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A Panorama of American Film Noir (1941-1953)

A Panorama of American Film Noir (1941-1953)
Author: Raymond Borde
Publisher: City Lights Books
Total Pages: 284
Release: 2002
Genre: Performing Arts
ISBN: 9780872864122

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This first book published on film noir established the genre--a classic, at last in translation.


Women in Film Noir

Women in Film Noir
Author: E. Ann Kaplan
Publisher: Bloomsbury Publishing
Total Pages: 417
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1839021225

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The first edition of 'Women in Film Noir' (1978) assembled a group of scholars and critics committed to understanding the cinema in terms of gender, sexuality, politics, psychoanalysis and semiotics. This edition is expanded to include further essays which reflect the renewed interest in Film Noir. Exploring 'neo-noir', postmodernism and other contemporary trends, new essays offer readings of, among others, 'Bound' and 'Basic Instinct', broadening the scope of the book to include questions of race and homosexuality.


Film Noir: A Very Short Introduction

Film Noir: A Very Short Introduction
Author: James Naremore
Publisher: Oxford University Press
Total Pages: 144
Release: 2019-02-15
Genre: Art
ISBN: 0192509519

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Film noir, one of the most intriguing yet difficult to define terms in cinema history, is usually associated with a series of darkly seductive Hollywood thrillers from the 1940s and 50s - shadowy, black-and-white pictures about private eyes, femme fatales, outlaw lovers, criminal heists, corrupt police, and doomed or endangered outsiders. But as this VSI demonstrates, film noir actually predates the 1940s and has never been confined to Hollywood. International in scope, its various manifestations have spread across generic categories, attracted the interest of the world's great directors, and continue to appear even today. In this Very Short Introduction James Naremore shows how the term film noir originated in in French literary and film criticism, and how later uses of the term travelled abroad, changing its implications. In the process, he comments on classic examples of the films and explores important aspects of their history: their critical reception, their major literary sources, their methods of dealing with censorship and budgets, their social and cultural politics, their variety of styles, and their future in a world of digital media and video streaming. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.


Detour

Detour
Author: Noah Isenberg
Publisher: Bloomsbury Publishing
Total Pages: 117
Release: 2019-07-25
Genre: Performing Arts
ISBN: 1838715274

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Long considered an unpolished gem of film noir, the private treasure of film buffs, cinephiles and critics, Edgar G. Ulmer's Detour (1945) has recently earned a new wave of recognition. In the words of film critic David Thomson, it is simply 'beyond remarkable.' The only B-picture to make it into the National Film Registry of the Library of Congress, Detour has outrun its fate as the bastard child of one of Hollywood's lowliest studios. Ulmer's film follows, in flashback, the journey of Al Roberts (Tom Neal), a pianist hitching from New York to California to join his girlfriend Sue (Claudia Drake), a singer gone to seek her fortune in Hollywood. In classic noir style, Detour features mysterious deaths, changes of identity, an unforgettable femme fatale called Vera (Ann Savage), and, in Roberts, a wretched, masochistic antihero. Noah Isenberg's study of Detour draws on a vast array of archival sources, unpublished letters and interviews, to provide an animated and thorough account of the film's production history, its critical reception, its afterlife (including various remakes) and the different ways in which the film has been understood since its release. He devotes significant attention to each of the key players in the film – the crew as well as the principal actors – while charting the uneasy transformation of Martin Goldsmith's pulp novel into Ulmer's signature film, the disagreements between the director and writer, and the severe financial and formal limitations with which Ulmer grappled. The story that Isenberg tells, rich in historical and critical insight, replicates the briskness of a B-movie.


Black & White & Noir

Black & White & Noir
Author: Paula Rabinowitz
Publisher: Columbia University Press
Total Pages: 492
Release: 2002-06-20
Genre: Performing Arts
ISBN: 0231506147

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Black & White & Noir explores America's pulp modernism through penetrating readings of the noir sensibility lurking in an eclectic array of media: Office of War Information photography, women's experimental films, and African-American novels, among others. It traces the dark edges of cultural detritus blowing across the postwar landscape, finding in pulp a political theory that helps explain America's fascination with lurid spectacles of crime. We are accustomed to thinking of noir as a film form popularized in movies like The Maltese Falcon, The Big Sleep, and, more recently, Quentin Tarantino's Pulp Fiction. But it is also, Paula Rabinowitz argues, an avenue of social and political expression. This book offers an unparalleled historical and theoretical overview of the noir shadows cast when the media's glare is focused on the unseen and the unseemly in our culture. Through far-ranging discussions of the Starr Report, movies such as Double Indemnity and The Big Heat, and figures as various as Barbara Stanwyck, Kenneth Fearing, and Richard Wright, Rabinowitz finds in film noir the representation of modern America's attempt to submerge and mask its violent history of racial and class anatagonisms. Black & White & Noir also explores the theory and practice of stilettos, the ways in which girls in the 1950s viewed film noir as a secret language about their mothers' pasts, the extraordinary tone-setting photographs of Esther Bubley, and the smutty aspect of social workers' case studies, among other unexpected twists and provocative turns.


Orson Welles

Orson Welles
Author: Orson Welles
Publisher: Univ. Press of Mississippi
Total Pages: 318
Release: 2002
Genre: Biography & Autobiography
ISBN: 9781578062096

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It is only in the editing studio that he possesses "absolute control." With scholarly erudition, Welles revels in the plays of Shakespeare and discusses their adaptation to stage and screen. He assesses rival directors and eminent actors, offers penetrating analyses of Citizen Kane, Touch of Evil, Chimes at Midnight, and The Third Man, and declares that he never made a film that lacked an ethical point-of-view. Book jacket.


Philosophy, Black Film, Film Noir

Philosophy, Black Film, Film Noir
Author:
Publisher: Penn State Press
Total Pages: 368
Release: 2008
Genre: African American motion picture producers and directors
ISBN: 0271046880

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"Examines how African-American as well as international films deploy film noir techniques in ways that encourage philosophical reflection. Combines philosophy, film studies, and cultural studies"--Provided by publisher.


The Cambridge Companion to Film Music

The Cambridge Companion to Film Music
Author: Mervyn Cooke
Publisher: Cambridge University Press
Total Pages: 439
Release: 2016-12-08
Genre: Music
ISBN: 1107094518

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A stimulating and unusually wide-ranging collection of essays overviewing ways in which music functions in film soundtracks.


More Than Night

More Than Night
Author: James Naremore
Publisher: Univ of California Press
Total Pages: 403
Release: 2008-01-14
Genre: Performing Arts
ISBN: 0520254023

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"Supplies the first study of film noir that achieves the sort of intellectual seriousness, depth of research, degree of critical insight, and level of writing that this group of films deserves."—Tom Gunning, Modernism and Modernity


Lady Director

Lady Director
Author: Joyce Chopra
Publisher: City Lights Books
Total Pages: 218
Release: 2022-11-22
Genre: Biography & Autobiography
ISBN: 0872868699

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An intimate account of a seminal filmmaker’s development—as a creator and as a woman—both in art and in life. "Joyce Chopra, what a gift of an extraordinary filmmaker you are, and one of our great pioneers who forged a very difficult path. And for female filmmakers everywhere, we are so blessed to have you as a storyteller to forge the way to make it easier for others."—Laura Dern, actor Hailed by the New Yorker as “a crucial forebear of generations,” award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director—she couldn’t name a single woman in that role. But with her desire fueled by a stay in Paris during the heady beginnings of the French New Wave, she was determined to find a way. Chopra got her start making documentary films with the legendary D.A. Pennebaker. From her ground-breaking autobiographical short, Joyce at 34 (which was acquired for NY MoMA’S permanent collection), to her rousingly successful first feature, Smooth Talk (winner of the Best Director and Grand Jury Prize at Sundance in 1985), to a series of increasingly cruel moves by Hollywood producers unwilling to accept a woman in the director’s role, Chopra’s career trajectory was never easy or straightforward. In this engaging, candid memoir, Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her. She shares stories of her bruising encounters with Harvey Weinstein and Sydney Pollack, her experience directing Diane Keaton, Treat Williams, and a host of other actors, as well as her deep friendships with Gene Wilder, Arthur Miller, and Laura Dern. Along with the successes and failures of her career, she provides an intimate view of a woman’s struggle to balance the responsibilities and rewards of motherhood and marriage with a steadfast commitment to personal creative achievement. During a career spanning six decades, Joyce Chopra has worked through monumental shifts in her craft and in the culture at large, and the span of her life story offers a view into the implacable momentum of the push for all womens’ liberation. "Joyce Chopra has written a devastatingly frank, candid, and unsparing memoir of her life as a film director—a 'woman director' in a field notoriously dominated by men. The reader is astonished on her behalf, at times infuriated, moved to laughter, and then to tears. Lady Director: Adventures in Hollywood, Television, and Beyond is one of its kind—highly recommended." —Joyce Carol Oates, author of "Where Are You Going, Where Have You Been?"