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Artists and Patrons in Post-War Britain

Artists and Patrons in Post-War Britain
Author: Courtauld Institute of Art
Publisher: Routledge
Total Pages: 218
Release: 2017-09-14
Genre:
ISBN: 9781138722842

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This title was first published in 2001. An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.


ART AND MASCULINITY IN POST-WAR BRITAIN

ART AND MASCULINITY IN POST-WAR BRITAIN
Author: Gregory Salter (Art historian)
Publisher: Taylor & Francis
Total Pages: 304
Release: 2019
Genre: Art, British
ISBN: 1350052744

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Constructed Abstract Art in England After the Second World War

Constructed Abstract Art in England After the Second World War
Author: Alastair Ian Grieve
Publisher: Paul Mellon Ctr for Studies
Total Pages: 287
Release: 2005
Genre: Art
ISBN: 9780300107036

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Much admired as a realist painter, English artist Victor Pasmore surprised the art world in 1948 by suddenly directing his efforts toward the making of constructed abstract art. Pasmore was followed by Kenneth and Mary Martin, Adrian Heath, and the sculptor Robert Adams, and the group was later joined by John Ernest and Gillian Wise. This book follows the development of this major avant garde group and explores why they have received so little attention until now. Alastair Grieve draws on personal discussions with these artists over many years and on extensive archival materials, including ephemeral catalogues which are difficult to find today. He offers much new information about the group and their theories, the Continental roots of their constructed abstract art, and their links with such contemporaries as American relief artist Charles Biederman and English constructivist Stephen Gilbert. The book features over 300 illustrations, many in color, and a full chronology and bibliography.


British Abstract Art

British Abstract Art
Author:
Publisher:
Total Pages: 0
Release: 1961
Genre:
ISBN:

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British Art

British Art
Author:
Publisher:
Total Pages: 62
Release: 2006
Genre:
ISBN:

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Artists and Patrons in Post-war Britain

Artists and Patrons in Post-war Britain
Author: Courtauld Institute of Art
Publisher: Routledge
Total Pages: 219
Release: 2017-11-01
Genre: Art
ISBN: 135176313X

Download Artists and Patrons in Post-war Britain Book in PDF, ePub and Kindle

This title was first published in 2001. An examination of art and patronage in Britain during the post-war years. It consists of five case studies, initially written as MA theses, that closely investigate aspects of the mechanisms of patronage outside the state institutions, while indicating structural links within it. The writers have sought to elucidate the relationship between patronage, the production of art and its dissemination. Without seeking to provide an inclusive account of patronage or art production in the early post-war years, their disparate and highly selective papers set up models for the structure of patronage under specific historical conditions. They assume an understanding that works of art are embedded in their social contexts, are products of the conditions under which they were produced, and that these contexts and conditions are complex, fluid and imbricated in one another.