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| Author | : James Clifton |
| Publisher | : Museum of Fine Arts (Houston) |
| Total Pages | : 288 |
| Release | : 2005-11 |
| Genre | : Antiques & Collectibles |
| ISBN | : |
Catalogue of an exhibition at the Museum of Fine Arts, Houston, Feb. 27-May 22, 2005; and at the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, N.Y., Sept. 3, 2005-Jan. 1, 2006.
| Author | : James Clifton |
| Publisher | : Museum of Fine Arts, Houston |
| Total Pages | : 280 |
| Release | : 2005-11-01 |
| Genre | : Art |
| ISBN | : 9780890901359 |
A Portrait of the Artist, 1525-1825 reveals how artists depicted themselves and their profession from the sixteenth to the nineteenth centuries. This richly illustrated book presents more than eighty engravings, etchings, woodcuts, mezzotints, and lithographs from the collection of the Sarah Campbell Blaffer Foundation. It provides an in-depth examination of works by Rembrandt van Rijn, Claude Lorrain, Adriaen van Ostade, Salvator Rosa, William Hogarth, Francisco Goya, and many other European masters. A Portrait of the Artist, 1525-1825 accompanies an exhibition organized by the Museum of Fine Arts, Houston, and the Sarah Campbell Blaffer Foundation. The prints in this book are organized into four themes: "Icon," "Work," "Genius," and "Market." Together the themes present a comprehensive look at how artists used art to define individual and group identities. From the late Middle Ages onward, artists struggled to improve their social status. This quest affected the ways in which they represented themselves, other artists, and subjects relating to their profession. The prints featured in this book focus on artists' lives and work and on the roles that both artists and the arts held in society. Many of the examples are self-portraits, whereas others depict artists at work, interacting with clients, or in training.
| Author | : Arthur J. DiFuria |
| Publisher | : BRILL |
| Total Pages | : 884 |
| Release | : 2021-12-20 |
| Genre | : Art |
| ISBN | : 9004462066 |
This volume examines how and why many early modern pictures operate in an ekphrastic mode.
| Author | : Debra Cashion |
| Publisher | : BRILL |
| Total Pages | : 631 |
| Release | : 2017-08-21 |
| Genre | : Art |
| ISBN | : 9004354123 |
An anthology of 42 essays by distinguished scholars on current research and methodology in the art history of the late medieval and early modern periods in Germany, France, the Netherlands, and Belgium, written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania.
| Author | : Livio Pestilli |
| Publisher | : Routledge |
| Total Pages | : 752 |
| Release | : 2017-07-05 |
| Genre | : Art |
| ISBN | : 1351555065 |
This volume represents a long overdue reassessment of the Neapolitan painter Paolo de Matteis, an artist largely overlooked in English language scholarly publications, but one who merits our attention for the quality of his work and the originality of its iconography, as well as for his remarkable ability to respond creatively to his patrons? aesthetic ideals and agendas. Following a meticulous examination of the ways in which posterity?s impression of de Matteis has been conditioned by a biased biographical and literary tradition, Livio Pestilli devotes rich, detailed analyses to the artist?s most significant paintings and drawings. More than just a novel approach to de Matteis and the Neapolitan Baroque, however, the book makes a significant contribution to the study and understanding of early eighteenth-century European art and cultural history in general, not only in Naples but in other major European centers, including Paris, Vienna, Genoa, and Rome.
| Author | : Walter S. Melion |
| Publisher | : BRILL |
| Total Pages | : 517 |
| Release | : 2016-06-10 |
| Genre | : History |
| ISBN | : 9004319123 |
The Jesuit investment in images, whether verbal or visual, virtual or actual, pictorial or poetic, rhetorical or exegetical, was strong and sustained, and may even be identified as one of the order’s defining characteristics. Although this interest in images has been richly documented by art historians, theatre historians, and scholars of the emblem, the question of Jesuit image theory has yet to be approached from a multi-disciplinary perspective that examines how the image was defined, conceived, produced, and interpreted within the various fields of learning cultivated by the Society: sacred oratory, pastoral instruction, scriptural exegesis, theology, collegiate pedagogy, poetry and poetics, etc. The papers published in this volume investigate the ways in which Jesuits reflected visually and verbally on the status and functions of the imago, between the foundation of the order in 1540 and its suppression in 1773. Part I examines texts that purport explicitly to theorize about the imago and to analyze its various forms and functions. Part II examines what one might call expressions of embedded image theory, that is, various instances where Jesuit authors and artists use images implicitly to explore the status and functions of such images as indices of image-making. Contributors include Wietse de Boer, James Clifton, Ralph Dekoninck, Karl Enenkel, Pierre Antoine Fabre, David Graham, Agnès Guiderdoni, Anna Knaap, Walter Melion, Jeffrey Muller, Hilmar Pabel, Aline Smeesters, Andrea Torre, and Steffen Zierholz
| Author | : Lisandra Estevez |
| Publisher | : Cambridge Scholars Publishing |
| Total Pages | : 234 |
| Release | : 2021-04-09 |
| Genre | : Art |
| ISBN | : 1527568199 |
This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.
| Author | : Walter Melion |
| Publisher | : BRILL |
| Total Pages | : 1088 |
| Release | : 2014-03-10 |
| Genre | : History |
| ISBN | : 9004262016 |
Exegesis, as theologians and historians of art, religion, and literature, have come increasingly to acknowledge, has traditionally utilized visual devices of all kinds. This volume examines the many ways in which images functioned as instruments of scriptural hermeneutics in early modern Europe.
| Author | : Stijn Bussels |
| Publisher | : BRILL |
| Total Pages | : 541 |
| Release | : 2024-01-22 |
| Genre | : History |
| ISBN | : 9004682643 |
This volume contains twenty-four essays, which, in their subjects and methodology, pay tribute to the scholarship of Walter S. Melion. The contributions are grouped under three categories: “Devotion,” “Art and Image Theory,” and “Vision and Contemplation.” The Devotion section addresses votive practices, theological theory and polemic literature. The Art and Image Theory section focuses on Jesuit image theory, the reflexive dimension of works, and artists’ reflections on the function of images. Finally, the Vision and Contemplation section discusses the ‘early modern eye’ as a tool for thoughtful, prolonged looking to ascertain visual wit, deception, self-assessment and friendship, sacred and profane allegories.
| Author | : Victoria Sancho Lobis |
| Publisher | : Yale University Press |
| Total Pages | : 109 |
| Release | : 2016-01-01 |
| Genre | : Art |
| ISBN | : 0300218826 |
In the last decade of his life, Anthony van Dyck (1599-1641) undertook a printmaking project that changed the conventions of portraiture. In a series later named the Iconography, he portrayed artists alongside kings, courtiers, and diplomats--a radical departure from preexisting conventions. He also depicted his subjects in novel ways, focusing on their facial features often to the exclusion of symbolic costumes or props. In addition to illustrating approximately 60 works by Van Dyck and other artists from his era--particularly Rembrandt--this catalogue traces the artist's influence over hundreds of years. Showcasing both 17th century portraits in a variety of media and portrait prints by a wide range of artists spanning the 16th through the 20th centuries--including Albrecht Dürer, Hendrick Goltzius, Francisco de Goya, Edgar Degas, and Jim Dine--the book demonstrates the indelible mark that Van Dyck left on the genre.
