovative notation system to teach singers to read music - Sacred Harp singing has been part of rural Southern life for over 150 years. In the wake of the folk revival of the 1950s and 60s, this participatory musical tradition attracted new singers from all over America. All-day "singings" from The Sacred Harp now take place across the country, creating a diverse and far-flung musical community. Blending historical scholarship with wide-ranging fieldwork, Kiri Miller presents an engagingly written study of this important music movement.
| Author | : John Bealle |
| Publisher | : University of Georgia Press |
| Total Pages | : 332 |
| Release | : 1997 |
| Genre | : Music |
| ISBN | : 9780820319216 |
The Sacred Harp, a tunebook that first appeared in 1844, has stood as a model of early American musical culture for most of this century. Tunebooks such as this, printed in shape notes for public singing and singing schools, followed the New England tradition of singing hymns and Psalms from printed music. Nineteeth-century Americans were inundated by such books, but only the popularity of The Sacred Harp has endured throughout the twentieth century. With this tunebook as his focus, John Bealle surveys definitive moments in American musical history, from the lively singing schools of the New England Puritans to the dramatic theological crises that split New England Congregationalism, from the rise of the genteel urban mainstream in frontier Cincinnati to the bold "New South" movement that sought to transform the southern economy, from the nostalgic culture-writing era of the Great Depression to the post-World War II folksong revival. Although Bealle finds that much has changed in the last century, the custodians of the tradition of Sacred Harp singing have kept it alive and accessible in an increasingly diverse cultural marketplace. Public Worship, Private Faith is a thorough and readable analysis of the historical, social, musical, theological, and textual factors that have contributed to the endurance of Sacred Harp singing.
| Author | : Peter Irvine |
| Publisher | : |
| Total Pages | : 0 |
| Release | : 2022-10-13 |
| Genre | : Music |
| ISBN | : 9781513470795 |
With this collection of 26 folk hymns, author Peter Irvine brings shape-note music into the home, and provides adaptable music for a variety of instrumental ensembles. This format allows for instruments such as the mountain dulcimer, Native American or transverse flute, penny whistle, fiddle, mandolin, guitar, and so forth. Anyone can play shape-note music, even when Sacred Harp gatherings or "singings" are not easily accessible.The hymns in this collection are drawn from various classic shape-note sources like Southern Harmony (1835) and The Sacred Harp (1844). Presented in lead-sheet format (melody, chords, and lyrics), and written in keys accessible to all C instruments and several D instruments such as the penny whistle and mountain dulcimer, the material offers plenty of arrangements. Hymns can be sung by a soloist, in unison by a small group with chordal accompaniment, or a mixed ensemble.
| Author | : Allen D. Carden |
| Publisher | : Missouri History Museum |
| Total Pages | : 392 |
| Release | : 2005 |
| Genre | : History |
| ISBN | : 9781883982546 |
With a history dating back to 1820, The Missouri Harmony was the most popular of all frontier shape-note tune books. The 185 songs in the collection were favorites used in Protestant churches and singing schools, and many were already deeply rooted in American culture by the time of its first publication. The story of the book is the story of a burgeoning nation, with its origins in a St. Louis school (where it was introduced by singing master Allen Carden) and its spread along the Mississippi River and its tributaries. It's said that even Abraham Lincoln and his sweetheart Ann Rutledge sang from The Missouri Harmony at her father's tavern in Illinois. Compilations such as The Missouri Harmony not only helped teach midwesterners to read music but also carried a uniquely American heritage of shaped notes, a system of musical notation that grew out of the singing school movement in eighteenth-century New England. Furthermore, this heritage would be, according to composer Virgil Thomson, "the musical basis of almost everything we make, of Negro spirituals, of cowboy songs, of popular ballads, of blues, of hymns, of doggerel ditties, and all our operas and symphonies." Yet, despite its significance, the tune book was until now unavailable to contemporary choral and church music groups, including the thriving community of shape-note folksingers. This updated and expanded version of Allen D. Carden's 1820 volume now contains more than 300 pages of original and traditional music compositions collected by the St. Louis Shape Note Singers. An introductory text explains and illuminates the shape-note tradition and the history of the book. With this compilation, published nearly two hundred years after its inception, the heritage of a very different, yet ever influential, America thrives, and its songs, rich with our country's history, live on.
| Author | : Norman Cazden |
| Publisher | : SUNY Press |
| Total Pages | : 694 |
| Release | : 1982-01-01 |
| Genre | : Music |
| ISBN | : 9780873955805 |
Traditional songs from the Catskill area of New York State are accompanied by detailed discusssions of their roots, development, musical structure, and subject matter
| Author | : Eleanor Glewwe |
| Publisher | : Penguin |
| Total Pages | : 282 |
| Release | : 2014-09-30 |
| Genre | : Juvenile Fiction |
| ISBN | : 069815083X |
A magical world that will captivate fans of Kate DiCamillo and Diana Wynne Jones. Marah Levi is a promising violinist who excels at school and can read more languages than most librarians. Even so, she has little hope of a bright future: she is a sparker, a member of the oppressed lower class in a society run by magicians. Then a mysterious disease hits the city of Ashara, turning its victims’ eyes dark before ultimately killing them. As Marah watches those whom she loves most fall ill, she finds an unlikely friend in Azariah, a wealthy magician boy. Together they pursue a cure in secret, but more people are dying every day, and time is running out. Then Marah and Azariah make a shocking discovery that turns inside-out everything they thought they knew about magic and about Ashara, their home. Set in an imaginative world rich with language, lore, and music, this gripping adventure plunges the reader into the heart of a magical government where sparks of dissent may be even more deadly than the dark eyes.
| Author | : Joseph Charles Hickerson |
| Publisher | : |
| Total Pages | : 2 |
| Release | : 1979 |
| Genre | : Government publications |
| ISBN | : |
